If they were electing the nicest DJ in Poland, Levy could surely count on a higher position than the one he achieved in “Laif” magazine’s Top 100 poll. And yet the sixth place for loads of people would be a dream that came true. But Krzysiek has always behaved like a person, who’s dreams always come true. Constant smile, spontaneity and a will to act are not common features, in Poland sometimes taken as symptoms of a mental disease. But there must be a dose of insanity in him, because who of sound mind would decide to mix vinyls in the days, when only a handful of people in Warsaw knew what dance music was all about? 
    It was 1996, when Levy began his 3 year residency at Trend – one of the first proper clubs in the capital. People still have fond memories of the Rush House Parties and it was Krzysiek among others who created the incredible and unforgettable atmosphere of those nights. He took his first steps under DJ Easy’s supervision – a person that he still calls his musical godfather. After learning the basics, he was completely absorbed in the art of mixing as he knew that even the best tunes won’t sound good if the track selection doesn’t go together with technical skills. 
    Aside from the aforementioned features, Levy has another one that naturally flows out of his character – excellent communication with the crowd. Always opened, he soaks up dancing people’s enthusiasm to give it back with twice the strength. He desires exactly the same things as them so sometimes it is hard to pick the DJ out of the bouncing crowd. Only headphones distinguish him from other dancing figures. This happens almost always and everywhere. And everywhere in this case doesn’t sound excessively as there aren’t many places in Poland he hasn’t performed at. And even those that remain “undiscovered” will soon probably change their status. Krzysiek has also started to show his skills abroad and during the summer of 2005 he was invited to play in Edinburgh and Dublin.
    However, Levy isn’t always a guest. Together with Matush and JJack they run the Phatbass agency, which parties at Ground Zero and Klatka invariably gather a wide audience of cheerful and lively house fans. Although saying that Krzysiek plays only house would be a big misunderstanding. Elements of techno and trance he incorporates into his sets make his sound widely recognizable. And Phatbass is not the only venture he is involved with. Co-operations with Sentence agency and The Rhythm Records are fruitful and show that the development of the Polish club scene is still one of Krzysiek’s main ambitions. And ambition is something he does not lack, so if you want to listen to a DJ full of determination and joy, the answer for your needs is Levy.
  Respect to International artists , i played with :
  Westbam (Germany) | Hardy Hard (Germany) | Cutasmer Jay (Germany) | Budai (Hungary) | Tommy Boy | (Hungary) | Dj Nique (Chicago/USA) | Jamie Handerson (UK) | D. Knox (Detroit/USA) | Joseph Armani (Berlin/Germany) | Sonorous (Germany) | Black Emanuelle (Germany) | Michael Kupilas (UK) | Olivier Ho (UK) | Haito (Germany) | Shimek (Slovakia) | Tioneb (France) | Cut Master Jay (Germany) | Andy Slate (Germany) | Rob Acid (Germany) | Martin Haberland (Slovakia) | Maros Glaubic (Slovakia) | Laszlo (Germany) | Finstar (Germany) | Hendrik (Germany) | Pete Gawtry (UK) | Redhead (Belgium) | Paul Louth (Bedrock/UK) | Corvin Dalek (Germany) | Sur-prise (Hungary). Gatek ,Rino Cerone , Hatiras, Mischa Daniels, Joy Kitikonti, Dave The Drummer, Nique,Lee Cabrera, Tomcraft, Marusha, Marco Bailey, Takkyu Ishino ,Lexy &K-Paul, The Advent, Michael Burian, Chris Liebing, Marco V, Peace Division , Angela Flame, Axwell ,Lucca (Roxy Praha), Ladida ,Mayla, Tino Morgado (Ibiza -Spain),Desyn Masiello, Muzzaik, Bart B More, Etienne de Crecy, Fergie, Francesco Diaz,
  Marcus Schossow, Eddie Halliwell, Sean Tyas, Ferry Corsten, Jerry Ropero,Giuseppe ottaviani, Mark Mendes, Funkerman, Felix Da Housecat, Keny Dope,Funkagenda, Crookers, Laidback Luke, Luciano, Nic fanciuli, Infected Mushroom, Christopher Lawrence :) 
  Cheers :)
  

