Dance music for sound systems.

Bookings : kim@poly.am

||   f(x) at @Wodawater                        ||
||   Château at Château Shatter            ||
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Record Label. UK Techno. Sound System Frequencies. Body Music.

Est. 2011, Bristol, UK

XOXO <3

NA booking - michelle@thebunkerny.com
World booking - ilyas@minor-am.com
Eris Drew b2b Octo Octa - alex@biota.agency
Press - chanel@dawncreative.agency

www.jubileelovesyou.com

Jubilee has been staying up all night since as long as anyone can remember. She grew up in South Florida on the sounds of Miami bass, freestyle and Dirty South rap blasting from local radio stations like Power 96 and 99 Jamz. As a teen, she traveled to raves up and down the coast, absorbing Florida's uniquely regional palette of breaks, electro and drum 'n' bass. By the time she moved to New York City and started frequenting drum 'n' bass parties like Direct Drive and Konkrete Jungle, D&B was already becoming a gateway drug to a love of other UK underground styles such as grime, garage, dubstep and UK funky. 

You can hear the influence of all this music on Jubilee's debut album, 2016's After Hours – soaked in 808s and 909s, fog machines and laser rays, and containing a huge hit in the form of "Wine Up," a bubblin' bashment cut featuring Bronx dancehall sensation HoodCelebrityy. 

This year, she follows it up with her sophomore LP, another collection of late-night anthems and drum machine workouts. The album took three years to put together, as Jubilee burned the midnight oil in the studio in between headlining slots at European festivals, gigs from New Zealand to Brazil to Las Vegas and taking the stage alongside her Mixpak Records family at London's Red Bull Culture Clash and Notting Hill Carnival.

Founder @crossbreedworld

Booking Agent / WARM:

ali@warmagency.com


Alex ‘Kiwi’ Warren’s passion for music has been a fire that has long burned within. From humble beginnings as an in-house photographer for the world-famous DURRR club-night, started by Erol Alkan’s much celebrated Trash team, to the runaway success of his own club nights, it’s his prolific productions and genre blending extended dj sets that are now catapulting him into the spotlight .
Warren’s success as a one-man promotions company, cultivating his ever popular club-night, Orlando Boom and its disco-focussed sister night, Kate Boss, caught the attention of The Columbo Group who swiftly appointed him as their booking and promotions manager for The Nest.

Kiwi soon realised that he had more to offer than just his promoter skills and he began to channel his energy into playing and creating music. Releases on Days of Being Wild, Jack Savidge and Edwin Congreave’s highly acclaimed Deep Shit, DFTD, Optimo, Moda Black, Sneaky Music and Virgin EMI followed, and in 2015, his track Short Tail was nominated for Song Of The Year at the DJ Mag Best Of British awards. He’s produced an abundance of remixes for high-profile artists such as; Who Made Who, Locassolus, Paramida, Is Tropical, The Klaxons and more. This incredible output has earned him a wealth of support from some of the scenes biggest names including; Andrew Weatherall, DJ Harvey, Gerd Janson, Daniel Avery, Erol Alkan, Optimo, Rob da Bank, Annie Mac and Skream.

2017 saw the release of his Orca EP on Bristol’s Futureboogie imprint with the title track receiving rave reviews in Mixmag and topping the dance charts on Juno and Beatport for seven weeks. This was swiftly followed by releases on Dusky’s 17 steps, and a vinyl-only release alongside Joakim on DJ Tennis’ Life and Death. As well as being busy in the studio, Kiwi has also been out on the road touring Asia twice, North America and Europe. Add to that a packed festival season and holding down his residency at XOYO in London, Kiwi has carved out a name for himself with his all night long DJ sets that effortlessly blend balearic, disco, house, Detroit techno and everything in between.

2018 was a big one for the DJ Mag nominee, with a string of releases gaining notoriety on the likes of Moscoman’s Disco Halal and a new one for 17 Steps, as well as a return to Correspondent and releases on Cin Cin and Needwant to come.

2019 marked a pivotal milestone in Alex’s career. In April, he launched his brand new imprint Crossbreed, with the inaugural CRBD01 released in conjunction with Italy’s finest export DJ Rocca. The ethos of the label is the notion that working together breeds great things, and it is not hard to see this belief in the debut EP.

Having made a strong start with the first three collaborative releases, the label continues into 2020 as a mouthpiece to showcase records that represent Alex’s ideas; and with a knack for selecting off-kilter, leftfield releases, Crossbreed is set to make impressive waves within the electronic music scene.

jensky has been shaping the Polish underground for nearly two decades. Born with significant hearing loss, he turned this into an edge – reading sound differently, with intuition over formulas.

His style blends groovy, trippy rhythms with non-obvious textures, often leaning into hallucinatory techno. Always improvised, never the same twice – each set shaped by time, space and energy.

Second alias: @deafcandance

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