This multi talented versatile singer-songwriter is of an Indian, Cuban and Jamaican heritage, hailing from the beautiful region of St Elizabeth, she has always displayed a passion for music and singing. To Date Sherii has performed at various prestigious venues from The Bafta Building, Hootananny, Indigo 02 to The Keep it Real festival and P-Town Festival in Germany. She has graced the stage with amazing legends such as General Levy, Christopher Martin, Marcia Griffiths, Dawn Penn, Beverly Knight, Omar and more. 

Sherii's story is one of determination and perseverance, having spent a number of her childhood years living in Jamaica, Sherii moved to London and within a few years of arrival, her will to make things happen for herself paid off when she signed a major recording deal with BMG entertainment as the lead singer-songwriter of the group ‘MADE IN LONDON’. The group’s first single ‘Dirty Waters’ was released in May 2000 and featured on the national charts at No 15. The group disbanded shortly after and Sherii took this anti-climax of a short-lived career as a blessing in disguise as it gave her the ability to become a solo artist and pursue her own goals 
Sherii has had to overcome various set backs in life, the most notable incident was in 2002 when she suffered an accident which left her wheelchair-bound for 8 months, with severe trauma and muscle damage to her back. She went through rehabilitation and had to retrain herself to walk. Despite being diagnosed with Fibromalaigia, her determination, drive, passion and ambition has helped her to get to this point in her career and now she is enjoying performing live more than ever. 

Her first single was released via the German Reggae Power Band  Boomrush on  Feb 13th 2016 entitled The Right Way. It has already landed her dozens of festival booking in Europe and is now picking up amongst the UK Roots and culture scene. 
Sherii has been tipped by various trend setters in the industry of Reggae as one to make big waves in 2017. With her current release of her RISE UP Mixtape and putting the final touches to her ARIWA produced EP Fwd Love the future seems very bright for this songstress . With more fans requesting her music, its only a matter of time before this seed blossoms in to a musical Rose. More news soon !!!

"A Stax-like rhythm section, Stones-y guitars, and some of the most soulful singing I've ever heard, delivering songs both Smokey Robinson and Van Morrison would be proud of." Little Steven Van Zandt

The Breakers of Copenhagen, Denmark were signed by Little Steven Van Zandt to Wicked Cool Records in 2008. The Breakers harken back to when the Rolling Stones, Small Faces, and Yardbirds were Rock and Roll dance bands inspired by the Soul music of Motown, Memphis, and Muscle Shoals.

The band’s wild energy is fueled by the weaving double guitars of Anders Bruus and Klaus Højbjerg and the super solid rhythm section of Jackie Larsen (bass) and Stefan Andersen (drums). Toke Nisted’s smoky vocals and seamless harmonies evoke the Rhythm and Blues passion of Steve Marriott, Stevie Winwood, Chris Farlowe and Rod Stewart.

The Breakers recently finished recording their third album, and very first for Wicked Cool, with Little Steven in NYC. Van Zandt produced the album and co-wrote several songs with the band as well.  The self-titled album was released on June 6th 2011.

The Breakers have supported Bon Jovi at 8 shows at their European open-air tour during the summer of 2011. The Breakers performed at Hard Rock Calling in Hyde Park, London in June 2010, closing the second stage just before Paul McCartney played the main stage. The Breakers also traveled to the U.S. for SxSW in March 2009 for two shows hosted by Stevie Van Zandt. 

Founded in 2002, The Breakers have two previous albums: What I Want (2004) and Here For A Laugh (2006). In particular, Here For A Laugh garnered excellent reviews and support at college and commercial radio across the United States.  

The Breakers have brought their dance party to more than 200 gigs, including many outside of Denmark. Ecstatic, sweaty, and exhausted audiences are left craving more!
The band’s wild energy is fueled by the weaving double guitars of Anders Bruus and Klaus Højbjerg and the super solid rhythm section of Jackie Larsen (bass) and Thomas Stølsvig (drums). Toke Nisted’s smoky vocals and seamless harmonies evoke the Rhythm and Blues passion of Steve Marriott, Stevie Winwood, Chris Farlowe, and Rod Stewart.

The Breakers recently finished recording their third album, and very first for Wicked Cool, with Little Steven in NYC. Van Zandt produced the album and co-wrote several songs with the band as well. The first single “Riot Act” is out now - both digitally and on 7” vinyl. The album will be released in early 2011.

