2013 sees the release of the band's new 4 track EP - "Death Rattle" - recorded at Hidden Track Studios in Folkestone, by Feed The Rhino's Oz Craggs. Check out the promo video to their song “All Consuming” here. 
Established in 2004, Hellbent & Hammered has developed a reputation as one of the London’s premier groove-based metal bands, with a sound that can only be described as the illegitimate love-child of Pantera and Lamb of God. The band's bluesy influence however would suggest that Clutch was sometimes allowed to participate - to make a power metal 3-way that leaves audiences wondering who, or what has just assaulted their ears. 
Hellbent & Hammered - known for their face-fracturing live performances - have over the years played some of the UK's top venues, alongside bands including: Feed The Rhino, Godsmack and infamous Canadian metallers ANVIL. The band has also played alongside many of the top up and coming metal acts in the UK, such as: Godsized, Thunderhorse (Raging Speedhorn & Viking Skull), Head-On (Diesel King), Sons of Merrick and Stoneghost (Snakebite).

Hellbent & Hammered are currently booking gigs, and are in the early stages of planning for their invasion of the European continent. 
Rock on. 
H&H

A hard rock four piece formed in 2012 from the east of England. Tsunami Jets play tunes with influences ranging from Muse to Maiden, with hard hitting, fast paced riffs, wailing solos and anthemic choruses, their music is as subtle as it is in your face. Recently having recorded their debut EP; Welcome to Earth, these guys are ready, willing and able to blow you away.

"Tsunami Jets are a great bunch of musicians who really sound as though they put 100% into their music, both sound and stage performance. 
These guys won the Gnarly Battle of the Bands 2014 by BOTH crowd vote AND Judges vote, which only further proves their skill.
To any promoters looking for bands throughout the UK - these guys are well worth the time signing them to any show! And dare I suggest a tour??"
Freddy L'Crow - Gnarly Records

Flex Music Entertainment
This That WWE Shit
Kick A Nigga in the Face Type Shit
Very Very Icy
I Suggest You Grab Your Wintercoat

Being exposed to funk at a very early age gave DJ Jackmaster Flash a strong vantage point where dance music is concerned. He started his interest in music as a toddler, crying for the likes of Curtis Mayfield & Isaac Hayes from his play pen in the early seventies. Influential musicians like these were favorites of his mom, and played an integral role in forming his musical tastes. The desire to capture more parts of songs that were more appealing to him came on very early, and when he saw Afrikaa Bambataa in 1977 at a community party in the Bronx, he knew just how he wanted to do it. However, tape splicing and “pause mixing” would be his only option until finally acquiring his first set of turntables in 1984.

The name “Flash" was given to him in 1985 by a b-boy crew from San Francisco as a playful reference not only to instant beat matching and signature style of mixing techno with hip-hop records at 45-rpm, but to playfully suggest a legend in the making like Grandmaster Flash. By 1986 he was referred to as “Mixmaster” Flash and not long after “Jackmaster” Flash, (or Jack MF) in honor of house music.

For almost 30 years Jack MF has headlined a who’s who list of venues ranging from the most intimate underground parties to the bigger more legendary clubs and parties, like Limelight, Caffeine, Stereo, Shampoo, Traxx, Lansdowne Street, Underground, Zootz, and many more. A DJs DJ, Jack MF is recognized and credited by legendary DJs like "Lil Louis" Vega, Kevin Hedge of Blaze, Ron Trent, and house vocalist/DJ Eric "E-man" Clark, and was often asked to entertain at backyard parties where other legendary DJs and promoters gathered exclusively. He is also known for producing his own legendary events as far back as 1986, and for leading “A Book Called Galanta” a group that completely changed the face of the rave scene from New England to The South with their famous Full Moon parties during the early nineties.

Jack MF doesn't just drop tracks, but creates a whole new groove, being very particular about timing and harmonizing. The mix is constant, and the result is an even richer, more soulful sound than the records have alone. Countless DJ's have been affected in one way or another by his style, and many credit him for his willingness to share his knowledge. Most DJ/Producers who learned personally from Jack MF have gone on to earn everything from regional distinctions to international fame. Some own their own record labels.

