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Robohands - Whole

The Offline - Plage Des Casernes - FloFilz Remix

Coffee Breakz #14 – The Ordinary Is Ordinary Because It Ordinarily Repeats.

Autor: Hélder Gomes

Colagens sonoras, encontros improváveis e grandes embates entre o vinil e o digital. O Coffee Breakz é o elo perdido entre o rádio a pilhas e os pratos de DJ. E tem um Samplaria do Bairro aberta 24/7.

Tracklist:

1. De La Soul – Rock Co.Kane Flow (ft. MF DOOM)  2. Al-Kamar  2.1 Tomorrow Song  2.2 Yesterday Song  3. Yo La Tengo – Sinatra Drive Breakdown  4. Neutral Milk Hotel  4.1 You've Passed (alternate version)   4.2 Where You'll Find Me Now (alternate version)  5. Kelela – Closure (ft. Rahrah Gabor)  6. Liv.e – Ghost  7. slowthai – Selfish  8. Jadasea & Laron – Can’t Say  9. Odd Nosdam – Bonus B6-B9  10. Jonah Yano & BADBADNOTGOOD – the ordinary is ordinary because it ordinarily repeats

Coffee Breakz #14 – The Ordinary Is Ordinary Because It Ordinarily Repeats.

Sunday - Hnny (92)

Pearl Express

Pearl Express (Ceylan Cut)

Cos - Oostend, Oostend

Buy Vinyl / Cassette : bit.ly/2KltLXK
Buy Digital: bit.ly/2GcUsew
Official Video to 'Lost': youtu.be/n8M-ZxGH9qs

'Green' is available to buy from Village Live Records now

www.villageliverecords.com

'Green' is a 10 track LP of smooth, ambient jazz by Robohands (Andy Baxter)

Musicians:
Andy Baxter: Drums, Guitar, Bass, Piano, Synths
Jo Hunter: Tenor Saxophone on 2 tracks
Francesca Uberti: Vocals on 1 track
Peter Milanovic: Various Bass and Woodwind on 2 tracks

Produced & mixed by JB Pilon at Buffalo Studio, Limehouse, London

Mastered by Ken Long

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Robohands - Green (Album promo mix) Out Now

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach. 

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

Vinyl / CD / Digi

Feel Like Making Love

The Duke

Queens Highway

Virtual Jam Sessions - Freestyle World Music Freek Banning Yussef Dayes X Alfa Mist Love Is The Message Live @ Kleine Houtstraat(extended)

Sweetness Erotic Jam Session 2020

Freek Banning Yussef Dayes X Alfa Mist Love Is The Message Live @ Kleine Houtstraat PII.flac

Link To Original Video

Radio Olisipo is an online radio station based in Lisbon. It promotes ethnomusicological research, independent music, follows the release of the records of musicians based mainly in Lisbon and opens their playlist to DJs from around the world.
https://radiolisipo.com/