brain cells in the animals in Toronto cortex do and this is absolutely baffling and mysterious and there's lots of models that are out there that seek to explain how this pattern forms so it's not just one equilateral triangle the entire recording environment that’s accessible to the animal is piled with equilateral triangles Neuroflexyn because of the geometric precision the a.m. triangles add up to make ever bigger triangles I'll and it's not just in this recording box it's in any recording box that an animal was placed in the same pattern is always expressed so this led to the conclusion that the cells are probably the brains universal spatial mapping system so what's constantly on going in our own heads is we’re forming new memories let's say you want to a birthday party .

http://www.tripleeffectseyeserum.org/neuroflexyn-review-is-it-a-scam/



"...Mysterious being beyond one's power to know understand or explain..."

The Fainting Goats is an open collective of (non-)musicians, allegedly (not) existing since more than 25 years.  Despite their long time (non-)existence, The Goats have never released any records or performed live. This is most likely due to the fact that The Goats operate according to the Theory of Obscurity,  as formulated by the mysterious N. Senada and originally applied by the avant-garde musical group The Residents. Senada's Theory of Obscurity states that "an artist can only produce pure art when the expectations and influences of the outside world are not taken into consideration". Consequently The Goats are convinced that the outside world is not supposed to ever hear the results of their artistic activities. In fact The Goats go even a step further and state that pure art can only be produced when not even the expectations and influences of the artists producing it are taken into consideration. In order to reach this, the results of all artistic activities of The Goats are not made available to themselves, and to make sure this really happens they simply do not produce any result at all. 
There are several theories regarding how, despite all this, some recordings of The Fainting Goats are slowly becoming available. The most common one says that one of the founding members of the band, the German non-musician Kai N. Bock, sometimes deviates from the theory of obscurity and cannot resist the temptation to actually try and record some music (it has to be said though that he does this with no intention to release the material, and that to avoid a sense of guilt apparently he does not listen to what he's playing neither during nor after the recording process; even mixing is done without listening, which might explain some of the results). The few available songs of The Goats might possibly be some of these recordings that have been stolen to Kai N. Bock by another band member, the (sometimes) musician John Goatti. And indeed, John Goatti seems to have an uncontrollable urge to release Kai N. Bock's songs whenever he can get hold of them. It is currently unclear how many other members the band/collective counts and how many have collaborated with them by non producing music in all these years. Kai N. Bock and John Goatti seem to be the only stable members, one thing which has never been confirmed by the band in any of the extremely rare interviews (in these occasions of course neither Kai N. Bock nor John Goatti appear and they send some real fainting goats instead, which makes their interviews quite amusing but a bit difficult to decode). A statement by Kai N. Bock that has been often reported is that in the end it does not really matter how many or which musicians are in the band, since none of them is playing or recording anyway.  Rumours of Don Johnson having been a secret member of the band during his Miami Vice period have never been confirmed nor denied by The Goats. The Fainting Goats are currently not working on their next album, called Wurstigkeit/Goatlessness and planned not to be released in the year 2525 (if goat is still alive).

Hello!
My name is DJ Field Mouse. I'm a self taught unsigned electronic music composer. been composing Music for as long as I can remember, but I am just getting serious about it. 

I've always been drawn to musical instruments but never had the patience to sit and be taught how to play, thanks to ADD, haha. But reguardless of that I would do my best to match sounds that I heard from songs that I liked on either the piano or, when it was available, a guitar. The baseline to REdemption Song by Bob Marley was my first guitar song that I learned. gee I don't even Think I was even 8 yet. Both of my Grandmothers had player pianos that they would let me play to my hearts content. I wasn't very good. I only got the melodies down, I couldn't figure out how to do chords so I would play what I knew of them over and over.  the patience they must have had. 

Around that same time frame I started beatboxing. Haha no not bragging it was awful. I was always fidgety so I would drum on things then I saw a guy on TV make instrument sounds with his mouth and I thought that was just the neatest thing so I would do my best to beatbox. Aparently I got pretty good at it according to some of my friends but it was always something like whistling where you , well, whistle while you work, I would just go off beatboxing and playing legos or something.

I think my major inspiration that really ignighted the spark of musical creativity and my ventures into guitar playing was my cousin Ben. He was in a garage band with his buddies. they put out a cd and my childhood future goals of becoming a spaceman or fire fighter or super hero turned into dreams of making music and becoming a rock star. He taught me how to play a bit of crazy train and tried to show me a few other songs but I can't recall. 

