circa 2018. Rework of Ian Dearden's Thursday Reverie.

thursday reverie (rework)

ears 25 august 8 take 1

shifty 70 bpm sep 29 take 2

dac insomniac + r.s.stropharia - darkspeaker II - live impro-set (15.12.2019)

featuring reflective sax by Jonathan Ogara (https://soundcloud.com/allopenelectrics)
Video: https://www.youtube.com/watch?v=yWeJ6iSJlmI
For more photographs visit: https://www.youtube.com/watch?v=lQ1ADA7lNy8

The path of least resistance
The certainty of doubt
Reflections in a mirrored cage
The withs who are without
The burden of conformity
The illusion of choice
The silence of defiance to the inner voice

Waking up, coming home
Waking up, coming home

The safety in compliance
Shielding from the light
The appliance of the science
The truth that’s never right
So many years to drift the drift
The winding lane of fate
Released for good behaviour
It’s nevermore too late

Waking up, coming home
Waking up, coming home
(Following the path of least resistance)

The actor leaves the stage

Reflections

80's birth Of Hip

Im so glad to release my first EP containing ambient compositions, when i started this project in 2018 i was trying to reach an ambient sound, but i couldnt at the beginning, So, i tried and i had been practicing to reach that sound... Finally i would say that i found it and is exposed in this EP... Thank you very much to hear it and i hope you enjoy it!!!

Follow me:
Instagram: "www.instagram.com/cassettes_have_become_extinct/"
Facebook: "www.facebook.com/franz.p.antezana"
Youtube: "www.youtube.com/channel/UCTJQYTNHE1cWfnlHcXVf7SQ"
The art design was created by creepend, thank you very much!! "www.instagram.com/creepend_art/"

Deep dreams

Perplexing Patternity is the result of this stormy year. Kind of a purging or clean up. Lot's of hard and weird stuff happening. Trying to manage through it and find some kind of peace amidst all the craziness. Kind of old school electronic. Wanting to escape to childhood nostalgia, but maybe incorporate this hectic all over feeling and the simultaneous search for peace of mind in it. Hope it's something you'd enjoy to listen. For me it was kind of a struggle and the my feeling about whole project is kind of confused, but sometimes you just got to see it trough, I think.

Orbit Relay

Quick self-promotional insert: 

I released my latest record of original music a couple of weeks back. It'd mean the world to me if some check it out on Bandcamp and/or Spotify:

https://saschamuhr.bandcamp.com/album/fuive-part-2
https://open.spotify.com/album/0PRPXmD0LXKl5V6tkYTcgF?si=isIq4uIkR1qlWLcY7E7U6A


Alright. To the video at hand: I recently got the Mooer A7 hall/reverb/ambience pedal. Totally loving it so far, especially the standard hall-mode and crush-mode (I think I used both on the melody improvisation). This is a little improvisation using the hall mode.

I used my Shawn Lange Master signature on this one. Goes in to the Bluguitar Amp1, into the th Blubox (set on "Stack 1980"). The reverb and delay (for the loop) is in the fx loop of the amp. Together with the "Shallow Water" by fairfield circuitry. 

Let me know what you think, should I do a full review like for the "When The Sun Explodes" by beautiful noise effects?

Improvisation_16: Another quick spin on the Mooer A7's hall mode with the 'When the sun explodes'

from the 11 track album HOW TO BE A PRIMATE IN THE 21st CENTURY
Listen to it on The Church of Noisy Goat on Bandcamp :
https://thechurchofnoisygoat.bandcamp.com/album/how-to-be-a-primate-in-the-21st-century
Painting by Pete Swinton 1997

How To Be A Primate In The 21st Century

A letter from Ghana (2021)

Music, instruments, recording, mixing, and album cover - Dmitri Koteshov
Field recordings: nikitrala, Dmitri Koteshov.