Living life with pure, unadulterated House music. It's my happy place, my zen garden, my never neverland, my escape, my vacation and at times, house music is the silver lining I need to find to make just a bit of good out of a bad situation. It's hard to explain in words, which is why we can't help but to move when we hear a tantalizing rhythm and why we dance our asses off when we are stressed or worse. The love for the music is reflected by the music being composed and choreographed with the same love. That's what I put into each track choice for every mix set I produce. Pass on the love!

A Midwest born and raised lyrical powerhouse with an original style self-branded as "VENTURE SOUND". Prophacy can only be described as a complex hybrid mix of Classical / R&B / Hip-Hop / Rock sprinkled with a hint of Gothic seasoning. It has been said by other artists such as Reckless (of the United Kingdom) along with radio DJ’s such as Houston "Strongarm" Alexander (of Omaha, NE’s 106.9 The Power), that Prophacy is one of the most stunning vocal stage performers in Hip-Hop today. As an independent artist Prophacy has even gained respect and worked alongside established artists such as: Chino XL, Tech N9ne, Paul Wall and Bizzy Bone (Bone Thugs N Harmony). That work ethic has also seen the artist being featured on tracks produced by some of the industries most talented producers from around the world such as The Legendary Traxster, Danel Beatz, Epademik (The Dead Beatz), and DJ Quik.

As a registered ASCAP publisher / writer, Prophacy comes with a business knowledge that many other independent artist seem to lack. As a matter of fact he plans on owning and running his own fully functional independent record label in the future along with starting up a clothing company called, “ThuGotH”. Most recently in a joint venture with the owner of GuerRevolution Records, the artist released his self-titled sophomore album “Prophacy” on October 2014. The new album has already gained positive reviews from music sites along with print publications, and while boasting 23 genre bending tracks, the album easily shows artistic growth and proves levels beyond his debut album release, “The Descent”. The Descent album which came out fourth quarter 2009 sold around two-thousand hard copies independently before being taken out of print due to business reasons during first quarter 2011. It is still considered a big success regardless of its cut life span, garnishing great reviews from websites and publications worldwide such as “Culture Asylum Magazine” and “XXL Magazine“. Most importantly, the release of Prophacy’s 2009 debut album allowed him to become an accepted artist of iTunes, and also opened doors to bigger business connections with record stores as far from his home as Japan (such as Kizara Records and Bout Records). Prophacy has even branched out in the networking field, working with other artist and producers from different countries around the world, earning him a good level of respect in the underground community by fans and his other artist peers alike.

If you have any sense of the drive and determination that it would take to come from a non-music mecca area like Omaha, NE / Council Bluffs, IA which are both widely overlooked when it comes to musical talent. I'm sure that you can tell that Prophacy has a pretty good focus on what he wants to do and also how he is going to get there. Being an honest man coming from a hard life full of violence, molestation, instability and a family that turned a blind eye to him as an adolescent is part of what fuels Prophacy’s music to be so genuine and heartfelt to any listener. When you hear his music it just has a way of capturing you to the point where you can almost come away feeling as if you know him personally, and have been there with him the whole time. As a true artist of purpose / producer / song writer, Prophacy does what his heart and soul tell him to do, not changing fads or commercial pressures. Taking risks and not allowing himself to follow the musical fads of the day which has become the thing to do especially within the Rap genre these days. Prophacy instead chooses to go against the given grain and truly work hard to bring real music with honest messages to his listeners.


CONNECT WITH PROPHACY / PURCHASE MERCH:
Official Artist Website:
http://www.ThisProphacy.com
Facebook: http://www.facebook.com/prophacyscripts
Soundcloud: https://soundcloud.com/prophacyscripts
YouTube: http://www.youtube.com/prophatic_vizion
Prophacy Scripts Clothing: http://prophacyscripts.spreadshirt.com

New Age music re-defined- with a positive upbeat, love, energetic and feeling of joy, taking you on a journey through a world of light.

Energy is everywhere in the universe, from a tiny grain of sand on Earth containing sub-atomic particles moving around inside it, to the largest fiery star a billion light-years away.  Energy causes movement, and movement causes vibrations, waves, oscillations and frequencies.  In this way, energy -- even that created in deep-space and traveling for millenniums to reach our planet -- is absorbed by human beings.  A few of those beings tune in to what some call the “Cosmo Frequency.”

