Omar Cabezali Rodriguez, born in May 18,1996(Barcelona). 
My beginning in the hip-hop culture started when i lived in Pineda De Mar. 
My interest for the music and production started in 2013 when I always had a lot of free time to make anything,
then I decided profit my time specially in hip-hop genre.
I started making beats with the main idea to have my own music library to enjoy it and I would like share it with all the world thats my main reason.

"Call to Adventure" is a one-hour conversation hosted by Alex Opoulos and John Duckworth, interspersed with musical selections from each guest. The underlying ethos of the show is inspired by Joseph Campbell’s idea of the Monomyth or the Hero’s Journey. Each of us on our personal journey encounters moments where we are drawn into stepping out of our comfort zones to explore the unknown.  If heeded, the moment of departure is prefaced by what Joseph Campbell refers to as the Call to Adventure - a moment that either illuminates a new path, forces a challenging decision, inspires courage over fear, or kindles fresh discipline - something that ultimately gives new purpose, meaning, and direction to our lives.  From this vantage point Alex and John engage each guest in a conversation about those moments in their lives that in hindsight proved pivotal, providing growth and transformation along the journey.  

"Call to Adventure" is produced for Ohm Radio, 96.3FM, Charleston SC's only community based non-profit commercial-free radio station - airing Sunday's from 2-3pm, and Wednesday's from 4-5pm

"The road that is distinctly your own has never been traversed, celebrate the path that is your call to adventure."

Corey Griffin Interviews Hip Hop Entrepreneurs on using the Internet to get exposure and Inspire listeners to expand their brand Every Week! We are going to be Diving into The Hip Hop Industry and Speaking to Entrepurneurs who are making a living with thier passion. We will be speaking about failures, success, From Idea to Profit, and end it with some mind blowing resources.


i like bouncy bouncy songs

- Trap - Jungle Terror - Bass Music -

DJ | Producer

book me now u wont regret it m8

stalk me on twitard: @Ellis_Himself



Explore your path in our worldwide community. Do you seek guidance for living from your deepest core so that you may find that missing essence? Maybe you and the Golden Rosycross Community have something in common. We are delighted to invite you to visit our website and sign up for the Golden Rosycross Community. Then you will receive regular e-mails with what we hope will be relevant content for your spiritual search.

You can watch video-lectures, speak online with the lecturer, listen to a podcast, download a Pentagram magazine, have access to our online magazine LOGON and sign up for our weekly live explorations. Those who subscribe will be able to participate in several groups and will be offered the opportunity to join online meetups with other group members, using our professional conferencing software.

The Rosicrucians strive to strengthen the connection between ‘the cross and the rose’, between the temporary, but so important being that we are and the eternal divine nucleus within themselves. Living that connection contributes to the regeneration of man. This is the path of self knowledge, non conflict and an ever increasing consciousness of what our active role in society and the world really entails.

The teachings of the gnostic School of the Golden Rosycross are Hermetic, Taoistic and Christocentric at the same time. It is possible to come to inner knowing, to Gnosis, by going a path of self-initiation which has existed since the dawn of times. The School of the Golden Rosycross indicates this path that every person needs to undertake sooner or later in himself or herself.

In all authentic wisdom traditions, there is the idea that there is one source of life, wisdom and love. This source has many names: Spirit, Tao, Brahma, the One, the Unknown, the Creator, God and the Father-Mother. The School of the Golden Rosycross consists of people who have discovered that this source lies within themselves.

The Golden Rosycross is a worldwide non-profit organization active today in more than 50 countries. Its sole aim is to promote spiritual awareness and renewal based on the divine nucleus within the human being. Although its roots are in gnostic Christianity and Hermetism it is fully in tune with the modern world and our aspiration to find the source of all Life.

It undertakes many initiatives around the globe to offer seekers possibilities to become a man or woman animated by the inner nucleus and to find the missing link.

Books, magazines, video-lectures, podcasts, online-programs, contemplative meetings, temple-services and live conferences are at your disposal.

Do you want to find out more? Then, we invite you to join the Golden Rosycross Community. Your subscription is free of any obligation and may add new and unexpected perspectives to your quest.

See you soon!

