My session with you is over, and I'm on my way back to the beach, where the waves were once again perfect. Thank you guys for letting us surf to your music. 🙏🎶🏄‍♂️🌊

Man you added some fantastic elements to this track. Really enhanced the song and elevated the vibe. The wind thing was brilliant , such a creative addition.  Really enjoy writing with you brother.

A wonderful track.  Stunning collab and stunning work, Mark.

Indeed a festive thing with jubilant guitars and very beautiful flute interludes!

Such great atmospheric piece, truly awesome work!

This one mostly slipped under the radar for me when it came out. Such a really nice mood and vibe unfolding on here! A much lighter feel compared with the average EC track, very ethereal, fitting cover art

The Both Sides

..maybe love comes walking in... a dreamer in search of true love who loses himself in daydreams and fantasies..composed by STYTZ and played by the band with passion and full commitment!

Music:   Hubert Stytz     Lyrics:  Pee Gee       Add.Lyrics:  Paul Harriman

Lyrics

I´m hooked on a fantasy
A vision in my mind
I´m hangin´around this town
While my mind´s doin´overtime

I need a warm summer night
On a moonlit avenue
With a thrill and a promise
Of  a secret rendezvous

Went to see the pictures in the gallery
Tryin´to find the angel I´m lookin´out for

Señorita of my dreams
I leave my door open tonight
Señorita of my dreams
MAYBE LOVE COMES WALKIN´IN...............

She must be waitin´for me
Somewhere out there in the night
With a warm and tender smile
A smile as bright as the daylight

Lookin´at the passers-by on the street
Searching for the angel I´ve been dreamin´of

Señorita of my dreams
I leave my door open tonight
Señorita of my dreams
MAYBE LOVE COMES WALKIN´IN.....................

Love Comes Walkin' In

Cast of characters:

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–piano, drums, and composition
TexMex Shaman– @texmex-shaman –Stephen– Gibson Les Paul electric guitar, mix, mastering, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, mandolin, and synth
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
Mistermark-- @user-432503709 -- Mark –  VST flute and symphonic VST horns, bells, 'wind' vocalization 

This song began on the last day of the cold January of this year, when Ken sat down at his piano and recorded an improvisational jam. This is the first song Eclectic Collective has done where Ken started it with a piano, so we were all very excited to work on it. 
  Josh was the first one to add a part, adding his fretless bass guitar, and going back and forth with Ken, while he added the drums to match the groove up right. Josh also added the mandolin after the guitars were laid down, as well as the descending synth blasts you hear throughout. Before all that, though, Stephen recorded the first 2 thirds of the thrilling guitar you hear in there. After Stephen had his part down, Tez came along and finished the guitar work in the latter sections (from the 'windy' section to the end). Last, but certainly not least, Mark added the amazing symphonic elements, specifically the horns and flute melody. He also added the cold January wind sound, created using his breath and some tinkling bells. 
  Once it was all wrapped up, we asked Stephen to put a bow on it with his expert production, which he came through with, as always.
  As mentioned, this is an extraordinary offering from EC, staring Ken not only on drums, but on the keys, as well. It felt like we were jamming all together in the same room, and hope it comes across that way. We hope you enjoy listening to this as much as we enjoyed creating it.

Check out the original piano track of Ken playing solo, where this song evolved from: 
https://soundcloud.com/k2-kara/january-epiphany-solo-piano

January Epiphany (The Eclectic Collective)

Dear Friends, this is a fairytale about my wonderful little Grandson.
Ok. I am not telling the exact truth. He is just 1 1/2 years old! He is constantly talking, but noone can understand what he says!!

Lyrics in English

A Visit to The Stream

Yesterday when we were walking with our little Grand son
we walked to the little stream that is near his home
it’s a reminder of how we must behave
it’s all the beauty that we saw when the steaming water had catched our souls

We discussed a lot of things that is important these days
the boy is nearly two years old but he is so bright
and he could listen to all problems the world has
and he could give me a suggestion how to solve all the problems in the world

We discussed the administration of Trump’s U S A
it seems to be a mess and the world doesn’t know
what new descitions this man has found out
and how to turn the boss in Russia to a warm and kind gentleman

It was amazing to see when the boy walked behind
his Grandmother like a duckling over logs and stones
and every time when he fell to the ground
he just laughed and he shouted with joy over this little mishap


Kära vänner, detta är en saga om mitt underbara lilla barnbarn 
Texter på Svenska

Ett besök vid bäcken

Igår när jag promenerade med min lilla barnbarn
gick vi till den lilla bäcken som är nära hans hem
det är en påminnelse om hur vi måste bete oss
det är allt det vackra vi såg när det strömmande vattnet hade fångat våra själar

Vi diskuterade många saker som är viktiga nuförtiden
pojken är nästan två år gammal men han är så klok
och han kunde lyssna på alla problem som världen har
och han kunde ge mig ett förslag på hur man löser alla problem i världen

Vi diskuterade administrationen i Trumps U S A
det verkar vara en enda röra och världen vet inte
vilka nya beslut den här mannen har hittat på
och hur man gör chefen i Ryssland till en varm och snäll gentleman

Det var fantastiskt att se när pojken gick bakom
hans mormor som en ankunge över stock och sten
och varje gång när han föll till marken 
skrattade han bara och han skrek av glädje över detta lilla missöde

