Still, back in 1992. Impro of two monophonic synths straight to a cassette, poorly. Of course the Dadaist "lyrics" meant nothing at all... Originally titled "Cut-up avant-garde".
Published in this compilation by Brazilian 'The Church of Noisy Goat', track #5:
https://thechurchofnoisygoat.bandcamp.com/album/cut-up-a-music-compilation-in-honor-of-william-s-burroughs

(1992) Cassette extravaganza

Morning Soundtracks: Volume 3 (free to download) as well as the rest of my discography is now available on Bandcamp.

Check out my social media accounts for other exclusive content.

YT/FB/IG/X/Threads/Bandcamp/Teepublic
👇

Spasmodular, a.k.a. Spasmodular Sounds from Steve's Shortwave, composes soundscapes featuring radio frequency sounds captured among the shortwave spectrum. In addition to using analog shortwave radios as a medium, various electronic instruments and field recordings are utilized as well during the compositional process. Spasmodular is also affiliated with the experimental electronic collective VCO (Vincent Carlton Oscillator).

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

"No elevators to Eden".

Composer, lyricist, published poet, sound artist, improviser, recording artist. Since 1998.

Also known as @ajkaufmann.

Since I bought a second-hand synth in 1991 didn't stop connecting my thoughts and emotions with audio frequencies:
[Original] EXISTENCE is my solo project.

In the mid '90s I collaborated with italians "Cupio Dissolvi", particularly in the albums "Benomyl" and "La Cruna dell'Ego"(keyboards, guitar, sound recording; though with limited equipment).
2021-collaborated with GYPSY on this mini-lp: https://originalexistence.bandcamp.com/album/sublime-blunders-subliminal-aches
Formed an experimental rock duo with italian artist STONEMOON, "WEIRD PAKT"(also available into his socials).
We recorded 4 tracks, one being #41 into "The Black Lodge Music Compilation":
https://thechurchofnoisygoat.bandcamp.com/track/weird-pakt-l-a-m
[original] Existence has tracks #5 and #60 in the "Cut-Up" compilation, 
https://thechurchofnoisygoat.bandcamp.com/album/cut-up-a-music-compilation-in-honor-of-william-s-burroughs
...and track #74 into the "23 Enigma Compilation", https://thechurchofnoisygoat.bandcamp.com/track/original-existence-aged-23 (also by Brazilian netlabel The Church Of Noisy Goat).
My spoken word track "Endless Curse" appears into the compilation "À l'État Brut" by UK netlabel IFAR (#5):
https://ifarmusiqueconcretecompilation.bandcamp.com/track/endless-curse
As the (ceased) "side persona" project, ITRIANO ROSPS: https://itrianorosps.bandcamp.com
https://on.soundcloud.com/ZaRnb
Appears into "Combinaciones y Permutaciones" also by label IFAR, track #12:
https://ifarmusiqueconcretecompilation.bandcamp.com/track/de-pire-en-pire
...track#13 into "Concrète Poetry Two":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/claqu-nos-verres
...and again track #13 in the compilation "Ever Present"(cd available)
https://ifarmusiqueconcretecompilation.bandcamp.com/track/chance-errante
...and track #10 into "Collage Music(3)": https://ifarmusiqueconcretecompilation.bandcamp.com/track/pieve-pagnotta?fbclid=IwAR3XGGQnlCmhZG9q_ru7fX1qH3MDuDH0ITcm25qOyltyvP7gYsDOvw7n3ZM
...track #4 into "Solaris":
https://ifarmusiqueconcretecompilation.bandcamp.com/track/florentia-turistae-megadromm
New side project: DODECAEDRO (again with Mark Stone). Our track "Sheol" stands into the IFAR compilation "Collage Music (20)", track#5
https://ifarmusiqueconcretecompilation.bandcamp.com/album/collage-music-20
...and here (#85) https://thechurchofnoisygoat.bandcamp.com/track/dodecaedro-sheol?fbclid=IwZXh0bgNhZW0CMTEAAR3Tty1HrrNERCGBgho3jNr5zbgsg7-Zjul7Zby2qAwaJ0c1NWmMtCw-TGY_aem_7MN7YUDoLSQSqDDdSgCJ_A

Beside audio, a bunch of videoclips popped up randomly:

YOUTUBE channel
banned May 2022...26 subscribers, +1.000 views...Possibly disturbing, what an honour!!
Replaced with VIMEO https://vimeo.com/originalexistence
...and INSTAGRAM https://instagram.com/original_existence

Keepin' on harassing capitalists as long as I can_

2025/12/06:
Why was Jonathan Bellot's account
[https://soundcloud.com/jonathanbellot] deleted?
.
music & dance,
for the emancipation of the human spirit
.
for those with religious tendencies this could be called emancipation theology, a sort of liberation theology for the mind instead of the land
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

(1992) Cassette extravaganza

[𝗼𝗿𝗶𝗴𝗶𝗻𝗮𝗹] 𝗘𝗫𝗜𝗦𝗧𝗘𝗡𝗖𝗘