Naviarhaïku 579

D'après le haïku de Yosa Buson

Mount Asama
amidst its fumes and ash
fresh young leaves!




Mount Asama (Naviarhaïku579)

quiescence!
touching not the blossoms,
temple bell's voice

by: Fuhaku
Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Touching Not  - 時鐘 [naviarhaiku580]

using 20 resonance tones I recorded on a toy piano and acoustic guitar, I've responded to this week's @naviar-haiku music challenge, of which you can find details about here: https://www.naviarrecords.com/haiku-music-challenge/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Extract of picture by Ming Han Low

bell's voice (naviarhaiku580)

Here's my musical resonance to this week's haiku from @naviar-records. 
A two-note bell ringing above a flowery meadow.

https://www.naviarrecords.com/naviarhaiku580-quiescence/

Thank you NAVIAR RECORDS.

Quiescence (naviarhaiku580)

sadly, i cannot play piano. so, to create tracks like this, i play single notes to a click track at half speed and then double their bpm. this enables me to slowly create and layer sounds that i'm not able to play live...

this track is an amalgamation of three reworked melodies from the silent hill series: "the terminal show", "innocent moon", and "lost innocence". there are three pianos, an upright bass, a temple lyre, two female choirs, some live guitar, and a very quiet sample from SH2 ("help me"). i reduced the bpm from 136 to 124 in the middle section to make time gently suggest it's own terminus.

[naviarhaiku580] touching not

Naviar Haiku 580 as inspiration had me deciding to use a piece of our life space, the bell from the haiku, then a deconstruction of ethereal and other temple meditation type aspects to try and get us deeper into the haiku's many mind space avenues it offers. To leave you in a meditation type moment and then the piece evaporates around you leaving you sitting in the temple again hopefully. At any moment where it could turn into a melody quite easily I turn it away to a new path endlessly throughout. Imagine you can see a fish swimming up a stream, constantly changing it's path, like a leaf in the wind. Right now we are on an excursion to the temple mind set..... experience in your stillness-meditation personal moment for as long as the song lasts.

Temple Bells Voice   Naviarhaiku 580   Entanglement Mooser a - 2_16_25, 8.53 PM

https://www.naviarrecords.com/naviarhaiku580-quiescence/

quiescence!
touching not the blossoms,
temple bell's voice

Kawakami Fuhaku was a tea master and the founder of the Edosenke, a school of tea ceremony. He was also an accomplished haiku poet.

Haiku by Fuhaku

Picture by Ming Han Low

What's the Shock of One Bell Ringing? [ naviarhaiku580 ]

Composition pour le Naviar Haïku Music challenge 580.
Sur un haïku de Kawakami Fuhaku:

quiescence!
touching not the blossoms,
temple bell's voice

www.naviarrecords.com/haiku-music-challenge/


Temple quiescence

A sky on the edge of collapse — “stars will fall” by https://instagram.com/sadmehrproject blends dark ambient textures with liminal unease, like a memory fading in reverse.

SadMehr - stars will fall - sped up

A gentle, cinematic soundscape evoking memory, melancholy, and the changing seasons.

Autumn Reverie

Wall Street Worries is a cinematic orchestral exploration of high-stakes capitalism, trading psychology, and the emotional undercurrent of financial warfare. Projecting emotions from haunting compositions, this suite traverses marimba-infused ambition, melancholic piano reflections, and grand orchestral climaxes. Each track is a chapter in the volatile symphony of market timing, missed signals, and the echo of every decision made too late—or too soon. From intimate piano notes to soaring brass declarations, the album embodies the mental tension behind chasing profits in a world ruled by volatility and value.

Track 2 Equity & Silence

Somewhere between drone, minimalism, experimental, post-rock and sometimes field recordings. Without computer editing.

Quiescence (naviarhaiku580)

Daniele Marx