Waiting til they call your station
Romanticise the small decision
I’d be there in two minutes walking

Cracks let in a light two seconds
A stranger wears your walk and fragrance
Then I overheard a southern accent

Damian calls with their whereabouts
A park somewhere far out of town
I doubt that I will come around

This cold heart wouldn’t open twice
I have sealed it shut and I’ve forced it to close

I wonder how your day turned out
More so than I wandered my own
 
Everything I see is clouded
With your views and prejudice about it
I guess we covered all that there is

Damian calls me with their whereabouts
He’s been on to me for hours now
Doubt that I will come around

This cold heart wouldn’t open twice
I have sealed it shut and I’ve forced it to close

I wonder how your day turned out
More so than I wandered my own

You know how I could go about
Every place and every fucker I loath
 
I wonder how your day turned out
Mine just turned one hundred years old

Fragrance

Sides of War

Petrol Station Music Video: https://www.youtube.com/watch?v=XS9s_Ia_iCI


Produced by @bailemusic 
Recorded by Gian Stone 
Mixed by Gian Stone and Harper James
Mastered by Anthony Scott DePerto 
Artwork by Shane Gormley


Lyrics:

We stayed up late to watch a movie
April fools I think a Tuesday
Spring had just arrived
And so our clothes were hanging loosely

We stepped outside
To the old petrol station
Out of nowhere started raining
Kinda suited the occasion
Reminded me of when we spent our whole summer vacation
Two thousand eleven
Sleeping in my basement
Looking back I think that we just spent those 2 weeks wasted
Some side of love we tasted
You find your love you chase it

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news
If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

We stayed up late to watch the day arrive
Lucky number 25
Take a minute 
Just to live it
And that's when you'll realize
Every now and then 
The worst week makes the best weekend
And everything is better
Because I'm with all my friends
Some suburban kids just getting drunk out in the garden
Sitting by a swimming pool
With the best dressed kid from Harlem
Grass stains on my shoes
My rib cage is bruised
But that side of love we tasted 
You find that stuff you chase it

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

If I, If I never told you
That I wanna hold you
That I wanna hold you
I just wish it was old news

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here forever?
I'm not holding out For anything better
Can we just stay here forever? Can we just stay here
Cause I should have told you

By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt
By now,
Cause you're coming over to my house
You're coming over to my house
Red eyes don't get rid of your doubt

Sorcha Richardson - Petrol Station

Hope You Forget

Debut single from Sydney duo The Tapes.
Free download https://www.triplejunearthed.com/artist/tapes-0
Follow at www.facebook.com/listentothetapes
ig https://www.instagram.com/listentothetapes/
tw https://twitter.com/tweetthetapes

At All

Verbal Wars

I laid on my back / An echo of silence / Floating on top a shallow pool of self awareness / Or a lack there of when I saw your face and I knew / That you were drunk

I laid on my back / An echo of silence / Floating on top a shallow pool of self awareness / Or a lack there of when I saw your face and I knew / That you had just cum / And you were far from done

All we want to do is to be something, be something we're not / But all we really need is to have someone to hold us when we're drunk

It's more than just sex / It's more than our bodies / It's more than a movement made from self loathing and irony / But I don't know what to call quite just yet / So I'm gonna shut up / Cuz I'm so far from done

All we want to do is to be something, be something we're not / But all we really need is to have someone to hold us when we're drunk

Written by Ryan Marshall Lawhon
Produced by Ryan Marshall Lawhon
Mixed by Jason Suwito
Mastered by Gene Grimaldi

Drunk

Linger by The Cranberries
Produced & mixed by Dresage
Mastered by Derek Snyder

I want to thank Dolores O'Riordan and the members of The Cranberries for helping shape me as a musician. I hope by taking this out of its hiding place on a hard drive from 2015 it can be shared as a tribute to her legacy. Rest in power <3

Linger

Be Alone - Music video OUT NOW : https://bit.ly/2GeCYTj

Follow us on 
instagram - http://bit.ly/2H2Xfbh
facebook - https://bit.ly/2G8hNlB

Roses

Be Alone

Available to Stream & Download now - https://risque.lnk.to/Colors 
Premiere via Notion - http://notionmagazine.com/aussie-prodigy-charlz-crafts-twilight-moment-new-single-colors/ 

Light, silvery, yet it fills—and stills—a room, Charlz’ dusky voice comes from a place of deep honesty. In her latest single, ‘Colors’, it takes a leading role. Full of quiet intensity, the song breathes with emotion, a delicate dance of harmonies in which Charlz’ captivating vocals are both principal and corps.

The second release on new Australian imprint Risqué, ‘Colors’ was born from collaboration with ARIA Award-winning producer M-Phazes, best known for his work with Amy Shark, Alison Wonderland and Eminem. “I was paired up with Mark at a songwriting workshop in Melbourne, early on in his career. We spent all day in the Abbotsford Convent, drinking wine and making music.” 

Having returned to her hometown of Melbourne in late 2017 with a freshly signed publishing deal with Kobalt Music, Charlz had spent time in LA working with an international list of collaborators as intriguing as it is impressive. From Deadmau5 protégé ATTLAS, to UK phenom Maths Time Joy and Grammy Award winner Latroit, Charlz’s quiet aura and creative magnetism allowed her to connect with some of electronic music’s most elusive producers.

At the end of last year Charlz debuted her single ‘Feather’ to a 5000-strong Festival Hall crowd in Melbourne, opening for US RNB superstar Khalid. Now armed with a collection of subtle, arty pop hits ready for release, the world is about to see what Charlz is really about. Listen for sleek and understated production, raw grooves and deep thoughts, expressed by a voice which traverses the octaves as lightly as a leaf in the wind.


Follow Charlz:
Facebook: https://www.facebook.com/CallMeCharlz/ 
Instagram: https://www.instagram.com/charlzinsta/

Follow Risque:
Facebook: https://www.facebook.com/risquemusicau/
Instagram: https://www.instagram.com/risque_music/
Youtube: https://www.youtube.com/channel/UC6LptdiV3xxdwURQnH7SeRA

Blame The Record

Vandalye