A Visit to The Stream (Lyrics in description) - 2025-04-13 12.50

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, claps, shakers, vocals, and lyrics
TexMex Shaman– @texmex-shaman –Stephen– Gibson Custom Shop Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass
This song started as a guitar composition Tez came up with while on holiday recently. He wrote it with Eclectic Collective in mind, inspired by ZZ Top, and shared it with the rest of us as soon as he was able to return home and record it. 
  Stephen was first to the trough with this one, adding his thrilling guitar fills and solo. Being from Texas, too, he's no stranger to Biily Gibbons. Mark came next with some synth, and later added some claps and shaker. Ken put his rocking drums in after Mark, laying the groundwork for the groove. Josh completed the rhythm section with his bass soon after, though. Mark decided early on that he was going to add some vocals to this, and Stephen had to adjust his part to suit them. We're all really happy with not only Mark's lyrics, but especially his vocal performance, as well. Eclectic Collective now has a go to member of the band who know's what he's doing with his voice. 
  Once it was in the can, Tez decided to mix it, as it was his song to begin with. He did his always expert job with the task, too. 
  This is an example of Eclectic Collective getting down and dirty for a rocker that has the flavor of all of us firing on all cylinders. Special attention to both Tez and Mark for their inspiring generosity and hard work in conceptualizing this one, too. We all hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:

I got the top down, driving around
Burnin’ down the road, no prisoners
Everybody knows that I’m on the run  
I’m gettin’ outta here do or die 
Black Jack paddy whack listen to me 
ain’t giving no dog no bone
What’s mine is mine and what’s thine is thine
But if you want me just pick up the phone 
If you need my number I’m # 1
Mama raised me alone ‘cause I’m a son of a gun
Now I’m paying my dues but I’m almost done
So if you want a piece of me
Come and get me
Come and get me
Well, hey baby baby now what you say
You hitch a ride with me I’ll take you all the way 
she said hey there baby just step on the gas 
I got places to go I wanna get there fast
Well somewhere at around mile 103
I heard a rattling sound I had to check and see
We stopped right there on the side of the road 
Then what happened next it made my mind explode
The girl started laughing as she locked the door 
She put the pedal to the metal couldn’t push it no more 
Way off in the distance half a mile away 
My baby called out to me as I heard her say…
Come and get me
Come and get me
My feet got draggin’ in the desert sand
But as she waved goodbye something fell from her hand
I picked up the paper it was plain to see 
My baby wrote down her number and she left it for me
I been ‘buked & scorned I been thrown some shade 
I wanted revenge cause I gotsta get paid
I called her up but I just got the machine 
And wattaya think that the message said…

Come and get me

Come And Get Me-Eclectic Collective

Birdwatcher

Whatchu Up To?

Demo .. a dream .. a wish... sailing the ocean..let the soul unwind.. all worries forgotten !
Story/Lyrics :    Pee Gee
Music.. all instruments , all vocals :  Hubert Stytz

To Have It All

The amazingly Valuable Friends joined me as we left the planet:

@rick-4-1 Earthquake Sofa Drums
@janinelevinson Interplanetary Dove Vocals
@phil-mcwalter The Other Burnt Launchpad Stuff

Drums recorded at Mickleton Studio, Coventry UK
Other instruments and vocals recorded at EPG Studios, Chelsea, London, UK
Janine's vocals recorded at The Levinson Sound Studio, LA, Calif, USA
Phil's additional vocals recorded at Anslow Gate Studio, Staffs, UK
ReMixed & ReMastered at EPG.

Thanks to Rob Campling for assisting with string theory.

RUNAWAY STARS - THE UNEXPURGATED CODE

We have a duty to be here
Without us
Who'd see the runaway stars
Who could walk along the beach
Look for seventh waves
And feel the wind up high
We sit and talk all
Through the night
Travel our world and share our castaway finds

We have a duty to be here
To hear the song
Feel the heart of forever
Burning holes within black holes

There is a reason
To turn the page
Quantum runes feed today’s exit phase
We burned new colours
On Launchpad Love
In earthquake sofas seeking twigs from the dove

We are the runaway stars
We are the runaway stars
We are the runaway stars
We are the runaway stars

Inside our bubble
We heard your tongue
Repeating echoes paraphrase the song

Break

We burnt new colours
On Launchpad Love
In earthquake sofas seeking twigs from the dove

And we have a duty to be here
Without us who would see the runaway stars

Solo

Without us who'd see the runaway stars

And we have a purpose
To exist to hear the song
Feel the heart of forever
Burning holes within black holes

Don’t lay down and rest now
Lift your head
The stars change colour as they drift past your bed
The Sun is expanding
Eternal night
May return to shield our escape flight

We are the runaway stars
We are the runaway stars
We are the runaway stars
We are the runaway stars

And we have a duty to be here
Without us
Who would see the runaway stars
Who would see the runaway stars
Who would count the runaway stars

© Phil McWalter Aug 2020
Image: Photo taken by James McWalter at Beachy Head where the returning WWII planes knew they had made it back home. AI rockets layered on.

The Runaway Stars - The Unexpurgated Code

Runaway Stars - The Unexpurgated Code

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

January Epiphany (The Eclectic Collective)

mistermark

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