A magnificent soundscape that leaves a beautiful aftertaste. So impressive…!

Bob & Weave III

Pathway

Taking its title from a fascinating book of the same name by writer, publisher and ultra-runner, Robin Harvie, this tune attempts to give musical expression to the reasons why I regularly lace up my running shoes and leave the house to pound the country lanes and footpaths near to where I live when there are arguably a thousand-and-one more "important" things I could be doing with my precious time.

Robin's book is both an intriguing study of his own personal journey to the start line of one of the toughest ultra races on earth: the Spartathlon, and a pleasingly detailed history of the act of distance running itself. This, my first electronic music release for several months, is much more modest in scale - very much like my running ambitions (at least when compared to Robin's) - but it could be said that it attempts to capture and articulate the same, natural urge.

Why We Run was made entirely in Ableton Live v11 using Spitfire Audio's LABS plug-in for some of the component sounds. It was composed and recorded during spring/summer 2022.

Why We Run

Rain Drops

After Dark

Entwined

Free improvisation with Petra Köhler https://on.soundcloud.com/9tEwK, www.stageoflife.de

Evening Mood - Petra Köhler / flute

Z-Aerial Maneuvers

sky ship

Blackout Jam (joerxworx flute remix)

Let me relax. ( 1993 ) Eddy Mango - Margareta Theorin ( Eddy )

Lyrics, Harmonica & vocal : Snow Man Dave

Our Son A Rocker

Recorded in 2021. remastered.  I have to have a new way to play the piano. My sister and my son are doing that. They are working out a way to bring the piano to my hospital bed. I can no longer sit up, even in my powerchair. It's too uncomfortable and hard to breathe. I don't have functioning back or abdominal muscles, and I can't lift my head off my chest unless In laying back. Only my arms and hands are semi-functioning. My thumbs are going bad. I can't pull a zipper. I won't be able to play as well and I don't know how I'll work the sustain pedal - but I'll do my best! 😊🎶🎹🎶

Light at The End of The Darkness

Music: Little Man & Janne Hennie
Lyrics & Vocals: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

Look in the mirror, what do you see?
Can you see the same you are to me?
Big blue eyes
A beautiful smile
Don't  ruin it with jealousy!

When I go out I might meet other men
But you don't have to be blue
No one is like you
Big blue eyes 
A beautiful smile
Don't  ruin it with jealousy!

If I look at others, and maybe not just you
I don't look at beauty
You are the only one for me
Big blue eyes
A beautiful smile
Don't  ruin it with jealousy!

When you're having a bad day and feel like crap
Well, I think you're awesome
Prettier than everyone
Big blue eyes
A beautiful smile
Don't  ruin it with jealousy!

Look in the mirror, what do you see?
Can you see the same you are to me?
Big blue eyes 
A beautiful smile
Don't  ruin it with jealousy!

Big blue eyes
A beautiful smile
Don't  ruin it with jealousy!

Big blue eyes
A beautiful smile
Don't  ruin it with jealousy!

Don't Ruin It With Jealousy

Song from the rock opera Five Thousand Sasquatch

Lummi Island UFO

A Huge Thank You to my dear collaborator Frans Beelaard. I had send him this song in my version and it came back like this… :)
He played a bass line, 2 guitars, one lead and one rhythm. Also included is an acoustic drum track with 22" Zildjian ride & crash cymbals & tambourine and an acoustic piano track.
On top of that he also mixed and mastered the whole thing.
A great honor and pleasure for me.

The lines (edited, translated, modified, revised, retranslated, reedited…) originally derived from verse shards by two German poets: 
Stefan George (1868-1933), „Albagal“, 1892 and 
Durs Grünbein (born 1962), “Porzellan: Poem vom Untergang meiner Stadt“, 2006 and „Bericht von der Ermordung des Heliogabal durch seine Leibgarde“, 1999
I glued these verse shards together with a refrain.

During my research on porcelain I came along Kin Tsugi, a Japanese form of art, putting broken porcelain back together again. The picture shows such a piece.

Smashed Porcelain

1
Descend once more into the air-raid shelter. 
Observe:
Your ancestors, crowded together, in their final attire,

Comrades, hostages to mass hysteria,
How they curse, sob, 
Just moments ago uninhibited,
When the Führer arrived in the Mercedes of the Messiah.

How long ago was that, you ask ?
Man…
How long ago was that, you ask ?

2
Oh, I’m descending a marble staircase.
A headless body lies in the middle. Once again.
There, the blood of my dear brother seeps out.
I gently gather up my purple train.

How long ago was that, you ask ?
Gee…
How long ago was that, you ask ?

3
Oh, oh, ohh…
Only 
Caesar didn't care ´bout anything. 
As he watched with glee 
When Rome sank to ruins 
Like a tourist from overseas…

How long ago was that, you ask ?
Well…
How long ago was that, you ask ?


4
Why complain, latecomer ? 
The city long gone before you were there 
Ahh, those teary eyes - 
They’re different from grey hair-air-air…

How long ago was that, you ask ? 
Gee…
How long ago was that, you ask ?
Oh folks, I can't say.						

The only Word
For „Gone Forever“
Is „Today“.

Smashed Porcelain (wt Frans Beelaard)

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WATCHERS FROM ABOVE

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

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Collaboration / Participation / 

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