that's a cool - chilling jazz song - really good

this is so nice,  super excited to hear more of your work, keep this coming, the vocals are amazing, shoutout Narah!

Another beautiful composition. Happy to add this to Playlist

From Others 3

This song may appear simple, if not simplistic. This is right, it’s not a complicated, rather a common, story about opening the door to someone and having to let this someone leaves you one day through the very same door.
However, in life like in love, don’t let the ordinary fool you. The little things in life are the biggest ones and when you have to look back to realize it, you’re actually lost to those magical instants.
Zut doesn’t stand for « Zebra University of Technology », but for « damn! » or « oh, heck! » in French. Yes, in French! Writing in the language of Molière was an arduous choice. It took me a year or so to go from the original « kinda » French lyrics to the final ones, which were done in a bar, on a paper napkin, along a few drinks!

The melody and chords were the most intuitive to find, playing around for a few evenings. However, honestly, my accent didn’t suit the rhythms and atmosphere. Finding singers willing to contribute proved not to be an easier task! Finally, Oliver Neff aka Titanic Jack agreed to record the main vocals. Together with Maja Štebih with her nice back vocals, they made such a great work on this Indie folkish-poppish-rock track. 
Thanks to both of them for their time, trust and capacity to see, and bring, beauty into the world! 

Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič
Lead vocals by Titanic Jack
Back vocals Maja Štebih

▶MORE◀
Web: www.ladatinthebox.com/
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SoundCloud: @Ladat
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▶ARTWORK◀
MaKo: instagram.com/marketka1975

Zut!

Esta canción está inspirada en María Fauro, la señora que limpiaba en la empresa  donde yo trabajaba y de la que tengo un entrañable recuerdo por su bondad y su coraje. Está dedicada a ella y, por extensión, a todas las mujeres de la limpieza, porque creo que no se valora su trabajo como se debería.

Hemos grabado dos versiones: en la de Carmen París se siente la fuerza y el coraje, mientras  que en la de Ana López Lorente destaca el cariño y la ternura. Y las dos están repletas de una entrega y sensibilidad que consiguen emocionar. Destacar, además, el piano de José Mª Berdejo, el chelo de Pablo Baleta, las guitarras de Nacho Abril y los “polvos mágicos” del ingeniero de sonido Juan Miguel Sánchez, del estudio de grabación Sin/Con Pasiones.

Para ver el video   https://www.youtube.com/watch?v=kAj3gxkoExc

SEÑORA MARÍA (Versión de Carmen París. Para escuchar la versión de Ana López Lorente  https://soundcloud.com/juan-fco-bueno/senora-maria-feat-ana-lopez-lorente?si=8b319bf6318f449caa2593e6a0ec4c22&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Siempre agarrada a la escoba
cual si parte de ella fuera
siempre con cubo y fregona
día y noche compañeras.

Sus manos limpian el polvo
con destellos de ternura
que relumbran en sus ojos
rebosantes de amargura.

Estribillo 

Y es que no ha sido la vida
aquel camino de rosas
que soñara siendo niña
entre blancas mariposas

La vida a veces regala
sueños de miel al destino
pero otras muchas se ensaña
y de hiel riega el camino.

Señora María:
guerrera en la desgracia
que siempre se cobija
en su humilde morada.
Señora María:
¿dónde mana el coraje
que la mantiene viva
y le da tanto aguante? 
-------

Al despertar la mañana
la saludan las estrellas
la brisa besa su cara
ya marchita primavera.

Estribillo


Always clinging to the broom
as if part of her were
always with bucket and mop
day and night companions.

Her hands clean the dust
with flashes of tenderness
that shine in his eyes
brimming with bitterness

Chorus

And it is that life has not been
that path of roses
that she dreamed as a girl
between white butterflies

life sometimes gives away
honey dreams to destiny
but many others show
and gall waters the road.