Frances Mai-Ling is pioneering the genre of Alternative-Classical music; taking a classical piano to new level giving it a fresh sound of the traditional and the current trend of rock, pop, alternative. Creating a new genre that is exciting and powerful, for people of all ages can enjoy. Since 2001, she has taken her creation of Alternative-Classical merging the sparkling qualities of classical music with the emotional melodic style of many generes, all within an intimate setting of Mai-Ling and her music. She got her first start in show business with her parents magic show , but chosed music over magic. Mai-Ling is a trained classical pianist, with only having two years of piano lessons under her belt. Performing a program of original music. Mai-Ling is co-founder of EastWestNow Records. The first record label & collective that promotes artists of Asian Ethnicity. Focusing on artists who are half-Asian. Mai-Ling is HAPAnese (a term she coined being 1/2 Chinese & 1/2 Polish). She is also one-third of "The Shake n' Poe Project", where she write music to the text of Shakespeare. Founder of the creative artists group "Notes & Poets: Bringing the Creative Artist to the Stage." She has scored music for theatre and film, along with a various amount of side projects to her credit. Besides being a published composer, she is also a published writer and visual artist. Mai-Ling is an independent artist.

In addition to her creative arts efforts, Mai-Ling works with the American Heart Association and its division the American Stroke Assocition. As an Go Red For Women ambassador and American Stroke Association ambassador. Mai-Ling formed the "Take Heart Awareness Cause" in 2005 to help bring her personal crusade of helping create more awareness of heart disease and stroke to the public forefront.. She has been recognized regionally and nationally with the "Heart & Stroke" Hero Award for her "outstanding efforts to create a healthier community, safe from the devastation of heart disease and stroke." She help's create awareness of the #1 and #3 killers among men and women in the United States. A portion of every CD she sells includes information and a portion is donated to the AHA for research and eduction programs. One of the first pioneers in merchandising her CDs for a specific cause.

She is currently working on a new release for the winter, a two book projects in the subject of magic and caregiving, and continuing her line of hand painted purses and jackets.

Pawel 'PJ' Jalowiecki aka Phonokinetics/Vintage Division/Pjaudio is a Polish producer, DJ, and sound designer living in UK. He's been actively producing since 2009, and started Bsc Creative Music Technology course at Staffordshire University in 2011.

Since then he's been writing music for film, soundtracks, adverts and games. In 2012 he received first radio plays from Bobby Tempo and Marc Mac's 'Sounds Collective'. Summer 2013 brought him a debut Ambient/Chillout release on Lemongrassmusic - 'Organic Impulse' EP, and a Deep/Chilled House album on Aquamarine (sublabel of big Deepology family). Phonokinetics releases were recently supported by Ibiza Global Radio, Warehouse Project, Jazzmadass Radio Show, Klassik Radio, Ocean Waves Radio, Chillout Lounge Radio, Soletron.com. November 2013 brought him appearances on BBC Click and The Guardian - collaboration with famous game designer Martin Hollis (Goldeneye 007) for Game City 8 festival.

Since 2012 he holds residency at Circus night in Stoke On Trent, Sumo Scientist, and is a co-organizer, promoter, and resident DJ at popular underground House music events 'Dirty House Sessions' in Ibiza, Liverpool, Manchester, and Stafford.

DJ-sets for radio stations recently included XL-FM, Redshift, Stafford FM, and Ujitsun & Friends podcast.