Cosmo Frequency also is the name of a musical group formed by keyboardists and tech-wizards Paul Martinson and Brent Vincent (with occasional vocals by Lisa Wegener).  The group has released their debut album, Soundtrack to Life, containing a dozen mostly-instrumental tunes that includes some soft pieces, many mid-tempo numbers featuring a variety of synth sounds including the Electronic Woodwind Instrument (EWI), and some up-tempo tunes with dance rhythms.  The album includes the sounds of synthesizers, Native flute, drums, bass, trumpet, flugelhorn, electric guitars, piano, percussion, background singing, and much more.

“We connect to the cosmos which allows our inner light-worker to absorb the messages and turn them into sounds,” explains Martinson.  “We tune into the vibrations and positive influences which allows us to capture the music that surrounds us.  It is a journey that includes light, love, joy, passion and positive energy.  I discovered at an early age that I was able to hear music based on feeling.  There is an infinite amount of energy resonating around us all the time so there are an infinite number of frequencies to tune into.  On this album we present a small selection of the musical frequencies that we have discovered, that we enjoy and that resonate within us.”

“Sometimes we are asked why we pay so much attention to our rhythms,” Vincent says.  “It is because the energy of the universe is rhythmic, pulsating, vibrating.  Rhythms can come from atomic movement, space storms, solar flare-ups, light-waves, radio-waves, ocean waves, a heartbeat.  There are rhythms everywhere in everything, and our music reflects that.”

Cosmo Frequency’s Soundtrack to Life (on Good Moves Music) can be purchased either as a CD or as digital downloads at online sales sites such as CDbaby, Amazon, iTunes, eMusic, Rhapsody and many others.  For more information about Cosmo Frequency, visit their website at cosmofrequency.com.

Paul and Brent both started creating original music at a young age, and both became adept at utilizing electronic keyboards, synthesizers, sequencers and computers to create their own music.  Martinson was a member of a new age music recording group while Vincent pursued a career in DJ-live-mixing at dance clubs.  They shared their music with each other as school children, lost track of each other for more than two decades, reconnected via the Internet, felt they were on the same frequency and began working together again on this musical project.

A half-minute into Soundtrack to Life a 25-second poem is read (the poetry is by Matt Bowen, a friend of Paul’s, and the spiritual and space imagery ends with the phrase “a universe’s song about to begin a new refrain”) and the tune continues with a meditational chant.  The majestic tune “The Gift” features the sounds of solar wind, an old funky piano and the EWI playing a horn part.  “Apollo Skies” was inspired by the Apollo space missions (“As a child I would go outside and watch the space shuttle orbiting,” remembers Martinson).

The album kicks into another gear with the up-tempo dance tune “Classic Story (Light Years Away)” on which Vincent brings his dance-club re-mix skills to the forefront.  “The impetus behind the tune,” says Martinson, “is trying to fulfill a dream that feels achievable, but is far away in time sequence.”  The following tune, “Chillaxin,” also is rhythmic and upbeat with a featured wood-flute sound over the top of propulsive percussion.  The music shifts gears again with “Canyon Chant” and its flute and percussion paint gentle Native American imagery.  “World of Light” features Lisa Wegener singing Martinson’s lyrics about “consciousness” and includes a flugelhorn solo near the end.

“Eventide” captures the feeling of “winding down and relaxing at twilight just after the sun goes down,” explains Martinson.  It includes the sounds of old and new guitars mixed together.  The softest and slowest piece on the recording is “Winter Solstice” combining piano and synth.  The CD cranks it up again with a pair of related Brent Vincent tunes, “Mt. Emotion (Part 1) and (Part 2)” utilizing what the group calls “a progressive trance beat.”  The album ends with the tempo-varying “Horizon” (inspired by the Winter Olympics) and featuring a powerful beat and inspirational melody.

Both Martinson and Vincent are natives of Utah and still live near Salt Lake City.  Paul first played a recorder at age nine and then a clarinet for four years in school (which prepared him to play the EWI many years later), but by high school he was immersed in keyboards.  Brent began picking out tunes on piano at age five and also graduated to electronic keyboards at an early age.  They met in middle school in a math class and exchanged music they had been working on (as a precursor of what was to come, Brent did a remix of one of Paul’s original tunes).

Paul’s neighbor, Arlene Baumgardner, was a new age music flutist with a home studio and she had released three albums under the name Gentle Wind and Rain.  Paul began recording in her studio with her son, Mike, and other musicians who worked with her, and using the name Europa Prime they released an album that received scattered airplay in the West.  Martinson also entered the Arts in Progress music competition with early solo versions of three tunes that appear on Soundtrack to Life (“Canyon Chant,” “Eventide” and “Horizon”) and won First Place.  Martinson’s musical influences have included Vangelis (“his music on Carl Sagan’s “Cosmos” TV series was awesome and inspired the name of our group”), Mannheim Steamroller, Mike Oldfield, Ray Lynch, Yanni and Enya.

