I love this track! Nice repetive elements and still subtle variative elements too! In balanbe! Great work! <3 :)

Wild crunchy textures with a more active beat... love it!

Puzzling Chamber♯4 D85 浮かれインソムニア

Hello.   Here is my new collaboration.  In a style a little new to me. 
With  Keri Johnson , whom I thank for her trust and for allowing me to propose this arrangement of her composition. 
To listen to more Keri  https://soundcloud.com/kerijohnson
Keri : composer - lyrics - vocals - synthé 
Pascal : percus - basses - orgue Hammond B3 - synthé Roland JP8 - arrangements - mixing 
Lyrics :
Off we go
into the unknown
(just sit back and)

Watch the show
hold your own

The place's we'll go
the seeds that we sew

Oh the places we'll go
the faces we'll know

Time rolls on
we are the song
(come on let's have)

Have some fun
while you're young
(comes on let's go)

Oh the places we'll go
the seeds that we sew

Oh the places we'll go
the faces we'll know
(come on let's go)

Oh, The Places We'll Go ☀️  (Keri Johnson . Prod pb)

variations on https://soundcloud.com/enigmacurry/control-plane-open-collab

(Control Plane) Latency Burst Order Prefetch

“Ojalá” es un arabismo común y concurrente empleado en el idioma español para referirse a “Si Dios quisiera”. A menudo, esta palabra se usa en nuestra cotidianidad para expresar un deseo que por el momento no es real aunque no se descarta su posibilidad. Esta versión fue la primera en surgir durante la creación del álbum: https://enternetboy.bandcamp.com/plaza-internacional

“Ojalá” is a common & concurrent arabism employed in Spanish language to refer as "If God wanted to”. Oftenly, the word is used in our cotidianity to express a wish that by the moment it's not real but we don't discard its possibility. This was the first version that born during the creation of the album: https://enternetboy.bandcamp.com/plaza-internacional

[ES] Inspirado por sus memorias y el pasado de su residencia actual, enternet boy retrata un lugar con tesoros exo-téricos, sabiduría y habilidades ancestrales heredadas de la tierra maya así como algunas muestras de la aportación cultural de Medio Oriente en la Peninsula yucateca. El álbum nació durante la visita a un lugar específico de la moderna ciudad meridana de T'Hó.

«Plaza Internacional» (anteriormente el Hotel Itzá), que colinda con el Palacio de la Música (antes el Congreso del Estado de Yucatán) es el recuerdo fugaz en el interior de sus nostálgicos pasillos secretos y una revelación creativa entre la arquitectura abatida. «Plaza Internacional» es un punto de análisis, introspección y autodescubrimiento de enternet boy como un ciudadano actual de un antiguo reino maya, brindado luz sobre su origen, desarrollando lo auténtica espontáneaidad y llevándola a la práctica en este LP de 40 minutos.

En esta ocasión, los sonidos brillan por su originalidad como resultado de un estudio autodidacta de tres años en el diseño de sonido experimental. Algunas canciones fueron hechos en vivo durante el Festival de Pajama 3 (track 1, 2, 3, 4, 6 y 13 https://www.youtube.com/watch?v=s5E-awImOmQ) y el resto salió durante un trance meditativo aka momentos de claridad/improvisación. Mejor experiencia con audífonos.

[EN] Inspired by his memories & the past of his current residence, enternet boy portrays a place with exo-thermal treasures, wisdom & ancestral abilities inherited from the Mayan land as well as some samples of the cultural contribution from Middle East in the Yucatan Peninsula. The album born during a visit to a specific place in Mérida, the modern city of T'Hó.

"Plaza Internacional" (formerly the Hotel Itzá), which adjoins the Palacio de la Música (formerly the Congress of the State of Yucatán) is the fleeting memory inside its nostalgic secret corridors & a creative revelation among the dejected & descontinued architecture. "Plaza Internacional" is a point of analysis, introspection and self-discovery of enternet boy as a current citizen of an ancient Mayan kingdom, binding light to his origin, developing authentic spontaneity & taking it to the practice in this 40-minute LP.

This time, the sounds shine for their originality as the result of a three-year self-taught study in experimental sound design. A few songs were made live during Festival de Pajama 3 (track 1, 2, 3, 4, 6 & 13 https://www.youtube.com/watch?v=s5E-awImOmQ) while the rest came out from a meditative trance aka moments of clarity/improvisation. Better experience with headphones.

Release oficial en Mayo 24, 2021.

El artwork fue fotografiado por mi, en el segundo piso de la Plaza Internacional. Más fotos del mismo dia aqui: www.instagram.com/p/Bsb4LMEF7LiVYAszQPdqpRn9x84SSgh4tfmGvM0/

Plaza Internacional

Ojalá

Video :
Psychedelic Tokyo with Experimental Music 
( 竹ノ塚  /  Takenoduka )

Playlist :   https://www.youtube.com/playlist?list=PLpVrOIJIk4ISf-VfjPlwUL54iSLKrtC4q

( Instagram )
https://www.instagram.com/oriental_love_kaya_takada/
(Twitter)
https://twitter.com/oriental_love_
( Bandcamp )
https://orientallove.bandcamp.com/
(Spotify )
https://open.spotify.com/artist/2qzGIzbFnUxmwPsOZRJI66?si=Qoo6UERgSpa87Picg-BXiA
(Mixcloud)
https://www.mixcloud.com/kayatakada/

Video

イルカ少年  /  Dolphin Boy

State of Being

Fire Festival_Green Flame Version_So What -style

Let´s send heresy on the dance floor - and add a dark shading ...

Written for the 2021 Darksiders Halloween compilation 2021

(Artwork: Francisco de Goya, Capricho No. 53: ¡Que pico de oro!, 1799)

Lass den heiligen Geist

.... this was meant to be a little exercise - both with instruments and with this chord progression - four rounds, with different background instrumentation, but of course with the real saxophone :-) .... and always look ahead ;-) ........ photo by Artem Sapegin, unsplash

sentimental circles

Runaways

'So Long'
written and performed by Kym Turnbull aka Bluebird
produced by Richard Brown

Lyrics:

I know your sad cause i'm sad too
We all get sad it's what we do

Time spent wasted the whole way through
Time spent chasing what we lose

If you become a better man I'll be beside you
If you make up a better plan we'll see it through

So long to yesterday and all the plans we made
Now that you've been away so long                       x2

I know your mad cause I'm mad too
we all get mad It's what we do

Time spent wasted the whole way through
Time spent chasing what we lose

So long to yesterday...

Would you take it if you thought that you could make it?    x4

So Long

高円寺でOriental Forceという小さなUndergroundなLive / Dj バー、Creative Spceを運営しています。自身はOriental Loveという名義で、電子音楽を中心に現代の民族音楽を志しています。

どこまでも自由に、どこまでも楽しく、どこまでも烈しく美しく、どこまでも優しい、そんな場所にあれたら、と思います。
共に何か新しい価値観の創造、小さいながらも確固たるムーブメントの共有をできれば、心より幸いに思います。

I run Creative Space, a small, underground live/DJ bar in Koenji called Oriental Force. Under the name Oriental Love, I aspire to create modern folk music, with a focus on electronic music.

I hope to create a space that is endlessly free, endlessly fun, endlessly intense and beautiful, and endlessly gentle.

I would be truly happy if we could work together to create new values ​​and share in a small but solid movement.

イルカ少年 / Dolphin Boy

Oriental Love a.k.a Kaya Takada

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