There's a certain authentic flavor in his sound that is hard to come by. Perhaps he owes this to his record collection which dates well before the earliest disco. Jack MF has witnessed the transformation of ALL TYPES OF UNDERGROUND MUSIC since the early seventies. Almost every track he owns was acquired at the time of original release so his knowledge of history is strong. His massive and diverse collection is undoubtedly one of the most complete when it comes to classics. 

Whether live or recorded, a Jack MF set will take you on a musical journey. He takes you deep, brings you up, puts you in orbit, and brings you back down to Earth. Each set is designed and catered to move any crowd. His broad range of music, versatility, and connection to the audience guarantees to move absolutely anyone. Whatever he plays, you can be sure that his heart will be in it.


My interest in exotic musical material speaks of a desire to be surprised and dazzled by what I hear.  It also follows that as an artist you make what you hope to hear made.   Once I began writing this record it became clear that, with the sound of Mahler's orchestra ringing in my ears, I would be building my own orchestra from the ground up.  The development of new sounds became a major priority.  Wineglasses played to tape were pitched (via altering the tape speed) to create the floating aura of violins.  Cowbells could suggest to the listener a summer's day on a high countryside, or even a bucolic swipe of sun on the face.  But they would also speak to the historical.   Beethoven, Bruckner, Schubert or Mahler would have understood this - the way a horn call would have been immediately understood, with great specificity, as a hunting call.   I'm fascinated that sounds themselves can carry that kind of information.   This album is an homage to such feelings, stirred by suggestion, through sound.

Musicians:
Michael Chambers: guitars, field samples, tunes, handbells, percussion, trumpets, cellos, et. al.
Marc Anderson, percussion 
Sara Budde, clarinets 
Owen Howard, drums
Claudia Mogel, violins
Loretta Kelley, hardingfeles

Please note that the track entitled 'In Memoriam' is dedicated to people who passed on during the six years' span of my work on Mirabella.  

Musicians:
Michael Chambers: guitars, percussion, handbells, field samples, harmonium, various brass & strings, tapes, edits, conception
Claudia Mogel: violins, voice samples
Sara Budde: clarinets
Loretta Kelley: hardangerfeles
Owen Howard: drums and percussion
Marc Anderson: hand percussion

Other Sonic Contributors:
Amy McNamara: "twins" voice on The Dark Grain 
Jen Durbin: claps and WOZ sculpture on Three Views of Mirabella
Medbh McNamara, Jordan Refol, Oliver Perry, Charlie Perry, Eli Lief and Karenna Lief: voices on Loretta
Conor Durbin: antique school bell on Three Views of Mirabella
Joey Parlett: pen scribbles on RVS

Field Recordings:
Vienna - Prague, Austria & Czech Republic, May 2007
St. Croix, Virgin Islands, August 2007
Washington, D.C., US, November 2008
Barcelona - Sitges - San Sebastien, Spain, August 2009
Paris, France 2009
Hudson River Valley, US, 2007-2009

Produced and Recorded by Michael Chambers at The Milk Factory, 2006-2007 and The 1896 Studios & Stages,  2007-2011 
*Additional Engineering by Marc Anderson at Lellofruck Studios, 2008

Mixed by Marc Urselli at EastSide Sound, NYC, Oct. - Nov. 2011
*except 2, 5, 7, 14, 15 (sections b, c) & 16 by Michael Chambers
Mastered by Scott Hull at Masterdisk, NYC, Mar. 2012

Graphic Design: Thimali Kodikara, www.oneloudbellow.com
Photos by Michael Chambers, Brooklyn Botanical Gardens, Apr. 2012

Contact and Inquiries: mirabelle.mc@gmail.com
Legal Rep: David Bondy, Brooklyn 

and, for more information regarding this project, check out: MirabellaMc.blogspot.com


Mirabella was designed to be experienced in one sitting; possibly with an intermission after 'The One Who Halloos the Hunt'.  Splitting it into individual tracks will not tell the full story.  Also, the titles are optional.  It is recommended that they be disregarded when listening to Mirabella.  The audio alone, again, tells the story.  Thank you.  