My parents liked very interesting genres that I loved as well. What really struck home with me was techno. Kraftwerk was my first techno experience and it was a strange and almost mysterious sound that just, I wish I could explain exactly how it felt but it resonated with me. 

anyway skipping forward, in High School I was introduced to Garageband. I took the technology class twice Just so I could have a chance to get on and work on music. I would mostly chop and use loops which was all my creative mind needed. In my senior year I took a music production class that centered around making sheet music, using Garageband, and using Logic. I was now using a midi Instrument with Garageband and I immediately felt at home and felt as if the loops I was using to make music earlier had been cheating. 

Before college I invested in a laptop that had Garageband. I had a midi keyboard then and started my venture into music composition. I posted to websites like Kongregate and Myspace. Then I found Soundcloud and felt that this would be a better place to post seeing as it was specifically designed for musicians and music listeners. 

I guess since then I have been dabbling here and there working on the iPad using various DAW apps. Now I currently use Beatmaker 2 which is a whole new world of awesome. I can't believe, after using garageband for so long, how much more detailed you can get in sound editing vs using preset EQ or dumbed down cutoffs and compressors. 

I always think of doing something with my music.  I'd love to sell cds and play shows, make beats for a rapper, use my music in video games. I'll always play Guitar and Beatbox and Make electronic beeps and boop music I'm sure until my hearing goes, even then I'll probably be beatboxing through the halls of the nursing home I may wind up at haha

Anyway theres my lifes story

Hope you like My music. I still learn something new everyday.

YOUR NEVER-ENDING SEROTONINE TRIP. 

We proudly invite you into the rumble of the RIMBU, a wilderness away from civilization where we will bring together a great mixture of people to celebrate life through music: 

"Far, far deep down into the dense forest where the phenomenon RIMBU rooted its foundations something magical and rare took place..

Out of every corner of the jungle animals came together to worship this happening by dancing together in harmony until dusk hits. 
Subsequently they eagerly await the next edition. 
Up until now no one has been able to explain this mysterious behaviour the animals, plants and every other organism wield. 
One thing is for sure.. a certain rhythm and frequency is needed in order to provide the creatures with a cadence. 
Notably an electronic, hard mechanical beat, along with metal-like snares and clanking percussion, providing a grimy and dark ethos. Nonetheless an energetic one. Cherished by the industrial loving ones."

Join us on the journey, with high hopes of RIMBU, to be around for many years to come.

I'm gothic, I'm mysterious, and there's a lot that goes on in my life that most people don't know about. I'm also Fragile..I easily get hurt..

“It may be important to great thinkers to examine the world, to explain and despise it. But I think it is only important to love the world, not to despise it, not for us to hate each other, but to be able to regard the world and ourselves and all beings with love, admiration and respect.”

The three of us have all shared the love of making music & jamming in our small northern town, and it just so happens that's how the band was initially formed - at a friends liquored up jam party in this small desolation at the end of the road.

We enjoy a diverse variety of different kinds of music, so when jamming/composing we find our creative juices in mixing and matching characteristic elements of certain genres. For example, naturally we like mixing black metal tremoloing against upbeat dub riddims.

We are not afraid of polyrhythms, odd-timings, soulful choirs, quasi-rap, the banjo, or unusual tone colors for that matter! Rather, we have found these decadent exploits to be organic and quite danceable, especially for children and the elderly.

As individuals within a collective, our main musical influences are as follows:
Kyuss, Qotsa, Rush, The Police, The Clash, Bad Brains, Iron Maiden, Cryptopsy, Pantera, Mastodon, Baroness, Zappa, Miles Davis, Melvins, Down, GypsyKings, Sexy Sax Man, Neurosis, The Black Keys, Euro-trash, Johnny Cash etc. etc. etc. ET FRICKING C...
nature, rawness, grim and frostbitten-ness, mysterious happenings, energy, tube-technology, alchemy, tremolo-picking, funky-fresh beats, hula-hoops, odd-timed rhythms, sugar-coated deep-fried greasey goodness, Xtra hot Frank's and things far too intergalactic to explain with our pathetic human runes....

