Welcome to The Gaily Dish! The Gaily Dish is comprised of three  gay men from Los Angeles, who after a long week working it, just want to get together, cut up a little and try to make fetch happen. Join C.J., Tyler and Shane as they break down all things celebrity, pop culture, headline news and all those things you never wanted your parents to hear in their weekly, half hour episode of hilarity, debauchery and truth telling.

See all the things at www.thegailydish.com. Follow us on twitter @thegailydish and like us on the Facebook.  Oh, and be on the lookout for our weekly podcast.

Join the list! e-mail us ask@thegailydish.com

Housetronix - two DJs & producers from Moscow: Alik Leto & Quality Cat. They know each other for many years and have played together in the best clubs and parties around the country as members of the Russian electronic scene and community. Having a huge music collection of vinyl and CD, plus a big club background and experience behind, they can guarantee their back 2 back sets will set dance floors on fire, energy through the roof and people going nuts!

2021 is a very productive year for the guys. Their own productions and collabs with Juany Bravo, Sydellia N’Diaye, SRCS and Mazzie are out on Tube & Berger and Juliet Sikora famous Kittball Records, Roger Sanchez label Stealth Records and the respected UK imprint Let There Be House. Some of these tracks and collabs reached the TOP10 of Afro House on Beatport and Tech House on Traxsource!  Housetronix single Marrakech (Sweatbox Records) received great feedbacks and support from the industry monsters like Pete Tong, Roger Sanchez, Marco Carola, Sasha and Richie Hawtin to name a few. The duo future plans are to go further, developing their unique sound & do more collabs with Juany Bravo, Medusa, Horatio, Juanito, Venky and other artists as well as producing their own tracks and doing remixes. 

Housetronix first serious release came on Eddie Amador’s label Citrusonic Recordings. The single Batu got huge support from many international DJs including legendary Roger Sanchez and single Right was one of the tracks of Hotfingers Rec Best Annual Compilation. Without You EP sampling Dirty Vegas famous anthem Days Go By (Underground Mjuzieek Digital) and My Defences rocked and provoke that hands in the air effect on the summer terraces during morning sunrise sets. 2016 was a very impression year for the duo as official remixes for the legends Boy George (Fetch Records) and David Penn (Urbana Rec) were released. As well as Long Night EP that came out on Horatio’s Natural Rhythm: a tribal Vozes Da Savana that was charted by Mark Knight for two months in a row and Long Night that was supported and powered by Wally Lopez. Housetronix also had releases on Jango Music, PP Music, Natural Rhythm. 

Housetronix. Two music fans, who have come a long way from cassette-player listeners and vinyl collectors to professional DJs and house music producers.   

www.housetronix.ru
www.facebook.com/pages/housetronixmoscow
www.instagram.com/housetronix 
www.twitter.com/housetronix
www.soundcloud.com/housetronix
www.youtube.com/HousetronixTV




Selected Discography:

Housetronix - Batu (Citrusonic Recordings) 2012
Housetronix - Right (Hotfingers Records) 2014
Boy George Feat. Shay D – Kiss The DJ (Housetronix Remixes) [Fetch Records] 2016
David Penn – Feel The Rise (Housetronix Remix) [Urbana Recordings] 2016
Housetronix – Long Night EP (Natural Rhythm Ibiza Series) 2016 
Housetronix - Turn It Up (Jango Music) 2017
Housetronix - Marrakech (Sweatbox Records) 2020
Housetronix - Cold Summer EP (HouseTribe Records, Tokyo) Japan 2020
Juany Bravo, Housetronix - Spanglish (Stealth Records) USA 2020
Juany Bravo, Housetronix, Sydellia N’Diaye - No Place Like Home (Kittball Konspiracy Vol.19), Dortmund, Germany 2020
Housetronix - Cuerdas Del Fuego (Stealth Records Rituals Vol.3) USA 2021
Housetronix, Bruno Zarra - Hallucination (Stealth Records Rituals Vol.3) USA 2021
Horatio, Housetronix - Deeper State Of Mind, Everybody (Quanticman Records) Bacau, Romania 2021
Juany Bravo, Housetronix, Sydellia N’Diaye - No Place Like Home (Milk & Sugar Recordings Miami 2021 Compilation Rerelease) Germany 2021
Housetronix, SRCS, Mazzie - Dancin (Let There Be House Records Summer Solstice 2021) UK 2021
Housetronix - Extradition (Kittball Konspiracy Vol.20) Dortmund, Germany 2021
Housetronix - Acid Salsa, Bonito (Stealth Records) USA 2021

We are V Green Media, a full-service advertising agency with a presence of over a decade. We take pride in solving problems with creative solutions. So, yes, we ideate creative solutions with a long-term picture in the mind. And most of all, we want them to fetch results.

Coming of age in the San Fernando Valley at the turn of the 90’s, music producer Sammy Chand was as equally influenced by the midnight releases at Tower Records, as he was by the sounds of India, his ancestral homeland. And while the cross- pollination of genre, sound and cultural elements is now the order of the day, Sammy embraced this fusion of experiences long before it was fashionable or even understood.
Working as a producer and a session musician in studios throughout Los Angeles is how Sammy spent much of his late teen years, often working for major labels and major artists. His thriving spirit to be independent coupled with his reflection of the Indian music scene in England, led him to start the first South Asian based record label in the North America called Rukus Avenue.
With his budding reputation as a multicultural music producer, he found himself on a panel at Georgetown University alongside music producer Bally Sagoo and filmmaker Nisha Ganatra. He would end up playing what would become the title track for his label’s first compilation, Passage to India for Gitesh Pandya, who would place it in the film cult classic American Desi.
American Desi was the launch pad for several prominent South Asian actors, including Kal Penn, but also as a springboard for Sammy’s emerging musicl. He would secure a string of major film placements for his young company, which would give momentum for the release of the ground breaking Passage to India project, a demonstration of the breadth of his capabilities as a producer, and the introduction for his cross-cultural hip hop group Karmacy. Sammy would essentially not only start the genre of South Asian hip hop, but his work would ignite the business of worldwide.
Karmacy’s, multi-lingual lyricism and production balanced the two cultural centers of South Asia & Urban America, and kicked off a wave of South Asian hip hop worldwide. Their debut, The Movement was an exciting record for both culturally oriented college professors, social academics and music aficionados alike. His work has been the subject of several books exploring the influence of hip hop on the burgeoning South Asian identity in North America.
Sammy was later cast alongside Russell Peters, Lisa Ray & Maulik Pancholy in 2006’s showtime network movie Quarter- Life Crisis. His acting debut also contained music that Sammy made, finding its way onto Universal Music’s album called Urban Fusion.
Through his reputed knowledge of Qawwali music, Sammy was paired with Rahat Fateh Ali Khan, the nephew of the late Nusrat Fateh Ali Khan, and current #1 Bollywood singer to record an exclusive catalog of songs. The two would collaborate on a 104 song music library that will be paired with writings about each song by noted South Asian writers.
After receiving some welcome attention from The New York Times, WNYC, , Hot 97FM in New York City, MTV asked Sammy to host several shows for their new ventures. The newfound profile led Sammy to embark on the Indian subcontinent and take his music to abroad.
This evolving audience was captivated by the new Americanized Indian sound, which landed Sammy’s efforts on the front page of Time Out Mumbai, and Times of India. His music was also selected for an animated series for PETA India and work for MTV’s Global AIDS Awareness campaigns. Through his work in music, Sammy, as part of Karmacy, would be voted as the entertainer of the year by the South Asian Student Association.
Sammy continued his Rukus Avenue projects by producing artists like MTV’s Rasika Mathur which was chosen as Amoeba Music’s Homegrown artist of the month. Sammy’s work as Producer and Executive Producer helped establish Rukus Avenue brand as home to some of the brightest music stars in the South Asian diaspora. Artists like; Sandeep, Hoodini, Kanwar Gill, Jason Joseph, Elephants with Guns, C.J., and more made their way through the Rukus Avenue doors.
Sammy’s solo debut, Tale of a Crown, is a music supervisors dream come true. Commissioned by music licensing powerhouse Sonoton Musik and APM music in Los Angeles, Sammy was asked to compose an album that would articulate this growing world wide hip hop fusion scene that he once helped seed.
Music from Tale of a Crown would made its way to the Oprah Winfrey show, America’s Most Wanted, CBS News, PBS Newshour, No Reservations with Anthony Bourdain, Bizarre Foods of the Travel Channel, So You Think you Can Dance?, the PBS kids show Fetch! with Ruffman Ruff, Storm Riders, and in over 50 television shows worldwide.
Selections from the album accompanied the newly married Aishwarya Rai and Abhishek Bachchan during their visit to the Oprah show, Anthony Bourdain on a food excursion to India on his No Reservations program, and host of other film and television programs from all over the world, including several concurrent episodes of America’s Most Wanted.
Tale of a Crown’s success, and the growth of the South Asian community opened the doors of the Staples Center to Sammy, who would team up with the LA Clippers to produce the first India Republic Day celebration in franchise history.
In anticipation of his next project, Sammy released Dil Mungdi (She Wants My Heart), a song that would be accurately described as being the first legitimate effort to create American Bollywood music. The music video, featuring a charming story of a high school Sadie Hawkins dance, quickly amassed over 185k organic views on YouTube.
Currently, Sammy is working with executive producer Emma Thompson, Oscar and Emmy award winning director Jeffery D. Brown & producer Jane Charles on the score of the film adaptation of Patricia McCormick’s Sold, a heart wrenching story of human trafficking starring David Arquette and Gillian Anderson.
THE SINGLE ‘HANDS UP’ FEATURING CAPPADONNA WILL RELEASE WORLDWIDE 4/9/13. IT FEATURES CAPPADONNA FROM THE WU-TANG CLAN AND IS PRODUCED BY SAMMY CHAND.