During his school years Vincent was listening to groups such as Depeche Mode, Erasure, Underworld, La Bouche, Black Box and Underworld, but was especially influenced by a Friday night live radio broadcast from a dance club featuring DJ beat-mixing.  This inspired Vincent to become a club-DJ while still in high school and he has pursued that career for the past decade-and-a-half.  “Doing club-DJ work is very creative because I mix together current hits, classic music and my own material with beats and other sounds that I am creating right at that moment,” explains Vincent.  “So the audience will never hear that music exactly that same way ever again.  It is sort of like improvisational jamming.”  At the same time Vincent became a music producer and built a successful business doing remixes and covers for clients as well as creating original music soundtracks for television advertising and performance videos.  Several of his clients have been fitness-oriented (Cathe Friedrich, Power Music and Dynamix Music).  

When Vincent was a youngster and his family moved, he and Martinson lost touch with each other for 22 years.  But in 2012 Martinson spotted some music Vincent had posted on SoundCloud and they reconnected.  Once again sharing original music back-and-forth, they realized they had a lot of good ideas for each other, so they began collaborating as Cosmo Frequency in December 2012.  They each add contributions to every tune and consider the project a co-production.

“We hope the music on our album will help the listener align with the vibrations, tune into the best frequencies and feel the positive influences of the great cosmos allowing each person to capture the energy around them and bring forth their own creations into the physical realm,” states Martinson.


Randall Scott Davis, THE CREATIVE SERVICE COMPANY

TEFFCOM  is one of the leading Teff food export company based in Tel aviv, israel. its Producing Teff grain, Packing teff and Exproting Ethiopian food items.


“One of the BEST names in Rock ‘n’ Roll right now”.
‘Dark Beauty Music’

The Dark is a Brighton, UK based Rock / Alternative / Industrial project originating in Los Angeles, CA in 2015.

Fronted by singer / guitarist Brandon Ashley, The Dark is a band formed by guitarist Rob Trendy and bassist Samwise J Forrester. Additional live drums are provided by drummer Oscar Behrens.

Their music will remind you of bands like “The Killers”, “Filter”, “Orgy”, “Nine Inch Nails”, “She Wants Revenge”, “White Stripes”. The sound is influenced by elements of Grunge, 90’s Rock and heavy Industrial mixed with catchy guitar riffs and gritty, melodic vocals.

The Dark debut album “Live. Create. Destroy.” dropped on May 3rd 2018, exclusively premiered on ‘Pure Grain Audio’ along with their single video release “Dirty Girl” exclusively premiered on ‘Tattoo.com’.

“With this record I’m taking you back to the darkest years of my life where nothing made sense but pain and self-destruction. I wish to share these words and music so other people out there going through the same path could get inspired and find a way out.”

“Live. Create. Destroy.” contains eleven tracks written and recorded in Berlin, DE where singer Brandon Ashley moved to in order to give birth to the debut record, which also features Christian Eigner of ‘Depeche Mode’ playing drums on the song “Product”.
The album is available on all major online platforms.

The Dark have worked among the others with legendary British producer Tim Palmer (Ozzy Osbourne, Pearl Jam, David Bowie) who mixed their first single “Teenage Angst”, featuring Glen Sobel (Alice Cooper) on drums.

Previously The Dark has been scoring a commercial for the clothing company ‘Virgin Blak’ also featuring a special appearance of singer Brandon Ashley.

With over 35K followers on their social media platforms, The Dark has been honored to tour/perform with Peter Murphy, Orgy, Wednesday 13 and granted the big opportunity opening for the ‘Wayne Static Memorial Show’ at the Whiskey A Go Go in 2015 in Hollywood, CA.

On March 2018 The Dark releases “A stunning version of Tori Amos’s ‘Crucify’.” - Spill Magazine.

At the moment The Dark are working on their upcoming single and second album to be released in 2019.

Compositeur, arrangeur.
Musique de film, musique à l'image, sound-design (publicité, institutionnel, cinéma de fiction, cinéma d'animation et documentaire).

http://thomasdeborde.com/
https://www.soundcloud.com/thomasdeborde

Longs-Métrages :
-"The Mutterer" / Bastian Quent / Bocage Monkey / 2017.

Documentaires :
- "Les Grands Hommes" / Anne-Charlotte Sinet-Pasquier / AMC2 Productions / 2015.

Séries :
- "Garde À Vue" / Bertrand Constant / 2015.

