Laurine VS Cecilio @ Loftuss Hall, Berlin (from 07:00 to end)

CLIP

Mainframe Mix 2 - Diego Quaver & Ad the Rhythm

My Sunday morning set from Sisyphos invites SlothBoogie. Big love to everybody who was in the place ✌️

Sisyphos invites SlothBoogie 10.08.2024 : Lavan - 07:00 - 10:00

My set from Stallions at Houghton Festival on Sunday night, Aug 10th, 2025

BILL BREWSTER | Live at Stallions, Houghton Festival, 10th Aug, 2025

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/test-pressing/episodes/test-pressing-23rd-august-2025

Test Pressing 230825

Phonica mix 135 comes in hot from one of the slickest names making waves at the moment.
Wallace – the enigmatic alias of UK producer Jimmy Wallace – continues to assert himself as a quietly formidable force in underground house music. Since his 2023 breakthrough Ripples EP on Rhythm Section International, packed with sway-inducing grooves like “Whirl,” “Pump Up The Volume” and “Cenotes,” he’s maintained a remarkable creative and club presence. In 2024, he followed up with Papertrip on RS, a magnet for DJs and dancefloors alike, and later the Tanzanite EP on On Loop, where “Red Velvet” and “M’bira” earned serious praise for their visceral propulsion.

Wallace’s latest chapter includes a headline slot at Panorama Bar, alongside touring Japan, and support from tastemakers like Moxie, Gilles Peterson, Hunee and Bradley Zero – the latter reportedly playing “four or five Wallace tracks per set” across the past year. Stop-start grooves, pumping electro and acid licks, interwoven with percussive breakdowns and bursts of raw energy, define his DJ sets— for this mix: a cerebral yet unrelenting fusion of house, electro, acid and more, made for physical, late-night immersion.

We had a quick chat with Wallace about what he has coming up:

Phonica Mix Series 135: Wallace

Turn up the aircon and enjoy 59 mins of heaters currently bumping the Japanese Mercedes.

ξξ(∵◕◡◕∵)ξξ

MMSU 37

Is the art of DJing slowly dying? 😔

The modern world moves fast. Too fast. There’s no need to go to the record store anymore - just download the Beatport Top 10. No need to spend years learning to beatmatch, the sync button’s got you covered. No need to train your ear for harmony, Rekordbox shows you the key. No need to think about timing, auto loops will make it fit. And who listens to a full mix anymore when algorithms reward 30-second clips? With every new feature, every software update, a little bit more of the artistry disappears.

Remember the days when DJs spent years digging through crates to find that one record that made them feel something. When you saved your hard-earned money to buy a piece of wax for your collection. When you learned to ride the pitch, to keep two tracks locked in time by feel alone. When you listened to keys, phrasing, and energy without looking at waveforms.

Mixing vinyl comes with imperfections, you hear the pitch drift when you nudge the platter, the dust crackling under the needle, the slight distortion as the record wears, the external FX falling just out of time. But it’s in those imperfections where the art lives. That’s what makes it human, unique, and beautiful. That’s what makes it real.

How Much Is Enough Vol. 2 is the second in a series of all-vinyl mixes, crafted with love. Its’s for those who still believe in the beauty of imperfection. For those that still believe in art of DJing.


📍 Recorded at home in South Manchester, October 2025
🎛️ x2 Technics 1210s · MasterSounds Radius 2 mk2 · Boss RE-20 Space Echo
📸 View from behind the booth at Brilliant Corners, London (circa 2022)

How Much Is Enough? Vol. 2

Wake up with NTS... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/breakfast/episodes/breakfast-palms-trax-10th-october-2025

The NTS Breakfast Show w/ PALMS TRAX 101025

Towards the end of 1995 into 1996, Garage DJs were moving away from solely playing US imports at +6 and sets started to feature a lot more UK-produced records with higher energy, heavier basslines and lavish melodies. 

By ‘96 labels like Urban Beat, Confetti and Underground Classics were putting out incredible tunes that were distinctly different to what came before. 

Sped-up records from New York were still prevalent but sets were predominantly made up of a fresh, totally London-based sound. Stations like Freek FM were pushing Garage in a new direction with DJ Maddness and EZ at the forefront, building on what the likes of Hermit and Dominic Spreadlove had been doing for the previous few years at Gass Club in Leicester Square. 

EZ’s Flavour Zone and Maddness’s KMA shows on Freek are personally my favourite mixes ever and what got me into Garage to begin with.

During 1997 the sound completely evolved again with skippy, chunkier drums, even bigger basslines and a more experimental feel. 2 Step and Speed Garage took hold by the end of the year and while this is definitely the trendier side of Garage these days, the period just before this has always been my preference; a blend of those amazing US House records and London’s new take on them. 

I wanted this to feel like a Freek FM show so everything in the mix is from around those brilliant years of 1996 & 1997, apart from a few new tunes produced by me. Pure House & G flava. 

This is probably my favourite mix I’ve recorded tune-wise with some of the (I think) best records I own, a lot of which I’ve had for 10+ years but never put in a mix. Enjoy.