FOR BOOKINGS: Justas@thekey.lt 

Purchase Dee & Kamy "RRR" EP on www.amazon.co.uk | www.hhv.de or any other major internet store.

www.deeandkamy.com
www.facebook.com/deeandkamy
www.twitter.com/deeandkamy
www.youtube.com/deeandkamy

Dee &amp; Kamy is the up-and-coming group from one of the Baltic states – Lithuania. Although it was created only 3 years ago, in the February of 2007, the group has already contributed a considerable profit to the Hip-Hop culture of the Baltic Region. It might seem difficult to describe the style of the music that Dee &amp; Kamy produce. Mainly, the genre is rap, including funk, soul and jazz elements. The music that the group creates is generally inspired by such artists as Marley Marl, Gang Starr, Main Source, Eric B. &amp; Rakim, Pete Rock &amp; CL Smooth, Big Daddy Kane and many more.
There are two young men that make up the group: Dee creates music and produces it, while Kamy is the group’s voice and the author of lyrics. Needless to say that Dee &amp; Kamy’s live performances leave no stone unturned, enthralling even those not interested in rap music.
Continuing with their events, Dee &amp; Kamy warmed up Ja Rule during his tour in Europe, the legendary Sugar Hill Gang, Slum Village, Jungle Brothers etc.
In August, their debut album ”Original Taste”was released. There are 18 songs in it and all the rhymes are written in English. The overall idea of Hip-Hop is not dead – the very first edition was bought up in a month’s time. Moreover, several works from the album have received a considerable interest and promising prospects.
At the same time, these rappers joined the most distinguished Hip-Hop label in Lithuania – Gatvės Lyga, which was set up by Lithunia’s three times DMC champion DJ Mamania, one of the best country’s MC Svaras, “the library”- Mironas and DJ Mantini as well. It is worth mentioning that ‘Gatvės Lyga’ combines of a radio station, record studio, etc.
Talking about the winnings, the group has already won two awards. These are “The best video clip of a year” and “The best music group of a year”, gained in “Pravda Awards 2010″.

Colleen ‘Cosmo’ Murphy is a highly respected and experienced musical selector, DJ, radio host and curator, founder of the album listening event and content hub Classic Album Sundays and an authority on music, sound and the vinyl renaissance.
 
She was mentored by David Mancuso at his seminal Loft parties in New York City. Together they co-produced the compilation series David Mancuso Presents The Loft and worked together on David’s record label The Loft Audiophile Library of Music. In 2000, David told Time Out New York City “She is very devoted and very pure about the music. She’s one of the only people I would trust, both with the music and with the equipment, to fill in for me.” She was asked by David to help manage his legacy and continues to be one of the musical hosts at The Loft in NYC. She is also the co-founder of the Lucky Cloud Loft parties in London and DJs internationally on the world's best sound systems and dance floors.

Colleen hosts Cosmodelica, a monthly radio show on Worldwide FM selected by Time Out as one of the 10 best shows in London. She is now bringing Cosmodelica to the dancefloor to high-end audio venues like London’s Giant Steps and New York City’s Public Records. In March she is hosting a Cosmodelica residency at the Prince of Wales with special guests.

In 2019 Colleen was nominated into the DJ Mag North America Hall of Fame and launched Love Dancin’ Sound System at Gilles Peterson’s We Out Here Festival, sharing some of her musical and sonic passions to dancers outside of her existing communities to rave reviews. She will once again host the Love Dancin’ tent at We Out Here in 2020.

In the last few years Colleen has brought her uplifting musical energy to other festivals including Houghton where she has hosted a marathon set every year since its inception and is returning in 2020. She has played alongside Gilles Peterson for his closing party at his Worldwide Festival, a headline closing set at Dekmantel Selectors 2019 and sets at Kala Festival, Lost Village, One Day at the Disco, Flow Festival and Umbria Jazz Festival.

She hosted one of the most popular disco sets for Boiler Room and has recently been featured as the subject of a podcast for Resident Advisor. DJ Mag UK featured a lengthy long-read article about her in August 2019.

 Her Classic Album Sundays platform tells the stories behind the albums that have shaped our culture and in some cases, our lives. Colleen founded Classic Album Sundays as a stance against the increasing devaluation of music and sound. What began as a passion project is now the world’s most popular album listening event with satellites in four continents and the website and social media channels host content on classic albums and artists such as interviews, videos, playlists and more. BBC Breakfast Television remarked, “Classic Album Sundays treat our best-loved records like great symphonies.” She has hosted events with amazing talent such as Jarvis Cocker, Guy Garvey, Laura Mvula, Max Richter, John Grant, Pink Floyd’s Nick Mason and many more.
 
Colleen has been a radio host, DJ and programme director since the age of fourteen and today hosts Cosmodelica and Classic Album Sundays Worldwide on Worldwide FM and ‘This Women’s Work’ series for Public Radio International. She is the writer and host of BBC 6 Music’s album series ‘Sounds of a City’ and BBC Radio 4’s doc series ‘Turntable Tales’. Unfold Japan, a radio series she hosted for Worldwide FM and Asahi, has recently been nominated for an ARIA Award (Audio and Radio Industry Awards).

