Hailing from the barrios of the Eastside hillsides of Los Angeles, the Dusty Modestos keep the fog rolling in with a blend of outer-spaced, high-deserted, and urban tales peppered with minor and seventh chorded harmonies, impressionistic imagery, and improvisational verve... As some have remarked, 'This is Ethereal, Close-Your-Eyes-And Float-Towards-The-Sun Music. Layered. Textured. Airy. Imaginative. Ambitious. Existential. And Wildly Amusing.' 

Be warned! You just might find yourself bobbing your head and swaying with the groove along the journey, a wide grin breaking across your face...

The songs of the Modestos' debut EP, 'Folds in Space-Time,' are the culmination of more than a decade of songcrafting and musical collaboration. Many of the songs have roots in the time period and moods stretching from the end of the Era of Prosperity in the 1990s through the rapid societal and economic devolution of the Lost Decade that followed.  

Ultimately, the stories contained in our songs are ones of solitude, desolation, alienation, misguidance, malfeasance, perseverance, adventure, rolling hills and rocky peaks, wind-blown landscapes, wine-soaked evenings, nocturnal revelry, chicanery of ne'er-do-wells in the dark back alleys of forgotten downtowns, of urban survival and urban thrival, of posers, fakers, swindlers, and players, of artists, of spy-fi, of pop icons, of a time that has passed but may some day return, of a brilliant, multi-cultural, multi-generational, multi-dimensional tribe energized to change the world. Of positivity, of the will and tenacity to dream and endure and transcend conventional malaise, apathy, and discouragement. Of Earnesty, Hope, and Endless Possibilities...



Born and raised in Southern California, Marbs was shaped by a deep love of music, art, and counterculture. His journey into electronic music began in high school and crystallized after two pivotal sets—Lee Burridge at Lovefest and Plastikman live—which inspired the deep, hypnotic sound he’s known for today.

As a founding member of Desert Hearts, Marbs has been instrumental in shaping the brand’s identity—on and off the dancefloor. While widely recognized for his DJ sets and moody, driving productions, he’s also the behind-the-scenes architect of the Desert Hearts Festival. As the festival’s director, he oversees everything from logistics and production to creative direction and curation, helping evolve a grassroots gathering of 200 people into one of the world’s most iconic boutique festivals.

To expand the brand’s sonic range, he launched Desert Hearts Black, a sub-label and event series focused on deep, melodic techno. As a producer, Marbs has delivered multiple chart-topping releases, including the Torus EP (#1 on Beatport), Clean Slate Glow, and The Devil’s Love.

Equal parts artist, visionary, and builder, Marbs remains the backbone of Desert Hearts—embodying its ethos of House, Techno, and Love with relentless creativity and heart.

DangeRoom Entertainment Mission Statement

We believe that the Tree of Life a.k.a. Cannabis is the universal connection between all of mankind regardless of our differences.  We believe the perfect expression of this connection is Hip-Hop and that our future advancement as a people is connected to our financial freedom in the CryptoCurrency Revolution.

Our goal is to create a Blockchain based economy HipHop via a marketplace navigated by a D.A.O. Digital Entertainment Record Label that would be entirely curated by an ownership community of passive and active Power-Broker DangeRoom users.

Our mission is to encourage the growth of mass user adoption of cryptocurrency through the process of content creation of Cannabis and Crypto positive HipHop media.  This content creation will enable all of the users actively involved in DangeRoom official projects to also partake in the success of the DAO Record Label via the sharing of network equity.  

This DangeRoom incarnation came into origin in an age before the internet back in 98/99 in the long lost dusty city of 2Strong Arizona on the edge of Arrakis.  It sprung out of Mysterio's mind and was further developed under the promotion and mentoring of Size Anonymous & fellow L.O.U.T. members, R/Sun, Reemo Williams, & Raw.  The Chief HotFoot was christened and Eventually linking up at time or another with the Underground and the S.treets T.ake E.verything hiphop scene in Blaze City during that era.  Partnering up with StuckUp Johnson, Prince Smiles Ali, & Cash Every Day before breaking out to the Chi to break ground and Staying Connected with the DangeRoom Social Club of Shaolin....

