Jazzérance

The axolotl called Julio Cortazar watches the aquarium observers (including that one who resembles Julio Cortazar). The previous draft here (I tried now to improve the central part): https://soundcloud.com/michele-ansani/this-is-them-final-draft. 
The sister tracks: https://soundcloud.com/michele-ansani/this-is-us and https://soundcloud.com/michele-ansani/is-this-you
Here the short backgroundstory: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html
Picture is from Pietro Corrao.

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Composed by Michele Ansani (2022-2024)
Posted on SoundCloud: 2024, November 19

This is them (final version) *

Cocktail time jazz. 
Now appearing nightly, lounge singer Shade Structure and his jazz combo. 😉 (open shirt, sweaty, toupee, pinky ring. )
From the album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
I've had enough of the light
Let's turn the lights down low
And get in our evening glow
I wrote a haiku for you
And ways that you do
And the ways that you move...  🥵 

I saw you climb the fiery spires
And you never tired
Don't you know you're the source of my desires?

Well, you're lucky if you get out of this world with any kind of love at all
(That's what you always used to say!)
I said, "Let's go dancing like we used to do
Let's go nowhere
In the car
Let's rhapsodize upon the stars
You know I love the way we are

You can't love yourself all alone
You are everywhere
And everyone you've known
You can't love yourself all alone
(Solo 1)

You can't love yourself all alone
You are everywhere
You're everyone you've known
You can't love yourself
All alone
You are the particles of everywhere you've gone
(Solo 2)

I wrote a haiku for you 
And the way that you move...

You can't love yourself all alone
You are everywhere
And everyone you've known
You can't love yourself all alone
You're the elements
The particles of everywhere you've gone

You Can't Love Yourself All Alone

Мой новый трек "Город тёмный в тумане" в стиле чиллстеп. Он навеян ощущением дождливой ночи в большом городе, тумана и дымки, шорохом шин неизвестных автомобилей... 
Слушайте на Telegram/YouTube/SoundCloud, надеюсь, вам он понравится!
Желаю всем самого доброго!❤️

My new chillstep track "Город тёмный в тумане" ("Dark city in the mist"). It was inspired by the feeling of rainy night in the big city, it's fog and haze, rustle of tires of unknown cars...
Listen on Telegram/YouTube/SoundCloud, hope you will like it!
Wishing you all the best!❤️  

Follow me:
♬ YouTube    ▸ https://www.youtube.com/@NiveaVespera
♬ Telegram   ▸ https://t.me/niveavespera
♬ Instagram  ▸ https://www.instagram.com/niveavespera/
♬ Soundcloud ▸ https://soundcloud.com/niveavespera
♬ Bandcamp   ▸ https://niveavespera.bandcamp.com

Город тёмный в тумане

Retare

Video; https://youtu.be/OIH-kBOh1Ao

Made in Februari 2025

Genres;
#Ambient
#Electronic

Forbidden Ruins

I am very proud and grateful to Saskia for making magic with this song.
Vocals and lyricks by: Saskiagoethals
For more Saskia please check: https://on.soundcloud.com/sTp9ak2cKX6iX9F96
Music by: The Bird Inside
Lyrics:
Summer Fools

Two fools, you and me,
Summer fools
We believed
Summer love
We believe
That the summer
will last a lifetime
endlessly

Summer fools, you and me
Like a split second
Can last an eternity

The sunrays warm our face,
Seawaves washing up and down,
This paradise this place
It feels like time erased every trace of summer love

el tiempo borrará todo rastro de amor de verano

Summer Fools - Feat Saskiagoethals

2025-02-19

The Surface Is Slowly Freezing.

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

je vais t,aimer

Piano Soundtrack

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside