While we work on the vocal version, here is as a preview the instrumental version, of one of my most personal songs and which be the turning point in the future concept album

Legacy (instrumental version)

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

Spotify
https://open.spotify.com/artist/1KemC4LvTDArALUgCn1Zv4
Bandcamp https://futuregenocide22.bandcamp.com/music
YT https://www.youtube.com/channel/UC-c19NYzotiLDI6v8d6mJ-Q

slow down , breathe deep , and let a forest guide you to peace ..

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

If this was A I it would probably be better

Hello dear Soundcloud listeners,

I'm still determined to continue producing music, the music of Pier Will, which can only be heard on Soundcloud and which can also be recorded... for now.

The world of music is rapidly moving towards a huge upheaval where the true musician will very quickly become "rare," or even more and more of a shadow, a peculiarity, a memory. This time is not so far away, as AI takes a predominant place in everything that touches us and surrounds us and in Music, this can already be heard very clearly!

Apparently, everyone is taking this lightly, and the few diehards are being sneered at as anti-progress terrorists, for now. I already have two work computers disconnected from the internet, which house my software and everything I need to work. No more updates for them to work properly... updates are only necessary if you need to connect! Another computer is dedicated solely to internet connection and will be used exclusively for streaming the tracks.

This decision has serious consequences for my production, as there are no more options to add anything to it. It's a gamble, but for me, it's an obligation to remain completely independent and free from AI.

Pier WILL - ❤️🕊️🙏

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Bonjour chers auditeurs Soundcloud,
Je suis toujours déterminé à continuer à produire de la musique, celle de Pier Will, que l'on ne peut écouter que sur Soundcloud et qui peut aussi être enregistrée… pour l'instant.

Le monde de la musique s'achemine rapidement vers un bouleversement majeur où le véritable musicien deviendra très vite « rare », voire de plus en plus une ombre, une singularité, un souvenir. Ce temps n'est pas si lointain, car l'IA prend une place prépondérante dans tout ce qui nous touche et nous entoure, et en musique, cela se voit déjà très clairement !

Apparemment, tout le monde prend cela à la légère, et les quelques irréductibles sont méprisés comme des terroristes anti-progrès, pour l'instant. J'ai déjà deux ordinateurs de travail déconnectés d'Internet, qui hébergent mes logiciels et tout ce dont j'ai besoin pour travailler. Plus besoin de mises à jour pour qu'ils fonctionnent correctement… les mises à jour ne sont nécessaires que si vous avez besoin de vous connecter ! Un autre ordinateur est dédié uniquement à la connexion Internet et sera utilisé exclusivement pour le streaming des morceaux.

Cette décision a de graves conséquences sur ma production, car il n'y a plus aucune possibilité d'y ajouter quoi que ce soit. C'est un pari risqué, mais pour moi, c'est une obligation de rester totalement indépendant et libre de toute IA.

Pier WILL - ❤️🕊️
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🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

Everything here is performed by me (and written by someone else). 

If you enjoy what I do, you might like to also take a look at some of my music videos:
https://www.youtube.com/@nothings_thought_exists

Legacy (instrumental version)

The Bird Inside