Lady Maria:
warrior in misfortune
that she always shelters
in her humble abode.
Lady Maria:
where does the courage flow
that keeps her alive
and does it last that long?
-------

waking up in the morning
the stars greet her
the breeze from her kisses her face
already withered spring

Chorus

SEÑORA MARIA (Feat. Carmen París)

Nouvelle collaboration internationale Québec / Hongrie / US. 
 Réarrangement d'une pièce de Milan Szavics, chantée originallement par Narah. Un beau jazz-chill rythmé mais relax. Bonne écoute!

New collab Quebec / Hungary / US. Rearrangement of a piece by Milan Szavics, originally sung by Narah. A beautiful jazz-chill rhythmic but relaxed. Good listening!

Standing Here (feat. : Narah)

A piano piece I started writing during the composition of my F-sharp minor Nocturne. Initially, I tried to figure out if I could use it as a middle section of the Nocturne (the F-sharp to G minor modulation was a very alluring challenge), but very soon, it started to gain a consciousness of its own, and the music began writing itself. It is a very dark and somber piece that aptly suits its Elegie name. 
I would describe it as an excursion into contemplation and resignation fostered by the pain of loss and irreversibility. Brief sections into the relative (Faith) and parallel major (Remembrance), and some dance-like drunken stupor (Holding on) offer some respite. The G major restatement of the main theme is my latest addition, simply because I found it beautiful. 
I dedicate this piece to Ivan Bago, a great friend and a monumental influence on my music. Safe to say, I wouldn't be deep in this musical endeavor without him. (He also mentioned he would like to play this piece on his own).

Elegie For Piano, G Minor

If you want me to write Professional level PIANO music for a project, Check out my Fiverr Gig:
www.fiverr.com/s/QVqWRy

Hold On

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Paul Cauthen - Cocaine Country Dancing (GunFight Flip)

Summer Twilight - Fleursonseaux
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Summer Twilight

Miracles

A.I's Love by SAtFivE
Pop Soul and Electro Music

Love and AI, are they possible?
We will know soon.
But do we really want to know it, to experience it?
Don’t we already have the answer?
Aren't we becoming robots ourselves?...

The project to create a video clip around this title is in progress, all help and advice is welcome, thank you all!

A.I's Love

Dream of Peace

Dream Of Peace

Awaken By Matan Matan arkin

Artwork by Carolin Junge

Awaken

DEKA

Everywhere

So Good

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

This song is a warning to pay attention to the signs the universe is sending.  First it comes as a tap, if you ignore the signs it becomes a hard poke.  If you still ignore the signs, you'll get a metaphorical bat to the head.  I am trying to share some wisdom on how to avoid that.

Life's Lessons

Bat to the Head

La lune pleure dans un ciel fané
Les ombres dansent sous l'étoile cassée
Les murmures s'élèvent comme un soupir
C'est ainsi que le monde va finir

[Chorus]
Pas de feu
Pas de bruit
Juste un écho
Le silence glacé comme un manteau
Les cœurs figés
Les rêves qui s'éteignent
C'est ainsi que le monde nous enseigne

[Verse 2]
Les rivières coulent mais sans un reflet
Le vent soupire des secrets oubliés
Les âmes errent sans savoir où aller
C'est ainsi que le monde va s'effacer

[Chorus]
Pas de feu
Pas de bruit
Juste un écho
Le silence glacé comme un manteau
Les cœurs figés
Les rêves qui s'éteignent
C'est ainsi que le monde nous enseigne

[Bridge]
Un dernier cri perdu dans le néant
Une lumière qui vacille doucement
Les jours se fondent dans l'éternité
C'est ainsi que tout va se terminer

[Chorus]
Pas de feu
Pas de bruit
Juste un écho
Le silence glacé comme un manteau
Les cœurs figés
Les rêves qui s'éteignent
C'est ainsi que le monde nous enseigne

C'est ainsi - Jef Bourgeau

Composer, arranger, performer, music director and teacher, I graduate of the 'Université de Montreal' , I have been passionate about everything that resembles music for more than 45 years.

Don't ask me for money. I dont want to offend you.

Standing Here (feat. : Narah)

Denis Caouette

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