I like this. It could expanded with a vocal track and some great lyrics. [via https://sc.repostexchange.com]

nice track,has original sound,good beat melody,playing.

This is super tight, talk about great vibes, this tune's got 'em.

Excellent lazy vibes. It definitely deserves some vocals. Like it, so good work.

Excellent energy. Nice to hear real organic, distorted guitars. Sounds to me like the creators of this song just had fun making it happen. That's music!

Love how this almost falls over itself trying to go slower and slower. Nice.

Radom in a sea of deliberately

Andrew wrote this wonderful song and asked me to do some guitar on it. Very fun stuff. I'm honored!

Check him out: https://soundcloud.com/andrew-smith

Going Home- By Andrew LB Smith with R Grigg on guitar

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Sunset In The Summer

A song about a douchebag. A few days after finishing this one, we realised we'd also accidentally written a Bond theme..

LYRICS:

Your gun
Loaded with ambition and it’s catching the light of the sun
Warm metal at the end of your arm
Trigger happy and intent to alarm for fun
Your gun

Cool dude flexing there
Over-ambitious hair
Rude, grey shrivelled face
Expects me to know my place
Dirty glance, I’m just her inconvenience

Push the suffering from your personal view
It ain’t real if it can’t happen to you
It ain’t real if you can’t pull out your gun

Easy lives breed sleeping minds
Never met a person you can’t despise
Too incurious to empathise
Easy lives breed sleeping minds

Produced by @rjonemusic

Good vibes and nice beats
#CherryBlossom

Stream It on all platform:
https://distrokid.com/hyperfollow/rjone/cherry-blossom

YouTube video: https://www.youtube.com/watch?v=bgp3lDGqn1c

Thanks for listening to my song "Cherry Blossom". Hope you enjoy It.

Cherry Blossom

Another collaboration with Combstead. He sends me some great tracks to work with. I'm blessed.
Check out Combstead: https://soundcloud.com/markcombs-928282858

Home Brew - Combstead / Robert Grigg

Bruce MacLeod: Composer, Guitar, Bass, Synths.
Jimmy Hobson: Drums

Scam Likely

ladder of bone

Rusted In Space

Hude

Written, Played, Arranged & Recorded by Elijah LeComte- ©2020

Vocal #Samples from samplefocus.com

Instruments:
#Fender Squire #Telecaster
#Ibanez Acoustic/Electric Guitar
Worlde Panda #Midi Controller Drum Pad/Mini Keyboard
 

Gear:
TC-Helicon GO GUITAR PRO Portable Guitar Interface
#PigHog 1/4 Cables

Software:
#Garageband

Smile & Nod

Back To Nothing

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

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Fall Sky,fall

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