Mirabella is self-published and brought to you by Norwegian Hut.

Teo Ederle 
Born in Verona on February 25th 1962. He is a multi-instrumental player, a composer, an arranger and a producer as well. He studied cello, organ & slide trombone and, at the same time has attained experience in playing instruments such as a guitar, electric bass, double bass, saxophone, flute & drums. He is now working also as a teacher of bass, guitar, midi synth & computer programming, musical theory and solfeggio. He is also as a conductor in the direction of musical ensembles. Teo's professional activity began in 1984 and since then he never ceased to explore a lot of musical genres, from Electronic (Art Erios, Teok Hamola, Blue Neptune, P.I.P.), to Progressive (Dottor Sottile and I Mostri Matematici), to the Cross Over (Hal 9000), the Funky (Fritz McEntire, Nick Taylor), from the New York Avant-Garde (The Bang) with Tim Berne, Roberto Zorzi, Percy Jones, Mark Feldman, Bobby Previte, Herb Robertson, to our domestic repertoire (Garlic, Full Metal Klezmer, Meshuge Klezmer Band, Perpetual Motion Food, Fractal's Fruits), from Acid-Jazz (Jay Rodrigues, Marc Abrams, Young NRG, I Vigliacchi del Jazz, The Groove Tasters), to the Poetry-Rock (Zum Teufel, Open Pussy, Farabrutto), the Hip-Hop (Codice Rosso, dj Zeta, Bassi Maestro), the Rural Blues (The Spiders), the Reggae Music (Teo & the Bombs) and the Etno-Jazz (Tommo Castiglioni Trio). It must be added, though, that Teo & the Bombs reveals a change of role if compared with Reggadelica, in that Teo shifts from the role of drummer and art producer to that of Reggae Songwriter (where he still performs as a guitar player and lead vocalist, plus production manager, cover's graphic project, etc.). The first result of this effort is presently to be issued under the title Via da me (Away from me). But in 2004, begins to play the double bass and features in the Tommo Castiglioni (Vibes) Trio as a bassist and producer in the 2006 CD: "Guado sul Vago", with Ernesto da Silva (African Percussions) and guest star Stefano Benini (Flutes and Didjeridoo), one of the most apprecied italian jazz musicians.
In 1995 Teo starts the cooperation with Dj Stex and Young NRG, which continues up to the present time, with the union in the YOUNG NRG MUSIC STORE cauldron, with the intent to open a window directed to who enjoys the music in net, without no intermediary, in definitive apply the healthy principle: from the Producer to the Consumer!
In these last 3 years he is involved in various projects: Teo & the Bombs and BassoRitmoAcquar, flows in a unique formation: BRA. The Spiders Blues Band get out "Lexinia": a concept album where the territories of research are expanded, winking to certain Psichedelic-Progressive Rock tides of the '70s. In 2007 he joins as doublebassist to the Joe's Street Band, headed by Joe Chiericati, pianist and singer. Dasya, Elektro Nu-Jazz duo (Teo + Dj Stex + Guests) makes to go out "Walkin", a three songs CD , interpreted by Rhonda Moore, singer and dancer from New York. Always with Dj Stex it departs Feline Phonic, an electronic ensemble, in the Break-Beat mood, currently in Top Charts in the biggest distributors of the genre. Also an old desire takes form: "Carry On", a tribute-band devoted to the fathers of the West-Coast Music: Crosby, Stills, Nash & Young; in this instance the group is a trio: Teo Guitars-Vox, Antonio Canteri Harmonica-Vox and Francesco Palmas Guitars-Vox, that replaces Stefano Bersan, other capable guitarist-singer. On the Garlic's tracks, another Trio-Improvvisation oriented band is born : CrabTree, oriented to divulge certain '70 Jazz-Rock (B. Cobham, Weather Report, P. Metheny, etc.), and original tunes. The last work in order of time was born from Carlo Ceriani, appreciated director-composer-guitarist: "Dylaniana", devoted to a re-interpretation of Bob Dylan's songs, with Davide Agnoli on Saxophones, Teo on DbBass and Paolo Mappa on Drums.
Between 2011 and 2013 start two projects: a One Man Band Set, called Loops in Fabula, in electric or acoustic, with guitar, looper, iPad, and other electronic wizardry. The second project, however, dives into the Teo's cultural background, Progressive-Rock-Jazz-Free (1968-78), and take inspiration by groups like Soft Machine, Nucleus, Embryo, Henry Cow, Gong, King Crimson, Gentle Giant, Van Der Graaf Generator, Yes ... not forgetting our local scene, Area, Arti & Mestieri, Gary Baldi, etc .... Will be called Edron Turpas and will have the participation of Francesco Ronzon - Guitar, Loops & Sampling, Daniel Pasquali - Sax and
Ricky Turco - Battery.