“When did the future switch from being a promise to being a threat?”

 Things are running so fast, to nowhere. It looks like mankind has realised that any effort to find a reason to justify its own existence is actually useless.
At the end we finally gave up, seeing ourself as monsters rather than the amazing creatures designed to rule the universe.
Our evolution, that we can definitely assume to be an involutionary process, turned the human kind being into a condition where the race probably got to the maximum of the biological possibilities. What will come next? Is it possible that the next step will involve creatures whose basic capacities so radically exceed those of present humans as to be no longer unambiguously human by our current standards?
Probably those entities will be able to "become" or embody different identities and understand the world from multiple, heterogeneous perspectives reaching the “post human condition” while seeking to maintain intellectual rigor and a dedication to objective observations.
Mankind’s hunger for keeping the evolution of techniques and tools vivid and alive brought our kind to struggle to feed itself of artificialism, spoiling biodiversity and setting itself as a black hole which swallows everything. The act of digesting creates nothing but toxicity that keeps on spoiling our planet and the life forms which populate it.
Since mankind started ruling the world, this process never stopped. Even when the balance was found, mankind kept growing, expanding and evolving, reaching a condition which is distant to the natural feelings of our race.
Hypothetically, we’re trying to ascend to an higher plane of existence in order to have a better control of the Earth and its happenings, despite the harsh fact that life has became harder for most of the animated beings which populate it, even for humans themselves.
As humans are conscious entities, surviving isn't enough, as our needs push us to make the most of our own psycho/physic resources in order to shape our own vision of things on a satisfactory base. This allows us to feel in peace and harmony with our surrounding world.
Besides the fact that more and more people all over the world have to struggle in order to ensure their own existence, a constantly decreasing number of people are able to focus on the happiness, having no direction to follow. The balance which ruled existence got lost and probably the time for a radical change for our little corner of the universe is getting closer and closer. A natural flux of renewed energy will come to set up a new order and renew the existence cycle over our planet.
“The end was contained in the beginning”, all we can do at this point is just to wait for the advent of the new cycle, wait for the advent of the MONOLITH to set the new order.
-
DEMO POLICY

We look for original fresh music which only can reflect our concept, so we look for a mood rather than a music genre. 
Feel free to submit your creations to monolithrecord@gmail.com , streaming (e.g. soundcloud, dropbox...) would be a strongly preferred method.

One of the most exciting moments on Holy, the outstanding debut album from Paula Jaakkola (POW-LUH YOCK-KOE-LUH), is the very first one; the opening song, "In The Light"; a paean to the clarity that surrounds you when love, hard-won, is new and real.
When you press "PLAY," "In The Light" almost knocks the speakers back with joy, leaping to your ears like an impatient, newborn colt. It's as though Jaakkola could barely wait to get the music out of her and into the universe. Deftly balancing a winsome, cooing guitar peal against a chugging, surf rock beat, Jaakkola sings to certainty, and to finally seeing:

I’m in the light
Life will never be the same again
In the light
My heart is strong, I trust in
you you you you and
me me me

For Jaakkola, thus, "In The Light," and each song on Holy, represents not only a musical triumph, but a personal one. From beginning to end, the album "is a story of transformation," she states. "I'm trying to figure out who I am, expressing regret and self-growth, and being more in touch with myself and others."
Recorded under the watchful hand of producer Ape Anttlla (AH-pay ahn-TEEL-uh), Holy is thirteen superbly crafted and recorded compositions—"Light"; the anthemic title track; the delicate and angelic "Little Girl"; the wistful "Road"; the sing-songy "Flutter-By"; the smoky, blue "November"; and more. Every song "reflects my moods, my emotions, my feelings, and a love for music and melodies."