The Breakers performed at Hard Rock Calling in Hyde Park, London in June 2010, closing the second stage just before Paul McCartney played the main stage. The Breakers also traveled to the U.S. for SxSW in March 2009 for two Underground Garage A Go-Go parties hosted by Van Zandt.

Van Zandt, chairman and founder of Wicked Cool, believes The Breakers should stay connected to their hometown by continuing to play local gigs. It’s no different than the club shows secured by The Beatles and The Rolling Stones in the 1960’s. Therefore, The Breakers have booked month-long residencies multiple times at the legendary Floss (in Copenhagen). The set lists feature classic soul, rhythm &amp; blues, etc., as well as the songs from their upcoming album.

Founded in 2002, The Breakers have two previous albums: What I Want (2004) and Here For A Laugh (2006). In particular, Here For A Laugh garnered excellent reviews and support at college and commercial radio across the United States.

The Breakers have brought their dance party to more than 170 gigs, including many outside of Denmark. Ecstatic, sweaty, and exhausted audiences are left craving more!

The band’s wild energy is fueled by the weaving double guitars of  Anders Bruus and Klaus Højbjerg and the super solid rhythm section of Jackie Larsen (bass) and Stefan Andersen(drums). Toke Nisted’s smoky vocals and seamless harmonies evoke the Rhythm and Blues passion of Steve Marriott of the Small Faces. 

The Breakers are currently recording their 3rd album, and very first for Wicked Cool, with Little Steven in NYC. Van Zandt is produci

Jacopo Barbaccia. Italian music producer, dj and videomaker, starts up in the mid 90s a techno music project together with AntiMuzakFront. As producer he gives a boot to the Italian electromusik while organizing several parties for the psytrance scene. Later, on '98, as a founder and front dj of Loopus in Fabula he's a special guest at several International and important scenespots, such as Rainbow Serpent in Australia, Yokohama Bay Hall in Japan and several clubs in Brazil, USA, UK and Mexico.
With a definitely eclectic, perky-smart style in the recent years he cooperated with several indie and International productions and eventually he characterizes his recent music productions with an evocative, wicked and gnarly style especially with his recent Riga project and brand-new Jake pro. Indeed with the Jake project the sound is build around a base line and digitally processed with the result to turn up the dark line, but it quickly makes a left turn into scorching dope body muscle-head music, kinky rhythm for a first-pimping catharsis: Jake perfectly performs his duty easily answering the electronic gurgles with a solid feel for percussions in his futuristic and kinky assemblage.

A singer-songwriter musician of the old school, with decades of experience, you may think you know what Linda McRae is up to. That is until she throws you a curve with a new twist: David Bowie on Banjo?!
 
Linda manages to bend the rules and the genres, proving that stripping a song clean brings one back to their roots. With her new release, GOING TO THE WELL, Canadian/Nashville based Linda McRae takes a deep draw, fresh and cool, on iconic influences, covering the likes of David Bowie, Willie P. Bennett, Richard Thompson, Don Williams and Bill Kirchen.
 
Linda’s love of Canadian, American and British music early on in her career resulted in multiple band configurations from roots-rock to punk to folk. These bands included the platinum selling group, Spirit of the West. Her deep contribution to the Canadian music scene resulted in her being honoured as a 2016 British Columbia Entertainment Hall of Fame “Pioneer” inductee.
 
When Linda steps onto a concert stage, into a recording studio, workshop or mentoring session, there is an effortless passion, a love of what she does and a connection with fans and friendships built and treasured. A multi-instrumentalist Linda works tirelessly as a touring singing songwriter, performing at premiere venues across Canada, the US and Europe while turning out new works.
 
Crucial to Linda’s art is her virtuosic vocal work. Echoes of such artists as The Beatles, Hank Williams Sr, Hazel and Alice, Jean Ritchie, Neil Young and Johnny Cash, are reflected in her work reviving the songs and the senses with a new urgency of spirit and authenticity.
 
McRae has offered six critically acclaimed solo recordings throughout her years as a solo performer and is featured on multiple artists’ albums. Numerous accolades and top radio charting have landed Linda a Canadian Folk Music nomination for Contemporary Album of The Year for “Rough Edges and Ragged Hearts,” two Escape to Create Residencies in Florida, Winner of the Family Folk Chorale for “Be Your Own Light”. Linda is also highly sought after as a teacher, mentor, juror, panelist and workshop facilitator.
 