Whispered words from the ancient earth. The biosphere metaphorically battered by dusty drum machines, synth swept landscapes, industrial hooks that ring out from the barren outback. Was ist das?

Die Orangen are Australian-expats Kris Baha and Dreems, blown off course from their native land and swept onto the European continent. Together, through their experience they have crafted a genre: “Krautback.” Rooted in indigenous psychedelia, resonating the vast expanses of the island of Gondwanaland, turnt up by progressive cultures, and multiplied by the logic of the Germanic mind.

Hear the sound of the Southern sun melt genres, feel it flow downstream into a languid ocean of sound. Beware the punch of the modular marsupial, a bite from the deadly synthesised snake, the neon stare in a tree-frogs eye, and the bleached siren call of the coral reef - these wild sonic reveries ominously soundtrack the future that Die Orangen have in store. 


For Live/ DJ Bookings in Europe: 
ryan@thepool-london.com

For Live/Dj Bookings in Australia :
james@watartists.com

Roy & the Devil’s Motorcycle - Raw, green, warped, outsider joy

The Stähli bros. picked up guitars as freshly-psyched country teens looking to set their - and our - little worlds on fire. Inspired by old, dusty blues records, gospel, primitive garage, Spacemen 3, 13th Floor Elevators, the Velvets, Souled American, Gibson bros., they cut their own path with a fierce experimentalism more akin to Lee ‘Scratch’ Perry, Red Krayola and Sun Ra.

After a few singles on the super-underground RECORD JUNKIE label, they’ve since unleashed 4 self-made-to-the-bone albums on the Swiss-primitive VOODOO RHYTHM RECORDS, including the raging punk-blues cult-classic FORGOTTEN MILLION SELLERS (1998), the scorched-earth soundtrack BECAUSE OF WOMEN (2006), and the psychedelic knife-cut crystalline transmission TELL IT TO THE PEOPLE (2012). Not to ignore handfuls of handcrafted singles and the deceptively (relatively) accessible 10 inch BLACK SWAN AT CHRISTMAS (2005).

By 2012 they’d shared European stages with Acid Mothers Temple, Sonic Boom/Spectrum, Black Lips, Disappears, Strange Boys, Psychic TV, Martin Rev (SUICIDE) and, after J Spaceman’s ears were tweaked by the warped power, they joined Spiritualized on a 3-week European tour.

2013 studio efforts concentrated on the soundtrack to Adrian Winkler's biopic on the original Swiss Hells' angel, Martin “Tino” Schippert - TINO: FROZEN ANGEL (2014), with their tri-sibling sub-conscious atmospherics sound-painting Tino’s escalating and unwinding decline.

And so…..the future: Roys have been recording an album with Doggen from Spiritualized and 2015 shall be the year of its birth.

Dugo is the experiment on how to combine the sound of rock guitar influenced by modern Spanish flamenco that he think is the culmination of guitar music with modern electronic sound in an organic form, and it represents the soundscape of his inner image and the landscape he has seen.

He has played the guitar in a prog rock band called Happy Family in the late 90s, and at the same time played the role of a producer of the band. He worked on two albums, which were released by Cuneiform Records in the US.
After the band broke up, he managed to build a bedroom studio and began to learn to make music using computers and digital audio. He didn’t meet almost anyone while he was focusing on that for a year. While doing so, he happened to get an offer to make a remix for a J-Pop group called PAMELAH. It was his first job as a professional music creator. Since then, he has worked on a number of productions for major artists in Japanese music industry as a remixer, arranger, and sometimes a producer.