Nu:Gen project started out as an idea of a couple of music enthusiasts who were tired of just listening to music. Call it a logical extension of their music interests. First vinyl records were purchased along with turntables and first gigs were organized. Nobody had ever suspected that this project would spark interest and reach out to so many people. Nu:Gen crew is powered by people who combine both fascination with music and high technical skills. Taking this approach resulted in expanding the collective and adding new, mainly Polish producers. As of today, Nu:Gen gathers mainly DJ's and producers specializing in wide range of alternative electronica, but also promoters, graphic designers and sound technicians whom contributed in achieving such high standards.
Nu:Gen Records is the arms division of Nu:Gen. Established in 2009 it is promoting a wide spectrum of D'N'B. The label is gathering many producers from all around the world and it's expanding rapidly despite of being new to the scene.

PeaceMaker is a polish punk rock band formed in 2008.
Since we started our band transformed itself, but remained unchanged vocals performed by Wojciech "Boban" Dzierzgwa and drums performed by Bartłomiej "Groshek" Grochulski. Currently on a guitar supports us Błażej "Młody" Grochulski. 
During the eight years of PeaceMaker history we had also few other members: Piotr Kowalski (bass), Tomek Pałgan (guitar), Piotr Szmigiel (bass), Rafał Mazur (guitar), Grzegorz Ptak (bass) and Paweł Labasz Głowacki (bass).
In 2010, we started working on our first EP. Our material was recorded at Studio MDK Opoczno and Violence Studio Drzewica. Mix and mastering was prepared by Filip "Heinrich" Hałucha. Finally at 2014 we released EP "PeaceMaker" including six songs with Boban lyrics.
After a year, again we entered to a Studio MDK Opoczno and we recorded the album "Decalogue". An implementation of our album was made by Arkadiusz "Malta" Malczewski at Sound Division Studio Warsaw. Album was released at November 2016.
While working on "PeaceMaker" and "Decalogue", and eight years our activity PeaceMaker was supported by our families, friends, as well as musicians, artists and fans.
We also had a pleasure to support bands like: Farben Lehre, The Bill, Cała Góra Barwinków, The Analogs or KSU.

[WAREHOUSE] RECORDS (@zotorrec 's division)
We deliver the highest quality house material.

[WAREHOUSE] RECORDS is a Polish Label based in Białystok, this is a label of House and all subgenres.

For DEMO SUBMISSION please send ONLY Soundcloud links.

Are you a DJ? Do you like our tracks? Do you want to use them in your set? Contact us and we will give you them for free!

est. 2018

The Revolution 
  
  A three-piece indie/punk rock outfit hailing from Lowther, a rural district south of Penrith in Cumbria, comprising of Jeeves, Seamus and Benj, started out as a five-piece in February 2008 when singer/songwriter Jeeves teamed up with young drummer Ben Cuthbertson (ex-member of local punk band ‘The Scabs’) and began to pull together the bare bones of a rock band. By April that year they made their first appearance as a five-piece at The Board &amp; Elbow Room in Penrith to a packed out pub supporting local punk legends ‘No Thrills’. 
  
  They began making headway in the local music scene and were spreading throughout the northwest of England by late summer 2008. With a scheduled TV appearance on the books and a single release deal with Diffusion Records on the table, disaster struck as guitarists, ‘Swedish’ Paul Crompton and Rick ‘McFlurry’ Trowbridge, both parted company with the band in August of that year. To everyone, from their loyal fans to the band itself, fear was rife that The Revolution could be over. True grit, determination and strong friendships, combined by an overwhelming passion for the music they create, kept the band together despite the difficulties. Frontman Jeeves strapped a guitar round his neck and the band went underground, locking themselves into their Penrith rehearsal room and not emerging again until October, when Cockermouth’s The Globe was smashed away by a new, fresh, high energy three-piece sound. 
  
  The hard work had paid off - they were back and better than ever. Things moved from strength to strength from then; they received a nomination for ‘Best Live Gig in Cumbria &amp; South West Scotland 2008’ for one of their performances at Carlisle’s The Brickyard, and have also gone on to support ‘The Detroit Social Club’ and ‘The Airborne Toxic Event’, helping to harness an ever growing fan base. Their long-awaited debut Demo EP, “The Revolution – Made In Penrith”, a DIY EP (available now by contacting the band on this site or by e-mail) was well received by fans and critics alike, but it was a self-confessed fact that the band were not yet the finished article and were searching hard for a lead guitarist to complete the line-up. 
  