Links:
<a href="http://www.youtube.com/inbadtaste11" rel="nofollow" target="_blank">www.youtube.com/inbadtaste11</a>
<a href="http://www.facebook.com/inbadtaste" rel="nofollow" target="_blank">www.facebook.com/inbadtaste</a>
<a href="http://itunes.apple.com/ca/album/in-bad-taste/id464168630" rel="nofollow" target="_blank">http://itunes.apple.com/ca/album/in-bad-taste/id464168630</a>
All music recorded ourselves at our cheap basement label in Hay River, NWT Canada.
Enjoy the music and feel free to download the shit out of these tracks

Artist Information

Biography
A bright light has flickered in the world. A mysterious girl remains mysterious. Chapters like a book I’ve written while expressing my reality to an obsolete world. Taking my reality in my hands from a dream I’ve had for so long. I am Christopher K. G. Hagadone I create music. I dream and get lost and while I’m lost I find lost pages to a book I write. I create visions of the lost pages in my music. I am here and I am back to show the world who I am. I song write, compose, produce, engineer and I am an artist of music. I am a mere man writing with a stick in my hand. Asking if you dare dream the dreams that I do or seek the same love as I do!! If not, I can’t for you!!! I’ve stepped into a different brain and a different frame where my life is not the same. While keeping real to my own self I don’t sell and don’t bail and I don’t fail. I am an electronic artist who has created a history of songs, albums and remixes. My perspectives are unique and not written in stone or concrete. How I perceive is how I know. And what I know is how I perceive even though I might be living a dream. So I take hold and break the mold where life is about to be extolled where money is less than love untold but now it’s only a dream within the dream. A bright day a mysterious girl says it will be sunlight and beams my eyes see and I adore I’m with her forever more. I’ll ask for a dance and kiss her on the cheek she’ll know me after as we will laugh our time away. She’ll be happy and we’ll be dancing. What day or night will she be I do not know. Starry eyes are showing and words are glowing. But I can’t find her. She’s a shooting star placed in the middle of my heart and disappeared like Cinderella and her shoe. Now I’m in love with her.

Instrumentation
Christopher K. G. Hagadone: I play the keyboard/piano...

Discography

Mysterious Girl 2010

Mysterious Girl the album is a complete fantasy! It starts with the song “Mysterious Girl” stating a mysterious girl is in my mind and I see her in my dreams. The next song “Lead Me To The Dance Floor” brought to you by a mysterious girl who states she wants me to lead her to the dance floor and that she just wants to dance! I feel for her and in the song “Going Crazy” I start to dance with her! I am stunned by her beauty as we dance the night away. In the song “Dancing As The Sun Goes Down” brought to you by the mysterious girl who gives her version of the night. She is hot and burning and rising higher. As she sees in my eyes that I want her and I do! In the song “Ya Eyeing Me” I explain how bad I do. In the next song I reminisce how if I had her kiss! We would make “A Night To Remember”. The mysterious girl states “It Is Not A Dream” but it’s fantasy and insanity how bad she wants me. In the song “It’s So Hot” my fantasy collides into an intimate song of her. But with her eyes now open. She goes over in her head how she would kiss me automatically and would let me rock her body through the night but with her “Words Unspoken” she is sad. I am also sad as I write love notes to her in the song “I love U” stating she is what makes me tick and I want to bring her life and no strife! Then my fantasy ends.

Mysteriously In Love 2008

“Mysteriously In Love” is a CD about a mysterious girl. Who in fantasy is like no other girl! In the song “Hey Girl” I start to hit on her in a fantasy like manner saying things like. This love is inevitable as love reigns supreme then saying but baby now it’s only a dream within a dream. Then as the CD progresses into “Hey You Standing There” I ask her to dance asking her to jump into the air and find something out of this earth. Then in the song “Where You At ?” states our dancing has been a dream. Where I wake up and see she is not with me. And so is the song “I Can’t Find Her” where I state that I’m trying to find this shooting star. But she only left me this dream like Cinderella’s shoe. And that is what the album “Mysteriously In Love” is about.

Expression 2007

The CD album called (Expression) is a CD where I express how I feel in some sort. From “Lots to Live” to “A Light Has Bursted” I feel that life is good. But I know “I’m Up Against Allot”. But “I’m Here” knowing that pain will be with me and trial and errors will proceed my life. Where I will do my best and live up to what (I) value and so is the song “Perfect Your Shine”. “Mere Man” is my question to the world where I ask it. If you can’t dream and love like I do. Do you know I can’t for you? And so is “Drum Of My Heart” expressing that I will go on with the drum of my heart. Even though wrong or right. Were “A Thought Manifest” is manifested in that I am going to live my life according to me. And so I’m “In The Midst Of Change” were this world overrides my expression. But I am going to keep on expressing…

"...Mysterious being beyond one's power to know understand or explain... "

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