Fridge

We had the pleasure of interviewing Gozu over Zoom video!

It only takes a few seconds exposure to the rolling riffs of opening track “Tom Cruise Control” to be reminded that this is Gozu’s world, we’re just living in it. Given that it has been five years since the Boston quartet dropped the monstrous Equilibrium, returning with Remedy is one hell of a way to make sure that everyone - whether previously familiar with them or otherwise - realizes that they are perhaps the most badass of American rock bands, for they have taken everything to the next level.

The result is nine tracks of their signature combination of fuzzy 70s inspired riffs, rich, catchy, grunge-esque vocal melodies and a touch of old school trippy psychedelia written and played with the utmost passion and enthusiasm, eclipsing everything else in their catalog. 

One element that gave the band a kick in the pants going into Remedy was drummer Seth Botos joining Gaffney, guitarist Doug Sherman, and bassist Joe Grotto. 

Auditioning drummers ate up some of the time elapsed between records but like for so many bands the biggest obstacle was Covid, which slowed down the whole process. With Gaffney and Sherman writing, recording and emailing each other tunes they slowly worked on Remedy, and this certainly was not to the record’s detriment, given how the finished product turned out. As well as having nothing but praise for Botos, Gaffney is thrilled with the work of his other bandmates.

With a title that has many meanings but is “strong, hits a spot emotionally and is true”, lyrically Gaffney wrote very honest songs that deal with things everyone has most likely dealt with. However, those that made it onto the record could have been very different, having all of them written and then prior to tracking feeling the compulsive urge to rewrite them. Those that made the cut are stories of humanity, things the vocalist has witnessed or heard from the mouths of others.

Recording with the honorary fifth member of Gozu, producer/engineer Dean Baltulonis (Death Ray Vision, The Hope Conspiracy) at Wild Arctic studios in Portsmouth, New Hampshire, sessions were unlike any that the band had previously experienced. Botos laid his drums down in just a day and a half, taking all suggestions his bandmates had and putting his signature spin on them, echoing the fact that they were all invested in the process more than ever before.

The band obviously hopes to tour the record after so long off the road, and they would love the opportunity to share the stage with bands they admire. 

We want to hear from you! Please email mailto:Hello@BringinitBackwards.com
http://www.bringinitbackwards.com
#podcast #interview #bringinbackpod #Gozu #Remedy #NewMusic #ZoomListen &amp; Subscribe to BiB
https://www.bringinitbackwards.com/follow
Follow our podcast on Instagram and Twitter!
https://www.facebook.com/groups/bringinbackpod

Interview with Gozu

Like the track? Click the [<i>↻ Repost</i>] button!

Join the EDM Movement @ http://EDM.com
••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
Follow @malia-katherine-civetz
https://www.youtube.com/user/MaliaSings

Follow Us @ http://EDM.com
www.Facebook.com/edmcom
www.twitter.com/TheEDMNetwork
www.youtube.com/EDM
www.instagram.com/edm
www.lockerdome.com/edm
plus.google.com/+EDM
SC: http://soundcloud.com/EDM
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
Send all demos to pop@theedmnetwork.com to have your track featured!
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Malia Civetz - End Of The Road

A FUN COVER/RE-IMAGINATION OF ONE OF MY FAVORITE SONGS BY NEW FOUND GLORY FEATURING THE AMAZING MAIYA SYKES ON VOCALS.

Head On Collision (SLOANE COVER)

Love it when you talk like that,
When you need something
Breathe your words down my back
Tattoo chills on my skin 
Love it when you talk like that
When you need something
You ain’t even have to ask
You could take it from me



Wrap your hands around my neck
Tell me I’m your favorite
Let me know that I belong to you
Light me like ya cigarette
Smoke it til there’s nothing left
Show me everything you want to do



It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

(Drop)

Feel your thoughts on my tongue
Taste your emotions
Take the life from my lungs
Drown in your ocean
Use me up until I’m numb
you have my devotion
Sacrifice for your love
I’m begging you just

Wrap your hands around my neck
Tell me I’m your favorite
Let me know that I belong to you
Light me like ya cigarette
Smoke it til there’s nothing left
Show me everything you want to do


It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

GOOD TO BE BAD

Broke Boy

Broke Boy (Stripped)

Did my own version of this beautiful Sasha Sloan song. Really connected with the lyrics and am constantly striving to make the most of each day while I am able to live and create.

SLOANE 'Smiling When I Die Cover'

things i never said

​​We had the opportunity to interview Leon of Athens on Zoom with video!
​​
​​Please share while we are #togetherathome ​🏠​
​​
​​"London based indie-pop star Leon of Athens channels the flamboyant beauty of Sufjan Stevens and Francis & the Lights, alongside a similar widescreen pop sensibility as Lauv and MARINA, who he has both supported. His album Xenos (EMI/Universal) is a beautiful, thoughtful piece of work. It showcases just why he has become a big live draw across Europe and his rising profile in the USA where he has been confirmed to appear at SXSW, Okeechobee, Firefly Music Festival, Summerfest and Shaky Knees. The album follows the highly acclaimed release of his debut album Global, championed by the likes of The Guardian, NME, Q, New York Times and more. It is produced by David Kosten (Bat For Lashes, Everything Everything) and is informed lyrically by the refugee crisis, the rise of the far-right in Europe and the US, but also personal upheavals: fractured relationships, lost faith, youth, freedom, and death.” - Spotify 
​​
​​PRAISE FOR LEON OF ATHENS
​​“Brainy pop inspired by Bernardo Bertolucci, inflected with electronic, folk and other flavours” – The Guardian
​​“Leon of Athens has mastered the art of electronica-tickled, horn-smattered, melodic pop.” – NME
​​“The Greek god of indie-pop” – Wonderland
​​“In this place where tragedy was invented, the song was joyful and sadly cathartic.” – New York Times
​​
​​http://leonofathens.com/
​​
​​We want to hear from you!  Please email Tera@BringinitBackwards.com 
​​
​​www.BringinitBackwards.com

Interview with Leon of Athens

Bo Exotic

Bringin’ it Backwards’ mission is to provide a platform for both legendary and rising artists to tell their personal stories on how they achieve stardom so that all artists and music enthusiasts have access to meaningful and memorable advice to inspire their own musical journeys. 

https://www.bringinitbackwards.com/follow/

Interview with Gozu

Bringin' it Backwards Podcast