Funky Electro Rhythm Journey offers listeners an unforgettable journey by presenting an impressive synthesis of pop, funk, and electronic music. With rhythm filled with retro vibes, it invites audiences to dance and have fun.

Beatara Clubix Quattuar

Here's another jam that takes inspiration from the guitar work of Richie Kotzen on Poison's Bodytalk. 
This time I asked my good friend and great keyboardist, the one and only Jamie Rhind to join along with me! What can I say, he tears it up with me on this one!

Jamie Rhind: All Main Keyboards and Synths
Louis Taverna: All Guitars, Bass, Additional Keyboards, Organs, and Drum Programming
Here's Jamie's soundcloud: @jamie-rhind
Check out his incredibly extensive catalog of great music!

Duck Talk - Featuring Jamie Rhind - Keyboards

Sometimes our path, or journey as it were, leads us to an edge. Edges of self, life, circumstances, reality, cliffs, you name it… Some edges are dangerous, sharp and jagged, even life threatening. Other edges encourage us to traverse them. Back in the 1970’s, there was this great sand cliff we used to go to, in Northern Europe, where we could run and hurl ourselves off of it and land in the water below. It was exhilarating, as the hang time allowed for contemplation in the moment, during the free fall. It felt like we were flying like the bluebirds in the sky. At the base of the cliff, we hung out by the water. We were mostly unfamiliar with the freedoms we had found there. Harry ran off and intentionally lost his swim trunks on the beach, while chasing after a beautiful woman who herself was sans swimsuit. He was in love with her. She had other ideas. He was drinking heavily, then he passed out, ass up in the sand, under the blazing sun, after making a fool of himself. It was a sad moment all around. By the time we found him, he had a bad sunburn. Poor guy. Could hardly sit down. A bunch of us were camped in the forest, not far from the cliffs. That night, I was sitting by the fire next to a wild-eyed woman and asked her something in another language. She blew smoke in my face and laughed nervously as if taunting a bear. Then she kissed me. We all seemed to be chasing after a freedom that did not exist in this life, at least for us. Some of us would later die trying to find that same freedom. For some strange reason I survived. We were wild back then and maybe always will be. This song contains some of that freedom among other things.

Lammbone's Album

Have You Ever Been?

LYRICS 
I heard her coming in at midnight
I said honey where you been
She said I've been to the movies
With Sue and my best friend Janine

She said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said what was the movie
And she said I don't know
I didn't take no notice
It was just somewhere to go

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

Instrumental

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said why was you talking
Is there something I should know
She said now honey don't be silly
But her face just let it show

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I heard her coming in at midnight

Fade




Coming in at Midnight

"For My Lady" is a song written by Ray Thomas that was released on the Moody Blues 1972 album Seventh Sojourn. It was also released as the B-side to the single "I'm Just a Singer (In a Rock and Roll Band)"
The lyrics to "For My Lady" are about the singer's desire for true love.The lyrics may have been inspired by Thomas' recent divorce at the time he wrote the song.

Music journalist Geoffrey Freakes described "For My Lady" as an "uncomplicated, uncluttered and blissfully romantic song" that is "supremely elegant." Moody Blues biographer Marc Cushman felt that "the melody and heartfelt vocal performance convey a sadness despite the positive nature of the lyrics. Tampa Tribune critic Ralph Harold described the song as "an elegant love song, almost Elizabethan, although somewhat gimmicky with a cymbal sound of ocean waves and a nautical harmonica and organ background.

At one point Justin Hayward plays a guitar note that had some listeners thinking that the guitar string broke. But according to Hayward that it was not a broken string but merely an emphasized pluck to accompany the lyrics "and slowly bow her head."                          Wikipedia

Mastered Track: Distrokid Mixea

For My Lady - The Moody Blues (Cover)

Partially inspired by „Besnilo” (Rabies), a novel by Borislav Pekić. „Partially inspired” means that I had been reading this novel at the time I started noodlin' with this. Also, it may probably refer to my own rabidness which... don't know what stage I'm in... haven't started to bite people or disgust water yet... yet.

Stage 1 - Incubation

افتاده بر لاک خویش

sounds like airplane but it is edward (pitchtempo) 45 seconds

classical guitar gone crazy

Semiology

Mushrooms grow and propagate rapidly. It is beyond human imagination! I expressed it with seven-four time. 
 Enjoy!
 Thank you.

Mushrooms in the Moonlight

REI Koizumi