Undiagnosed learning disorder . The friends of the general have all grown up leaving him to play with his sharpened sticks and rusty blades, alone.
SCHEIDT ! began life as a 4-piece way way back in 1967, only then they were known as something else entirely and not necessarily all the original members were in the same band at any one time together, simultaneously. Back then they were renowned more for their  haircuts than their music which was produced in long slow arduous sessions of constipated squeezing and relied heavily on main man Felix Pimmelllickers curious chord progressions and gestalt whimpering. They built their sound round their empty lives and somewhere hidden deep within their early recordings for SMITE records you can hear the sound of people going. nowhere. Fast.
The band split in 1969 having committed just 27 minutes to acetate and these have surfaced as collectors items  on that eBay, the track earmarked for a single CLEAN YOUR OWN HOLE, can fetch up to 15 shillings at auction.
Drummer Horst Horst gave up music entirely and now lives in Finland where he mostly stays still.
The bands original bassist Adolf Smittler played in various prog rock bands in the 1970's, including BEELZEBUBS  SLIPPERS , CROCK and PURPLE  OXYGEN TENT before giving up music altogether to concentrate on his breathing.
Guitarist/flanger/git  Dennis Von vertongerengerengen and Pimmelllicker  carried on as an unconvincing duo playing experimental backwoods bluegrass on synthesisers with Pimmelllickers maudlin self pitying poetry triggered through echo machines producing a sound that one critic called ' the sound hummus makes when it hits the floor in volume and then someone roller skates through it'. Pimmelllickerand  Von vertongerengerengen fell out in 1977, at this time both of them had moved into Pimmelllickers girlfriends house, her name was Mimi Mimo and she didn't have an artistic bone in her body, instead she ran a kitchen tile shop and as  Pimmelllickers music career seemed to be shuddering to a welcome stop she asked him if he wanted to learn to tile bathrooms . He said Yes.
'So now there was only  Von vertongerengerengen , he joined punk band SHOWER OF SHIT and rehearsals for the tour were going well, right up until the drummer freaked out on Mescaline in a Sheisshavn hotel room and attacked the rest of the band with a trouser press, killing the singer and bass player and critically injuring  Von vertongerengerengen. He spent 17 years in a coma and nobody shaved him, not even his sister who cared for him and offered him encouragement through all the time he appeard turned off to the world.
Although he came out of his coma nearly 20 years ago,
Von vertongerengerengen  is wheelchair bound and almost totally immobile, but has learnt to communicate using Panpipes.
This incarnation of SCHEIDT ! features non of the original members, but as an affectionate nod toward them we have included the sound of Von vertongerengerengens  breathing through his medical tubes.
Gobblessya.xx

