Post Punk Junk

Chladni Figures (a duct-ape post-punk mix-tape)

unselected fear

Ночной город

https://fromnurserytomisery.bandcamp.com/album/tree-spirits
From Nursery to Misery crawl back to Dark Entries with Tree Spirits, the follow up to 2017’s Pixies In The Woods. The project was founded in 1987, when producer and keyboardist Lee Stevens invited identical twins Gina and Tina Fear over to record in his home studio in Basildon, Essex. Four years of prodigious studio experimentation followed, resulting in two full length cassettes (1989’s The Oak Tree and 1990’s Equilibrium), and a split EP with Nostalgie Eternelle in 1990. Stalwarts of the Mail Art scene, they also appeared on over 22 cassette compilations, home-dubbed in true DIY fashion, before splitting in 1991. 
The eleven tracks on Tree Spirits display From Nursery to Misery’s signatures: chunky drum machine patterns, playfully eerie synth melodies, and Tina and Gina’s stark, nursery rhyme-esque vocals. The lyrical content ranges from dreary to grim; they explore existential despair, sexual violence, and death through an acerbic, feminist lens. Inspired by the Bladerunner soundtrack and 4AD, Lee’s production is alternatingly warm and icy, like a glacier wrapped in analog tape hiss. Stylistically, the tracks range from charmingly miserable synth pop on “Cry Me”, to the clanging rhythmic industrial of “The Daily Raper”, and even a haunting flute driven instrumental with “A Summer Morning Trip Through The Misty Woods”. From Nursery to Misery are a pure expression of the British DIY aesthetic, which is made all the more captivating by the band’s own confession that they were just trying to make pop music!
All songs on Tree Spirits were remastered by George Horn at Fantasy Studios. The cover art by Eloise Leigh features a photograph of the twins posing dramatically in the woods. Included is a 12-page booklet with lyrics, liner notes, and an archival interview with the band, as well as a bonus 1.25” square pin featuring the band’s logo.

Tree Spirits

From Nursery To Misery - Aeroplanes

Devora (Single)

NARCØTIXXX

Party Boys - I Love You (Los Angeles - 1986)

No Smoking - Człowiek, który przemawiał do tłumu (Poland ~ 1984)

1st. Single of upcoming Album "A Momentary Bliss"

A Momentary Bliss

No Progression

Palais Des Bauzards persued an industrial and electronic variant of the sound that swept into vogue during the first half of the '80s. Initially the group was formed in 1983 in the Belgian city of Louvain by Danny Jacobs, Dirk Van Regenmortel, Chris Serré (+2006), Frank De Wit and Rudy Stuyckens. In 1983 they released two tracks on the Mask Live LP together with Front 242. In the three following years many of their home recorded tracks were published on various cassette tape labels: Wij Zijn België (ZZZ), X-Mas compilation (Riot tapes), Cabbage part one (Cauchy Productions), Tape-O-Matix (the Cassette Factory), Mad In Belgium (3Rio tapes), Flanders on the Rocks (the Cassette Factory), International Audio Compilation (3 Rio tapes). In 1984, new artwork "Going under", "In the grassfield", "Knowing too much" was recorded and produced by Ludo Camberlin at the Anything But Productions studio.

Since the beginning of the 21st century, many of their original material can be found on playlists around Europe and the USA. Many songs will be reissued on LP in the near future. About 4 LP-projects are about to be completed in 2014.

NATIVE TONGUE

Danny Jacobs (vocals)
Chris Serré (bas)
Dirk Van Regenmortel (synths and electronic drums)

October 1983

Palais Des Bauzards - native tongue

Artist : Hiiragi Fukuda
Title : Me And My Marshall Amp
Label : Selection (SR 004) 
Format : Vinyl, 7", 33 ⅓ RPM

Hiiragi Fukuda - Me And My Marshall Amp

Sublimation

Deceit

Miguel And The Living Dead   Lycantropia

Synthetic Shadows news - out march 2013

INTOLERANCE
"INTOLERANCE"
LP
(SS04)

Track A2 from the forthcoming release

The Intolerance born in September 1983 in Cuneo, a small town in the montains near Torino, by an idea of Luca Musso, Marco Marongiu and Paolo Chiotasso, all musicians orbiting around the various high school of music expecially SMET (electronic music studio in Torino) founded by Enore Zaffiri. At the vocals was Raffaella Risso. Their cultural landmarks and music influences were Suicide, DAF, Throbbing Gristle, German electronic music scene of the years '60s/'70s, composers as Luciano Berio/Stockhausen and the new international Post-Punk/New Wave scene of the period.  The instrumentation used in the two first years of activity of the band (which is used in this album ) was Roland JX-3P, Roland Juno-106, Roland Sh-101 and Drumatrix TR-606. Between the end of 1983 and 1984 the band played in various venues and squat (as the historic Victor Charlie, in Pisa). In this period the band was menaged by Ivan Rosso and Leonardo Borghese, both 'semi-official' members of the band. The last one, Leonardo Borghese, was the "deus ex machina", founder of the independent label "Suoni dal Profondo Nord" (Notes from the Deep North), who produced the first Intolerance demo and other bands of the same town/area. Intolerance also appeared in split tape compilation enclosed on 'Amen' fanzine and "VM" compilation LP. At the end of the '80s the band split up.
After over 25 years, the music of this great italian Minimal-Synth band is finally available on vinyl!

Limited edition 400 copies

Be fast to grab this jewel!

http://www.discogs.com/Intolerance-Intolerance/release/4289830

https://www.facebook.com/pages/Synthetic-Shadows/302217019880495

Gobsmacker - Demo

SLAP RASH