  After a promising start to 2009 the air of expectation surrounding the band and the relative success and acclaim gained in the media, to all it seemed things were just gonna get better and better. Then, unexpectedly, problems began to develop within in the band. Gigging up and down the country two or three nights a week playing to one man and his dog began to takes its toll. The lads had given everything just to tread water and when news came that all the major summer events had rejected there applications to perform, it was no secret that moral had hit a new low. Left bewildered at what more they could do, the band disbanded for a while. Frontman Jeeves played out a large amount of the remaining gigs acoustically and Ex-Bassist Ox stepped in temporarily until matters could be resolved, but with a fresh enthusiasm and perspective on the music, the band started to pull together again and managed to play a select few appearances, mostly for charity events, in late summer, providing great hope to the loyal and dedicated fans of the band. 
  
  In early September 2009, The Revolution announced perhaps there biggest gig to date, supporting The Towers Of London at The Brickyard Carlisle on the 20th November of that year. The gig fell amongst some devastating times for Cumbria. Right in the middle of the catastrophic Cumbrian floods it was feared by some that the gig, if it were able to take place at all would be a total wash-out but The Revolution and there loyal Penrithian fans did not let Cumbria down as the band outsold all others with there ticket sales for the event, gaining new fans from all over the flood stricken county and with the Towers Of London publicly declaring them the best support band they had ever had. Frontman Donny Tourette spent The Revolutions set in the mosh pit dancing with the Penrith bands fans. 
  
  The same night saw the launch of there second demo E.P. The Revolution – From The Middle Of Nowhere, as can be heard on the bands myspace, and the E.P. packed with new demo’s recorded at Newcastle’s First Avenue Studio of favourites from the live set, blended with bonus tracks of home-made recordings, previously recorded demo’s and an original demo of the anthemic Sundown Feeling, showing the growth of the band from a pipe dream to the present day, and portraying real depth and great lyrical strength to the bands song-writing. 
  
  Also on the 20th November 2009 voting opened for the annual TGM Music Awards covering Cumbria and Southwest Scotland. The Revolution received nominations for Best North Cumbrian Act, Best Punk/Ska Act, Best E.P. For the debut demo E.P. The Revolution – Made In Penrith , and have been re-nominated for Best Live Gig In Cumbria &amp; Southwest Scotland 2009 for there appearance at The University Of Cumbria’s Gig On The Grass ’09 held at their Newton Rigg Campus and when results were anounced in December they walked away with Best North Cumbrian Act, a massive accolade which meant a lot to everyone involved with the band. 
  
  In January 2010, Drummer Ben Cuthbertson left the band to be replaced by Ed Crocker and the new line-up are currently rehearsing for up and coming gigs. 
  

A few years ago, singer-songwriter Lara James asked herself a simple but bold question: Why wouldn’t I? She was on the couch watching a reality show on singers and reflecting on her unlived life as a musician. She was asking herself why she didn’t pursue being an artist.

In private moments during her high school years, Lara wrote songs that lived inside her heart and mind as blissful catharsis from the complexities of adolescence.  They sounded good to her, but she never shared these secret and sacred little gems. Years went by and life blessed her with a healthy, happy, and wonderful family. She was overjoyed, but there was always songs singing softly within her. And then one day she couldn’t ignore them any longer. 

“I had this moment where I believed if I sang, doors would open. I just felt this fate,” the Spokane, Washington-based singer-songwriter confides. 

Appropriately, she calls her smoldering debut EP Why Wouldn’t I? (EUS Records/A division of Emphatic Artists Association).  “The title is about the process of making the EP, the idea of ‘Why wouldn’t I got out and do this?,’” she affirms. 