And they present the perfect setting for Jaakkola's expressive and melodious singing: Sometimes fierce and defiant; another moment pleading; yet another, descending into a breathy whisper, and, more often than not, all in the same song. Like a colorful autumn leaf one picks up, only to find a completely different hue on the other side, Jaakkola's vocals never fail to surprise. Her crystalline soprano is a big reason why legendary producer and engineer Bob Power was eager to master this independent, unknown artist's first work. He describes her as "a pure singer" with "a beautifully transcendent voice, never limited by genre nor convention." That unwillingness—to be bound by expectations—is reflected in her influences, from Joni Mitchell to Sara Bareilles, Carole King to Regina Spektor, Suzanne Vega to Neil Young. It has served the Helsinki-born Jaakkola well, and it's what makes Holy such a rich and sumptuous aural delight.
                                                                     *                        *                        *
From space, Finland looks kind of the way New Jersey might if you squeezed the top half of the state together between your palms, mostly applying pressure with your right hand and forearm. Those who can readily find this nation of 5.4 million on a map—nuzzled between Sweden, Norway, and Russia—may also know that it gave the world Angry Birds, Nokia, Linux, and the sauna. Finland bestowed America, through ancestry, with actor Jessica Lange and director David Lynch, and, through immigration, with Eero Saarinen, creator of St. Louis Gateway Arch, the tallest man-made monument in the United States. Many here have probably at least glimpsed Finland's cool and geometrically austere flag—a sideways, royal blue cross against a field of white.
It is, in a word, a uniform and orderly place, and in 2010, Newsweek deemed Finland, overall, the "best country in the world." Yet it also ranks in the world's Top 20 for suicide. Because it's positioned at such a high latitude—fully a quarter of this sparsely-populated nation lies above the Arctic Circle—winters can be very long, brutally cold, and absurdly dark.

The ambient climate has a daunting effect on "the mental space of Finnish people," admits Jaakkola, alluding to the aptly named SAD, or seasonal affective disorder, that tends to plague High Northerners. "They have this…heavy approach to life, sometimes. Music is mostly [in a] minor [key]." (She admits that melancholic quality resides in her typically ebullient work, to some degree, also.)

Despite this, "I really have no complaints about growing up in Helsinki." Born to a customs agent mom, and a dad who ran the national AAA, music, perhaps, skipped a generation. (Jaakkola recalls that her maternal grandfather was a priest, "and when you're a priest in Finland, you have to be able to sing in tune.")
Having started, then quit, piano at 8, she was inspired to take singing lessons at 14, after attending a friend's school concert. Then, "I learned to play piano from chords. I pretty much taught myself, so I could sing."

Eventually, Jaakkola attended the city's Pop & Jazz Conservatory, then got a master’s degree in Ethnomusicology from the University of Helsinki. In 1999, she left Finland to study in the Jazz Vocals program at The New School in New York City, under instructors like bassist Reggie Workman, saxophonist Jane Ira Bloom, and the late drummer Chico Hamilton. She formed bands—SkanDivas, Kaamos, Kaiku—and gigged around NYC, while occasionally performing back home. "I had been writing new songs after I finished with the Kaiku project. I wanted to start writing in English, and I wanted to go back to my roots, which is my love for pop music." It was then that she began to imagine the feeling of that eventual solo work, and it perfectly describes Holy: "I wanted the sound to be bright and light, a little bit bouncy, and cheerful, at times. Even if I'm singing about somewhat sad things, it still has that hopeful overtone. Sonically, I really wanted an acoustic sound more than anything, I guess, but I wasn't sure, because I felt that with a producer's help, we would find a sound that made sense."

That help was on the way. While doing a few private Finnish performances in early 2012, Jaakkola ran into Ape Anttila, a jazz professor, composer, and one of the country's best bassists. After seeing her perform, Ape, speaking somewhat indirectly, said, "'Wow: You know, if someone produced your music, you'd sound so great!'" Then, "'I'm sure there are a lot of producers in the States who want to work with you.'" It was like he was fishing for an in. So, Jaakkola gave him one. "Are you interested?" she asked.

To get past their 7-hour time difference—and the 4,123-mile distance between their homes—they devised a system of uploading and downloading demos and other files electronically; Jaakkola sometimes traveling to Finland for a few weeks and living with Ape and his family; then Ape, conversely, going to New York. Though the process had some bumps, "I really felt like he got me," she says. "Like, he really understood what I was working for."
Thanks to his deep Rolodex, other musicians, all Finns, were brought on to fill out the album's rich sound. A Kickstarter raised $10,000, but, really, everyone was working out of love for the music. In summer 2013, Mason Jar, the progressive, roots music studio in Brooklyn, NY, agreed to mix the project in parts, as money came in. Then, Bob Power, a mentor, was tapped, heard the songs, and agreed to give the finished work the masterer's touch. 

The final result, Holy, is a truly moving first statement from a gifted singer and instrumentalist. Combining carefully layered musical textures, skillful arrangements, spirited performances, and the transparency of Paula Jaakkola's exquisite voice, it not only bears repeat listening, but demands it.
"I've started this journey as someone who has a lot to learn," she says. "And during this journey, I'm learning more and more about who I am."

After hearing Holy, you'll want to know more about who Paula Jaakkola is, too.


User 53628573 is following