And if all that isn’t enough Linda has worked alongside husband/manager with at risk youth and adults in her Express Yourself Writing Workshops presented across the country at detox, and correctional facilities including New Folsom Prison in California.
 
Diverse, meshing old style with modern, and ingeniously acoustic. Linda McRae shows her confidence with her unique approach and her brand of music, drawing from a deep and treasured resource of well-loved songs for “Going To The Well!!” 

lindamcrae.com
Management: James Whitmire, 42management@gmail.com

http://www.songkick.com/artists/214594

http://www.facebook.com/pages/N01Z/162671690466544

The Description of the Human Body (La description du corps humain) is an unfinished treatise written in 1647 by René Descartes. Descartes felt knowing oneself was particularly useful. This for him included medical knowledge. He hoped to cure and prevent disease, even to slow down aging.
René Descartes believed the soul caused conscious thought. The body caused automatic functions like the beating of the heart and digestion he felt. The body was necessary for voluntary movement as well as the will. However, he believed the power to move the body was wrongly imagined to come from the soul. A sick or injured body does not do what we want or moves in ways we do not want. He believed the death of the body stopped it from being fit to bring about movement. This did not necessarily happen because the soul left the body.
René Descartes believed the body could exist through mechanical means alone. This included digestion, blood circulation, muscle movement and some brain function. He felt we all know what the human body is like because animals have similar bodies and we have all seen them opened up.
He saw the body as a machine. He believed the heat of the heart somehow caused all movement of the body. Blood vessels he realized were pipes, he saw that veins carried digested food to the heart. (This was brought further by William Harvey. Harvey developed the idea of the circulation of the blood.) Descartes felt that an energetic part of blood went to the brain and there gave the brain a special type of air imbued with vital force that enabled the brain to experience, think and imagine. This special air then went through the nerves to the muscles enabling them to move.
The above is a remarkable mixture of advanced thought ahead of his time and unproved, unsound speculation which today would be called unscientific.

Paul Janeway: lead vox 		  
Jesse Phillips: bass
Browan Lollar: guitars, vox         
Allen Branstetter: trumpet
Andrew Lee: drums, percussion 
Ben Griner: trombone, tuba
Al Gamble: Organ, Piano
		
Grit, elemental rhythm, tight-as-a-drumhead playing, and a profound depth of feeling: these are the promises of a great soul band. And St. Paul & The Broken Bones deliver on those promises.
Half The City is the compelling full-length Single Lock/Thirty Tigers debut of the Birmingham, Alabama-based sextet, who have already created a maelstrom of interest with their roof-raising live shows and self-released four-song 2012 EP. Produced by Ben Tanner of Alabama Shakes, and recorded and mixed in the storied R&B mecca of Muscle Shoals, Alabama, the album harkens back to the region’s classic soul roots while extending the form with electrifying potency.
	
Front man Paul Janeway’s handle “St. Paul” is a wry allusion to the vocalist’s grounding in the church. Like many a legendary soul singer, Janeway, a native of the small town of Chelsea, Alabama, was raised on the gospel side, in a non-denominational, Pentecostal-leaning local church. Virtually no non-religious music could be heard in his devout household. Janeway says, “The only secular music that I heard at all was a ‘70s group called the Stylistics, and Sam Cooke. That was about it. The rest of it was all gospel music. When I was about 10 years old, I was groomed to be a minister. My goal in life until I was about 18 years old was to be a preacher.”

He adds, “My pastor was the reason that I learned to play guitar. They would let me play guitar and sing in church. What was weird was that he would never let me sing lead – I’d sing background vocals. I always thought, ‘Well, maybe I’m just a good background vocalist.’ So I never thought I could really, really sing, at all. I never thought it would be a living, ever.”

Though his time in the church exposed Janeway to key influences in gospel music – the Mighty Clouds of Joy, Alex Bradford, Clay Evans – he began moving away from his youthful path in his late teens. He began attending open mic nights in Birmingham’s clubs and diversified his listening, excited by some decidedly left-of-center talents. “Tom Waits and Nick Cave were the really big attractions,” he says. “They have that passion. They’ve built this aura. They’re showmen to the teeth. And that’s what got me – it’s like going to church, in a weird way. At about the same time, I began listening to the great soul singers like Otis Redding, James Carr, and O.V. Wright. I was trying to find something that made my earbuds tingle.”