Working as a professional musician didn’t mean he had to give up on being active as an artist. He started his solo project around this time and named the project Dugo, which means blood or family in the Tagalog language.
One day in 2005, one of his friends invited him to some secret club party in Tokyo as a guest. He happened to get an opportunity to talk with Ian Pooley, who was also invited to the party as a DJ from Germany, and he gave him a demo CD-R. Two months later, he got an offer from Pooled Music, which was a label run by Ian Pooley, to release Dugo's album. He gladly accepted the offer, but even though he completed 10 songs for the album, the distribution company that was the biggest in the EU went bankrupt at the last minute.
Consequently, the album release was abandoned, because Pooled Music was working with that distribution company, and it was very difficult to make a new contract with another distribution company for a new unknown artist in such a confused situation in the music industry in Europe. Dugo had to give up on releasing the album.

Such an unlucky event made him feel discouraged, but then the track 'Dublin' was unexpectedly picked up to be used for CSI: Miami Season 3 in 2006, thanks to Freibank Music Publishing from Germany. As a result, he became involved in music production for the media. Among them, the opportunities to compose video game music increased, and he gradually became known as a video game composer.

Although he was successfully working as a video game composer, the tsunami that hit Japan and the disaster at the nuclear power plant in 2011 changed his policy. Since then, he has devoted his resources to working as an artist again. He started Happy Family again after 1998, then released the third album in 2014.

After the second hibernation of Happy Family, he finally released Dugo’s first album 'Lingua Franca' through Brave Wave Productions in 2017, where he collaborated with Italian classical musicians and a Canadian violinist.
Though it tended to be slow, he had been proceeding the production for Dugo, while working as a video game composer at the same time. However, after being infected with COVID-19 in April and surviving, He seriously has restarted Dugo, becoming to focus on what matters most in his remaining life.

Finally, the latest EP ‘Recluse’ was released on October 9, 2020. The tracks in this EP were written partially when he was suffering from COVID-19. Now that many musicians are trying to change their activity to be able to adapt to the situation of post-COVID-19, his resumption of the work as Dugo, an independent artist, can be a symbolic expression of that.

Known for his latin, dub, breakbeats and funk, DJ Hubbz knows no boundaries. During the day Hubbz toils through mountains of wax at Vancouver's institution, Beat Street Records. After dark, he plays several weeklies such as the 17 year long running "The Payback" Saturdays. Hubbz was the first and only deejay to use all 45's for the prestigious Red Bull 3-Style competition and most recently Hubbz brings you his own 7" imprint, Bubbascope Records, challenging the latin breakbeat funk sound, now on it's 3rd release.

Re_Play Community (team of 2 people - Marcello & Alex Luter) is already known as a brand (a quality mark) and all clubbers of 
Novosibirsk city & Siberia (Russia) know that their events have special style. The guys achieved this brand 
without any special place and made their parties and events in many Novosibirsk clubs and other cities. They 
invited a lot of famous Djs and artists to the parties.
Re_Play are able to handle with everything. They manage to organise any event with any budget such as: 
a presentation, an open air, a party or just a happy birhday and book different artists. This all was achived by 
experience, time and mutual understanding.
Marcello and Alex Luter hardly ever prepare their sets in advance. They are driven by emotions and people 
on the dancefloor. They are always trying to surprise the audience and sometimes get surprised themselves.
Their mixes have special style and are always unusual and various. They feel and understand each other while 
playing together.It is their speciality. 
Re_play took part in a lot of big events such as: Aerodrom, Sun Vibes, Butterfly Dj session, Pre party Kazantip
and other.
They played on the same events with Timo Maas, Tiefschwartz, Ferry Corsten, Martin Eyerer, Robert Babicz, D.O.P, 
Butch, Metope, ADA, GORGE, Guy J, Dusty Kid, Djuma Soundsystem, Betoko, Lee Van Dowski, Terry Lee Brown jr, 
Phonique, Tigerskin, Kolombo, Shur - i - kan, Boris Brejcha, Andrea Bertolini, Tom Pooks, The Timewriter, 
Kris Menace, Zoo Brazil, Manuel Tur, Dj T, Marc Romboy, Moonbeam, Pan/Tone, Benno Blome, Roland M.Dill, Stanton Warriors. Jody Wisternoff, Lou Lou Players, Mario Basanov, Grgorythm, Ivan Smagghe, Portable, Good Guy Mikesh, Peter Invasion, Infected Mushroom, Patrick Chardronnet, Findling, Alex Kennon and many... Residents of big events in Siberia, successfull 
promoters, Djs with unique style... They are Re_Play Community.