Our story starts in 1868

The Rhine flows unhurriedly past the windows of IWCs workshops in Schaffhausen. Just a few kilometres further downstream it plunges over the cliff face of the Rhine Falls that have made the town world-famous. And it was here, more than 140 years ago, that a corporate story began which is still being written today. The American engineer and watchmaker, Florentine Ariosto Jones, was a director of E. Howard & Cie in Boston, then one of Americas leading watchmaking companies, at the tender age of 27. At a time when many Americans were trying their luck in the west, Jones went in the opposite direction. His journey took him across the Atlantic to Switzerland, where wages were comparatively low. His plan was to found the International Watch Company, combining outstanding craftsmanship of the Swiss with modern engineering technology from overseas to manufacture movements and watch parts for the American market.

Here in Schaffhausen he found a newly constructed hydroelectric power station for his machines. Ideal conditions for his passion to build perfect mechanical movements for an international market. He also found watchmakers whose profession already had a long tradition. The State Archives in Schaffhausen include an entry dated 29 January 1583 relating to the Guild of Pyrotechnicians, Gunsmiths, Watchmakers and Hoistmakers to the City Council. This proves that the watchmaker's trade must already have existed in Schaffhausen at the time.

Originals of chronometry appeared soon after the company was established, for example in 1885 the Pallweber system pocket watch with its digital display, today a sought-after collector's item. At the end of the 19th century, IWC was one of the first watch manufacturers to recognize the potential of the new and increasingly fashionable wristwatch, for which it developed entirely new movements. It also continued to build original pocket watch movements into wristwatches when the market in the thirties demanded large, extremely accurate wristwatches. This is how the Portuguese line came into being - a trendsetting wristwatch in a "king-sized" format until today.

IWC was involved when watches had to learn to fly with the aviation pioneers and today it offers a comprehensive range of professional pilot's watches, which are fitted with special protection against magnetic fields. In the fifties the company not only led the competition in the race to introduce the first automatic movements, but also developed the so-called Pellaton winding mechanism, an unsurpassed winding system that it still uses exclusively today in its large automatic factory movements.

In the severe turbulence of the Swiss watch industry at the end of the seventies under its inspired manager, Günter Blümlein, this is the period in Schaffhausen when the points were set - contrary to the electronic spirit of the time - to take the company onto the track of mechanical watches, innovation and technically exacting men's watches. And from this conception of ourselves there grew the eye-catching advertising message: "IWC. Since 1868. And for as long as there are men." Because men's watches have also been a subject of interest to women for a long time.

The craft perfection, the training of its specialists, the renunciation of mass-market products: all of these are in keeping with the old-established principle of IWC. To make watches for small numbers of people, but watches of the highest quality. That is also the reason why, if carefully maintained, our watches last for decades. And why today they are rare items, which fetch collector's prices throughout the world.

Leading impulses for the mechanical watch come from IWC. With its more than 600 employees, the company manufactures these sought-after pieces. Since the year 2000 IWC has belonged to the watch division of Richemont International SA.

http://www.iwc.com/ 
http://www.twitter.com/iwc 
http://www.youtube.com/iwcwatches