Seeking his musical comfort zone, Janeway had an incongruous stint in a band that played Led Zeppelin covers, but, he confesses today, “That’s not what I do.” However, his early work in the rock vein brought him together with bassist Jesse Phillips. The pair became close friends and were soon writing together; “Sugar Dyed,” “Broken Bones and Pocket Change,” and “That Glow,” all heard on Half The City, were among the first fruits of their collaboration.




The other members of the Broken Bones are all drawn from Alabama’s deep talent pool. Guitarist Browan Lollar, from the Muscle Shoals area about 100 miles north of Birmingham, previously played with Jason Isbell’s 400 Unit. “We never thought Browan would ever be interested in this band – he was too big-time for us,” says Janeway. “Jesse had met him while he was on tour with another band out of Birmingham. He asked Browan to come to the studio, and he showed up. I think we caught him at the right time. He wasn’t busy, and he said, ‘Man, I really want to be a part of this.’”

Jasper, Alabama, native Andrew Lee signed on via his acquaintance with Phillips. “We just picked him up on the way to the studio,” Janeway recalls. “Jesse said, ‘I know this guy, why don’t I just call him.’ And 30 minutes later, he’s sitting there playing drums on ‘Sugar Dyed.’ Andrew’s just a hell of a drummer.” Brass players Allen Bransetter and Ben Griner are both graduates of the music program at Birmingham’s Samford University. Janeway says his vision of the band always called for a two-man horn section, a la the celebrated Memphis Horns, and he approached Griner, although the latter’s main instrument was tuba. “I told Ben, ‘Man, I’ve got to have horns. Do you think you can play trombone?’ He said, ‘I’ll give it a shot.’ And he brought Allen with him.”

All six members share writing credit on 10 of the songs on Half The City, with Janeway contributing lyrics. “We firmly believe in a shared, communal writing process,” the singer says. “These guys are extremely talented. The drummer wrote horn parts. Browan threw something in. It’s very collective. We just get in a room. Sometimes we’ll have the scales for a song, or sometimes we’ll have this little riff. That’s how we do it.”

In Tanner -- who logged time at Muscle Shoals’ aptly named FAME Studios, where scores of memorable soul records were cut -- St. Paul and the Broken Bones found a like-minded producer and label boss. Half The City is among the first releases on Single Lock Records, the imprint co-founded by Tanner, John Paul White of the Civil Wars, and Will Trapp

“When we started getting cranked up and nobody really knew who the hell we were, we got Ben to mix our original four-song EP,” says Janeway. “We just hit it off. He said, ‘Hey, guys, I’m in the process of starting this label. Obviously you can say no, but we’d love for you to be a part of it.’ And we said, ‘Hell, yeah.’”

Reaching back nearly 50 years to methods employed the great epoch of deep Southern soul, Tanner and the group eschewed studio trickery for an in-the-moment approach during sessions at the Nutthouse in Muscle Shoals, AL. Fittingly, the album was mixed at FAME. Janeway explains, “We said, ‘We’re doing this as old-school as we can.’ We did it to tape. We did it live. What you hear is taken from about three takes, and we took the best take. I love it. It’s raw. You hear all the scrapes.” Special guests include Al Gamble on piano, organ and wurlitzer, Daniel Stoddard on pedal steel, Jamie Harper on baritone sax and Tanner on piano, organ and background vocals.

Half The City – vital, direct, emotionally affecting – presents the same engaged, high-voltage, in-the-pocket sound that St. Paul & The Broken Bones produce at their live dates, where Janeway’s extroverted performing style enraptures his audiences.

“I’m going to be dancing, getting in the aisles, climbing on tables,” he says. “That’s just the way we do it. It really takes me back to church. There’s not a lot of difference. When I get on stage, it’s, ‘All right, it’s time to pour it on.’”

                                                                            CASA DE LUNA
                                                            A modern  day  HERO'S ODYSSEY 

THIS MATERIAL IS COPYRIGHTED.  
- A drifter, Nathaniel  Heath, is awakened by a  Being  of  Light who asks him to retrieve and deliver a package whose contents will change life as we know it.  He finds the task will change his life.

