AudioBake(Track Creator)
OmniOmnous(Twinkle Sample)
Oj22(aka The Jooos) Vocals
ElectraVolcana Vocals
HOBOCOP Vocals
CosmicKeanu Vocals
Razzi Vocals
PurpleClaire Vocals
MrDjBigHouse Vocals
LucyScrew(AudioBake + MrDjBigHouse)
Mastered by HOBOCOP
Mixed by LucyScrew

FTW By LucyScrew (Super Mega Collab)9 Artist (Details in Description)

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

Dark cinematic music.

 

thanks to: https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

This is a Techno orientated account.  I do not use AI generated music and I object to AI training and  any use of any material on this site without written permission from me is strictly prohibited.  Some mastering software or services I use could be using AI.  


Favorite Artists:  Miles Davis, Surgeon , Julie London, Mark Verbos, Julia Bondhar, Sara Landry 

In closing I may not  be able to reciprocate  to likes or listens,

1st July 2025, Aindrea Greumach

Your Underground Electronic Music Collection is a digital collection of independent music. (Official Site).

Playlist and reposts of the participants of the collection.

Email: 

yourmusiccollection2021@gmail.com

Collection volumes:

https://youtube.com/playlist?list=PLMJj4CDFwNH0GLutmTGlTobMiNWN_LYjb&si=1MgWu49JXYOetHwQ

Collection Facebook page: 

https://www.facebook.com/profile.php?id=100093658337234

Collection Telegram group:

https://t.me/GUCTG

Now that’s a cryptic pairing. Here’s a concept riff:

---

Tsarwicc | Randleman
A haunt beyond the oval.
Where burnout echoes into silence, and roadside shrines flicker in eternal dusk.
Here, Tsarwicc reclaims the speedway’s forgotten hymns—ritualizing lost velocity, discarded helmets, and the spectral drawl of Southern legacy.
From pit crews to cryptic choirs, every track Fuel for the Stillborn, or Petty Saints. Want to go harder into that haunted motorsport Americana vibe? Or twist it toward Tsarwicc’s quieter layers: rust as resonance, oil as oracle. I’m buckled in either way. 🏁🕯️

2025/12/12:
Anybody else prevented from accessing SC servers via VPN?  All of them are blocked for me.  This is the first time it happens to me in six or seven years of almost daily SoundCloud activity.  I use a VPN in SC because when I don't I get horrible delays that show up in many different ways.  The only explanation I have found is that somehow their security/identification system has flagged my IP address and introduced all kinds of speed bumps.  It makes the experience very unpleasant, irritating.

2025/12/06:
Why was Jonathan Bellot's account
[https://soundcloud.com/jonathanbellot] deleted?
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

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