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It’s a sad story to tell, so get some tissue . . . you'll need it.
On north Vancouver Island there was one of the greatest Canadian Bands no one ever heard of. They never played outside their tiny log cabin on Cowichan Lake in the Cowichan Valley, eh. They were called The Streisands.
One day, they recorded 5 songs on a whim. We are not sure what types of instruments they played or even what their music sounded like.
They sent off a copy to the Glasgow Music Fest. A long month went by. Then a float plane landed next to their dock.
It was an agent sent from Glasgow to fetch them. Their music so impressed the producers they sent a large float plane to pick them up with their instruments and the recording they had made.
They grabbed a few things they knew they would need . . . Mukluks, a few beaver pelts, smoked salmon, their instruments, the sole recording of their music, 5 pounds of homegrown merry jane . . . and took off.
It was about an hour into the flight when the airport received a distress call from their aircraft.
May Day, May Day, said the voice. Our plane has run out of fuel and got hit by lightening after running into a flock of Canada Geese. We are going DOWN!
The last thing the radio tower heard was them screaming as the plane plunged into the ocean. Someone asked, who was that screaming? It was The Streisands.
We are their tribute band.
Since no one living today has ever heard their music, we’ve come up with what it must have sounded like.
And, in honor of the band, we've taken their name . . .
We are Screaming Streisands!

When talking about the electronic music industry, there are plenty of artists & names. Some of them got huge success & popularity, some are not that big but the main criteria for this category of respected DJs & electronic music producers is quality. One of them is a russian guy Victor Sysoev known as Quality Cat. 

 Playing now in one of the best Moscow venues Duran Bar, producing tracks supported by Roger Sanchez, Boy George & David Penn, collaborating with Nalaya Brown, Pasha NoFrost, Nino Bellemo & others, Quality Cat looks forward of being an industry professional & respected dj & producer known around the world. 

He began his DJ thing in the early 90's in Moscow doing school and college parties starting to develop his dj skills & trying the first steps of dancefloor psychology, crowd connection & gear use. At that time he was a student of Moscow's University Of Foreign Affairs, studying international law. But the growing interest to electronic music world pushed him to attend the best parties in Moscow during that era & to see the first professional russian DJs perform. By that time he decided to leave his career as a lawyer & start working as a DJ professionally. 
These days Quality Cat works closely with Mikeee - a true representative of oldschool in Moscow. Combining old and new-school approach brings a good result as Victores & Mikeee productions are played by legendary Roger Sanchez, Boy George & David Penn among others. 

In 2014 Victores decided to take the alter-ego of his name for more underground & deep productions. His first release under the name Quality Cat - Fallin, the collaboration with Mikeee came out in April 2015 on Canadian label Dash Deep Records. From 2018 he uses Quality Cat as his main artist name. 

Besides producing with Mikeee and on his own, Quality Cat is always open to interesting & serious collaborations. He also has a project with another Moscow old-school veteran Alik Leto. They produce under the name Housetronix and have releases on respected labels like Hotfingers and Citrusonic (Eddie Amador's label). Their tracks are regularly played by Roger Sanchez, Boy George, Baggi Begovic, Eddie Amador, Lucien Foort, David Penn, Roog, Joe T Vanelli to name a few. 2016 was a productive year for this duo starting with remixing Boy George on Fetch Records and following with remixing David Penn on Urbana Recordings Compilation IBIZED 2016 and releasing their own LONG NIGHT EP on Horatio's label Natural Rhythm Ibiza Series. This was supported by Roger Sanchez, Wally Lopez, David Penn, Rene Amesz among others.

Musically, Quality cat tastes & preferences are extensive. He likes all quality staff from ethnic, jazz, disco, pop, easy listening etc. Professionally he plays House music mainly, but depending from the situation, the venue or the crowd, he takes it from more soulful and disco to deep, dark & even techno beats. "I can't play the same style & vibe constantly. My set is a journey which I enjoy as so (or even more) as the crowd does. That's what I learned and that's what influenced me. You can't be on the same way all the time, you have to turn left and right, up and down. The only thing that remains the same no matter what music I play, is the quality! I always put 100% or even more to what I'm doing, some people don't even understand it, but I believe it's right! You do it best way or no way! There's no middle for me!" - says Quality Cat. 

And here we are: quality is the main point for Quality Cat, production wise or DJ wise. To better sum this story Victor says: "I'm not a star, but I like when my name is associated with quality music or quality action no matter what. My goal is to be a true respected professional and to work with the professionals, aces if you want.."

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