                                  TRACK. LIST
 1.  Main  Title
 2. Being of Light 
3.The RIde/The Chase. -complete
4. The Reading
5. The  Shadow Factory
6.The shadow people ( they are watching) -
7.  The Journey through the Shadow factory .......
8. Battle
9. Being of LIght ( Love Union)
10. Together  Again
11. Sad theme
12. Shadows Return 
13.Final Triumph /Coming Home                                                   

Track 2.                                                  BEING OF LIGHT

    Nathaniel  Heath lives in an upstairs apartment above a tattoo parlor in a small town on the dusty border of Arizona and Mexico. He is gruff, physically fit  drifter who has been trying to settle down with a his new girlfriend, a waitress he met at a border roadhouse saloon. She is 51/2pregnant with their child.
    One evening , they went  to bed . Nathaniel Heath was awakened by an overwhelming feeling of love and acceptance. Hovering over his bed was an apparition of the most beautiful loving woman he had ever witnessed. She told him he had been chosen to retrieve a precious package from a dangerous place. She left a special metal suitcase at the foot of the bed. She told him to drive toward the border and to look for signs as to what he should do next.

Track  3                                              THE RIDE/ THE CHASE 

      Nathaniel Heath leaves his puzzled and pregnant girlfriend behind as he lays the metal suitcase on the front car seat and races away in his muscle car. He drives towards the Mexican border. His intuition tells him to pull into an alley.  A black El Dorado with tinted windows whips  into the alley and  blocks his exit. Three Menacing figures  in dark suits (Shadow People  -beings of darkness who attempt to suck the light from all in their path.) jump from the El Dorado and approach him. Nathaniel Heath grabs the metal suitcase and darts into a labyrinth of alleyways. a chase ensures, a shot is fired and Nathaniel Heath survives. He runs from the last alley and emerges at the edge of the Sonoran Desert on the border of Arizona and Mexico . Sensitive to signs, he walks toward the sound of a church bell, trusting in it's significance.

Track 6                                THE SHADOW  PEOPLE.  (They are Watching)

    The Shadow People are beings of darkness that attempt to suck the light from all life forms in their presence. They have been watching Nathaniel Heath and intend to use the precious package for their use.

**Qween V of OSOLOGY**

She is reaching for her dream of becoming known in the music industry; Victoria Diane Vasquez (a.k.a. Qween V), 21, is a motivating example that anything is possible when you first love yourself. Born on October 24, 1990, in the city of Pomona, California, a few months later diagnosed with Rhabdomyosarcoma, a type of cancer in the left eye muscle at Loma Linda Hospital. The battle was long but she is a survivor! Growing up in Ontario and Chino, California, with the harsh and cruel ways of unmannerly classmates was not easy. But, the love of music followed her since her dream to become a singer and singing at church in the choir was her first step. Her music now focuses on Rap/Hip-Hop/Club Music with a voice and flow that catches the attention of listeners. Rapping about love, parties, heartbreak, after hours, and life, "her music is fresh with her own flavor and style which is what the listeners enjoy about her, I give her props!" says a listener from Ontario CA..
 Later on hoping to expand to Pop music after some vocal training. “That would expand my dream beyond the horizon I have alot to say with my music; I know i will relate to many others. I would be exited to share my experiences, dreams, and life,” says Victoria. 
Currently, she is working with Osology from Apple Valley CA, Lil Sicc from El Centro CA, Dee from Upland CA, K-FLO from Australia US, and many more in the year of 2013.. with shows, music, and videos to come. Her faith is in God that he will bring opportunity towards her if it is his will. As she strives with passion for her childhood dream help support by downloading & sharing her talents with others so she can one day contribute to the donations of research to soon find a cure for cancer.

"Survivor Baby, I'm going to show them whats up!" -Qween V

Jacopo Barbaccia, Italian music producer and videomaker, starts up in the mid 90s a techno music project together with AntiMuzakFront. As producer he gives a boot to the Italian electromusik while organizing several parties for the psytrance scene. Later, on '98, as a founder and front dj of Loopus in Fabula he's a special guest at several International and important scenespots, such as Rainbow Serpent in Australia, Yokohama Bay Hall in Japan and several clubs in Brazil, USA, UK and Mexico.
With a definitely eclectic, perky-smart style in the recent years he cooperated with several indie and International productions and eventually he characterizes his recent music productions with an evocative, wicked and gnarly style especially with his recent Riga project and brand-new Jake pro. Indeed with the Jake project the sound is build around a base line and digitally processed with the result to turn up the dark line, but it quickly makes a left turn into scorching dope body muscle-head music, kinky rhythm for a first-pimping catharsis: Jake perfectly performs his duty easily answering the electronic gurgles with a solid feel for percussions in his futuristic and kinky assemblage.

Garnet Mackenzie is following