West Coast trappist life
Connect - squamabass@gmail.com 

Featured on @runthetrap
bit.ly/1dKh2td
@mallabelmusic

Releases on @street_ritual

|| FESTIVALS ||

5Points Gathering 2013 - 2016
YOUtopia SD Decom 2012 -2014
Sanctuary SF 2014
Blessed Sands Gathering
LUCIDITY 2013 :: Santa Barbara
LUNACY 2012 :: Santa Barbara

|| HAS SUPPORTED ON LINEUP ||

2Nutz, 6Blocc, 12th Planet, AMB,  Ajapai, Antiserum, Bleep Bloop, Borgore, Camo UFO’s, Celerity, Chase & Status, Chefal, ChrisB., ConRank, Crazy Daylight, Datsik, Deathface, Dillon Francis, DJ Muggs, Downlink, Dusty Fungus, Dysphemic & Miss Eliza, Evol Intent, Flinch, Freddy Todd, G Jones, The Gaslamp Killer, Gladkill, GoldRush, Goosebumpz, Govinda, Great Dane, Gridlok, Griz, Grouch, Gruff aka Bran Richards, Heroes & Villains, Hive, ll-Esha, Jakes, Jantsen, J.Rabbit, Joe Nice, Juakali, Juggernaut, Jupit3r, Kalya Scintilla, Kaminanda, Kastle, Kelevra, Kelly Dean, Kozee, Krueger, Le CastleVania, Liquid Stranger, Loudpvck, Love & Light, Mad Zach, Mayhem, Mr Bill, Mr Vandal, MRK-1, Mustard Pimp, Mustard Tiger, NastyNasty, Nero, Nico Luminous, Noah D, Octopus Nebula, Paparazzi, Papa Skunk, PartyWave, Pawn, Peace Treaty, PhuturePrimitive, ProFresher, Proper Villains, Run DMT, Sammy Bannanas, Samples, Skytree, Soulular, Sun In Aquarius, Steady, Stephan Jacobs, Subp Yao, TeamSupreme, Todd Fink (The Faint), Them Jeans, Thriftworks, Trowa, Udachi, Vaski, VibeSquad, The Villains, Virtual Boy, Yheti, Zoo Brazil

https://open.spotify.com/artist/40bi86u5XiceMuz4sDxLdz 

Andrea Lunghi AKA Dust has been releasing psychedelic trance music since 2008, always keeping on evolving and defining his cutting-edge, broad soundscape from night-time underground full-on tunes to daytime kick-ass dance floor stompers.
His tracks are imprinted with his easily recognizable touch and you can hear them pounding at most of the psy-trance events around the globe. Many releases followed Dust’s debut album “I don’t like psychedelics” on Looney Moon records in 2012, such as “My friends love psychedelics” in March 2013, “Explicit Content” in 2014 , “Hippie Blaster” in 2016 together with Lunatica, “Loonacy” in 2017 with Obliviant , “Wanamatcha” in 2017, “Thirteen” in 2022 and “Always on line “ with Peace-ka in 2024.
Aside from his solo project, Dust has a role in many collaboration projects: Loonacy (with Obliviant), Foam (with Assioma) and Dustinface (with Phase) and Assault Junkies with Peace-ka.

Darcy Loren is following