Founder of Lao-tsu Productions together with Sten Tanfani, about the 1998; in '99 a good guy joins the operating core: Fabrizio Pedio (Open Pussy).
Lao-tsu Productions is a cultural association which picks up an indefinite number of musicians who work in the experimental and research field. There is not restrictions under the point of view "musical kind": is explored, dismembered and regathered any loud expression form, by the classical one to the rock, to the jazz, to the reggae, rural blues, singers songwriters and to every dance context (techno, trip-hop, jungle, drum' n bass house). In practice, LTP is a production house which moves in every loud environment, strictly on research context. Up to the present time however, label is also considered by specialized magazines a true and one real. Obviously, feel in duty to point out the cultural initiative trend, still remaining that our products certainly belong to the so-called area "not commercial", but it is not said that "marketable" are not.


Discography:
THE BANG : Omonimo (1990) ART ERIOS : Thebe Stofar Terios (1991) Nueva Next Ear Comp. (1991) YOUNG NRG: Rapina Jazz vol.1: Oltre ogni Limite di Spazio (1995) Help Bosnia Now Comp. (1996) DJ ZETA: Su Zeta (1995) BLUE NEPTUNE: The Labyrinth of Transformations (1996) Invisible Sources (2000) P.I.P.: Animaletti (1996) THE SPIDERS: The Spiders Tales (1998) Buskers (1999) Ten (2000) Lexinia (2006) FULL METAL KLEZMER: Quando la Terra si Disfa (1999) GARLIC: Garlic (1999) Enigma della Trottola (2000) Cigola?? No!!! (2003) OPEN PUSSY: Love is a dog from hell (2000) FRACTAL FRUITS: Fractal's Fruits (1998) REGGADELICA: Reggadelica (2001) DASYA: Cosmic Dust (1999) Hemisphere (2000) Hi-Tech (2001) Privilege Vol.1 (2002) Jazz Cafe - Dinner Club (2005) Privilege Vol.2 (2006) TEO & THE BOMBS: Via da me (2003) BASSO RITMO ACQUAR: Dentro i binari (2004) MONDO MARCIO: Mondo Marcio (2004) TOMMO CASTIGLIONI TRIO: Guado sul Vago (2006) AAVV. LAO-TSU COMPILATION: Coka Club Comp. (2006) FELINE PHONIC: Feline Phonic (2007) JOE'S STREET BAND: The Badroom Session (2008) DASYA FEAT. RHONDA MOORE: Walkin' (2008)  EDRON TURPAS: Fishes (2013)



Music that combines pop, straight-ahead rock, gutty R&B and a little country with a message; An inspirational message targeting the pain and alienation that teens can face in today's culture, including bullying and other traumatic experiences.

The pair, now 17, have been performing live since they were 13, and are well on their way as one of the rising stars in New England's jam-packed musical landscape.

Unlike many young performers in today's music scene, the Veayo Twins didn't cut their teeth with songs written for them. Kristen has been the artistic guiding force from the beginning, and both her songwriting and full-bodied delivery suggest an old soul.  For more, go to TheVeayoTwins.com


Just a singing channel. Judging on my voice not face. :D yes I do mess up but you have make mistakes before you can get things perfect. Please follow and suggest

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