Lara’s musicality is focused and pristine, a mix of sensual classic sounds and modern, adult contemporary polish. It’s an aesthetic that calls to mind such artists as Shania Twain, Sara Bareilles, Norah Jones, Miranda Lambert, and Sarah Vaughan. But though it’s an evocative aesthetic, her artistry exudes a naturalness, a grace. “I love those artists,” she says of those she is frequently compared to. “But I just rely on who I am as person to create my music.”

Fate did intervene when Lara went online looking for a voice coach and found an LA-based producer/indie label owner that happened to be in the Spokane area spending time with his family. That was Jake Schaefer, and, in addition to vocal coaching, he became Lara’s creative collaborator, cheerleader, friend, and producer.  

Lara entered her music journey bravely. Her second studio session was at famed Capitol Studios singing "I'll Be Home For Christmas" duet style with John Bobek. “I remember there were huge portraits of Sinatra and the Beach Boys, and I got a chance to see the mic Sinatra loved using,” she recalls. 

Embracing a new era of fevered creativity, she wrote four new songs for the EP (the fifth song is a cover of Garth Brooks' “The Thunder Rolls”).“I would sing things as I did dishes and laundry, and took the kids to school. I would get a melody in my head and work it out over and over while my kids got tired of hearing it,” she says laughing.

Why Wouldn’t I? introduces a broad array of sensibilities that reflect Lara’s multi-dimensional talents. The breathtaking “Tick Tock” seemingly roils with steamy innuendo like a sultry Patsy Cline track, but is in fact born from far a more innocent sentiment. “That’s about my kids waking me up at 5:30 morning and me wanting to go back to bed, but I hear the clock and know I have to get up!” she says. The haunting ballad “Love Worth Fighting For” valiantly and poetically describes the complexities of marriage.  Here she sings: Sometimes it’s hard to rise above the noise, to see past this cloud of pain in my heart/Just when I feel like giving up and letting go, there you are with your arms wide open. And “Why Wouldn’t I” is euphoric pop track that outlines the manifesto that made this all happen.

Thinking back on her timeline as a creative person, Lara says: “I used to be shy and private, but now everything in me wants to run and take this places. I feel like I keep jumping off cliffs, and there is always a lifeline below.”

LIVE PERFORMANCES:

09.03 @Pianola, Bydgoszcz, PL
08.06 @Golden Gate, Kiev, UA
29.06 Zlotow, PL
08.09 @Mapping Festival 3D, Tychy, PL


An On Bast / Maciej Fortuna is an artistic duo of two remarkably talented and charismatic personalities and a unique meeting of two music styles (jazz and electronic) on the common ground of improvisation/live act. Their energetic and full of expression concerts bring in the new way of thinking about music performed live by wiping out the standard division into instruments and computers which generate synthetic sounds. Having mastered their musicianship, Anna and Maciej explore the world of sounds emerging in their music dialogue in an innovative way. 
An On Bast, so called First Lady of the Polish electronic scene is a composer and a performer - her live acts are not only brilliantly prepared music live-acts but also forms of concerts. While watching her perform one cannot resist the impression that she plays the “real” instrument. Her full of melodies, sounds and diversity music sounds more organically than mechanically. 
Maciej Fortuna in turn is one of the most dynamic jazzmen of the young Polish generation who works and gives concerts with artists from all around the world. Maciej is constantly in search for new sounds of trumpet, starting with jazz and not being content with already existing forms. His first album, “In The Small Hours” recorded with Stefan Weeke, is a project combining instrumental and electronic music. The second, purely jazz album “Lost Keys” (nominated to prestigious Polish music award Fryderyk in 2011) is a project of improvised recording session during which jazz became not entirely the purpose but even the means to catch the essence of live
performance. 
Maciej met Anna while exploring new ways that would combine experiences of creating diverse forms of expression. Anna had already had a successful experiment with classical music too. The result of their work together is remarkably authentic music on the boundary of their music styles. 



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