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Incandescent (2021) for piano and marimba

Disquiet Junto Project 0527: Magic Number (3 of 3)
The Assignment: Complete an asynchronous trio begun by two other musicians.

I listened to all the Duos until i found
https://soundcloud.com/paul-reiners-1/magic-number-2-of-3-disquiet0526
by https://soundcloud.com/paul-reiners-1

based on
https://soundcloud.com/triermusic/baridrone-disquiet0525
by https://soundcloud.com/triermusic

which catched my ear because I liked the mixture of drone and somehow new-agy drums.

After testing the assumed scale and tempo I added some improvised arpeggios. Because of the mirrored drums it sometimes fitted, sometimes you can’t overhear the “asynchronous” trio …

I wanted to add some kind of lead theme but I dismissed the idea at the end, because the track just felt right ambient. I could not resist to put in some ambience, in this case from Venice, Italy. Hope you like it!

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More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Magic Number 3 [disquiet0527]

This track was inspired by the number 23 (as proposed by the Disquiet Junto Project 0529). The generative MIDI sequencer Transition was used (as for all Musical Bots tracks), but also Stochas for the choir.
The number 23 influenced that piece of music in many different ways. Among others the morse code of psalm 23 in English, French and German is also part of this track.

My gratitude goes to zwier for the fieldrecording of the sheep provided here: https://freesound.org/people/zwier/sounds/200329/

Major thanks to Eanna Butler for helping come up with this project:

More on this 529th weekly Disquiet Junto project – Squared Off (The Assignment: Explore the number 23) – at: https://disquiet.com/0529/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0529-squared-off/

23 Sheep (Disquiet0529)

noise pollution (disquiet0531 )

This track was created for the Naviar Haiku group.
428 week haiku
https://www.naviarrecords.com/2022/03/16/naviarhaiku428-end-of-rains/

2022-03-17

End Of Rains  ( Naviarhaiku 428 )

I woke up with a simple idea - do the OPPOSITE of what I am supposed to do and then just reverse the whole track. 

Recorded, mixed & mastered 21/22 Apr 2022 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Synths, birds, lawnmowers & effects.

©2022 Jim Lemanowicz

This original version of "Sleeping With A Grease" was submitted as part of ​Disquiet Junto Project 0538: Guided Decompression.  Get someone from tense to chill.

More on the Disquiet Junto at: disquiet.com/junto/

Project discussion on llllllll.co: 
https://llllllll.co/t/disquiet-junto-project-0538-guided-decompression/

This track was originally released under the artist name "Gossamer Horatio."

Sleeping With A Grease (disquiet0538)

An electronic sequence, sounds created in Pure Data.

Mountain Snow (naviarhaiku450)

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

Abyss

The "Wasteland Survivors" is an atmospheric and immersive audio journey consisting of 8 meticulously crafted tracks. Each piece is designed to capture the essence of survival in desolate, post-apocalyptic settings. This collection is an ideal resource for game developers and content creators seeking to infuse their survival game environments with a soundscape that intensifies the experience of navigating through a barren and unforgiving wasteland.

Features of the "Wasteland Survivors" include:

    Post-Apocalyptic Ambiance: The tracks are imbued with a sense of desolation and resilience, mirroring the harsh conditions and the relentless spirit of survival in wasteland scenarios.

    Varied Musical Themes: From eerie, suspenseful melodies that reflect the uncertainty of a desolate world, to more intense rhythms that accompany moments of danger and combat, the collection offers a broad emotional range.

    Atmospheric Depth: Each composition is layered with textures that enhance the sense of immersion, whether it’s through haunting minimalistic tones or more dynamic, rhythmic patterns.

    Seamless Looping Capability: With gaming environments in mind, the tracks are designed to loop smoothly, allowing for a continuous and unobtrusive audio backdrop that enhances gameplay.

    High-Quality Production: The tracks are produced with high fidelity, ensuring clear and vibrant sound that complements the visual elements of the game.

    Adaptability for Various Game Phases: The music is versatile, fitting seamlessly into different phases of gameplay, from exploration and resource gathering to tense encounters with threats.

The "Wasteland Survivors" is not just a compilation of background tracks; it's an essential component for creating a compelling and immersive post-apocalyptic world. Its evocative soundscapes are designed to elevate the player's experience, making their journey through the wasteland not only a challenge of survival but a deeply atmospheric adventure.

noise pollution (disquiet0531 )

De Vis