Courts-Métrages :
- "Mr Mappleton" / Gabriel Akpo-Allavo, Constance Augé, Julia Brasileiro Lopes Garcia, Lucas Narjoux, Méghane Reynaud / ARTFX / 2019
- "Earth Attack" / Arnaud Martin / 2018
- "Le Grain De Beauté" / Jean-Christophe Hadamar / Les Films De Vaugirard / 2017.
- "Les Indes Galantes" / Clement Cogitore / Les Films Pelléas / 2017.
- "Phantasma" / Yoann Meiffren / Autoproduction / 2016.
- "Le Malentendu" / Jean-Christophe Hadamar / Les Films De Vaugirard / 2015.
- "The Company" / Aurélien Rapatel / Autoproduction / 2015.
- "Garance" / Jean-Christophe Hadamar / Les Films De Vaugirard / 2014.
- "L'Héritage En Péril" / Jean-Marie Cayet / Druon Productions / 2014.
- "Vestige D'Un Rêve" / Yoann Meiffren & Aurélien Rapatel / Autoproduction / 2014.
- "Kidult" / Jean-Christophe Kader / Autoproduction / 2014.
- "La Voix Intérieure" / Christian Sylvestre / ATR Productions / 2014.
- "Fatale" / Mathias Walter / Autoproduction / 2013.

Publicité :
- "Domus" / Domus / Nicola Fan / 2015.
- "Envie de ..." / Or En Cash / Avida Productions / 2013.

Pièce de théâtre :
- "Huis Clos" / Jean-Paul Sartre, sur une mise en scène de Raphaël Pélissou / La Compagnie Poqueline / 2019

Divers 
- Sélection à l'atelier "3ème Personnage" au Festival International du Film d'Aubagne / 2017.
- Sélection au WIPP Festival à Saint-Ouen / 2017.

CONTACTS :
debordethomas@gmail.com
+33 (0)6 64 25 01 60

Rob's DJ career started at local radio station, Tudno FM, where He spent two and a half years dominating the airwaves. As time went on, He knew he wanted to be a DJ and doing various shows such as the Weekend Warm-Up gave him the perfect opportunity to start learning and create 'Grifkid'. 
Whilst at Tudno FM, He met Silv and Jonny who have become great influences and friends. Silv taught Rob the basics through Vinyl which enabled him to learn discipline which still shows in his work to this day. Not only have Silv and Jonny provided tips and advice but have shared their experiences and time to Grifkid.

One of Grifkid's influences is House DJ and Producer, N.A.N.C.Y , who's energetic and unique performances have inspired Rob. They both also run Events & Promotions Company, "Against The Grain", in which they aim to bring underground House music to the small cities in the UK. Grifkid has also been lucky to play warm up for N.A.N.C.Y at Warehouse Project.
Grifkid has also worked alongside various other DJ's including DJ Caino, DJ Chris Peers and He has previously held residencies/warm up at:
>The Washington Nights NightClub
> Broadway Boulevard
> Gregory's Nantwich
> Varsity Bangor
> Club 147

Grifkid is full of energy, confident with his skills and able to read the crowd and adapt his Music. He will play whatever he thinks will work, is not afraid to take risks and experiment with Music. 

* A Special Thanks from Grifkid himself go to all DJ's who have shared their tips & advice on how to improve throughout Grifkid's career so far and have taught him new skills *

All booking enquiries, contact >> tashastyles92@gmail.com << 

A multi-talented musician, Jason’s championship fiddle sounds add spark and zest, crossing many music genres. Starting with drums and piano at a young age, Jason won Saskatchewan Junior Fiddle Champion at the age of 13. Jason cut his first CD at 19, and that same year, hit the road as bass guitarist with Canadian country artist, Ronny Prophet.
During the early 90s, Jason played fiddle and co-wrote songs with the Canadian Recording Artists group, Against the Grain. House fiddler for the CTV show Number #1 West, Jason backed up numerous Grand Ole Opry celebrities. He toured as fiddle player with Brian Sklar throughout Europe, and also performed with the bands, Justice and Electric Cattle Company.
From 1994 to 1999, Jason won the Saskatchewan Country Music Fiddle Player of the Year, and received Canadian Country Music Award nominations. He also won Saskatchewan Best Instrumentalist of the Year in 1998.
At the turn of the decade, Jason produced and recorded six CD projects for Christian artists. From 2001 to 2005, he was professional sound engineer and composer for many TV series, including Corner Gas.
Jason has most recently played with Brad Johner and Warner Brothers’ Chris Cummings. His first live theatre performance happened at Regina’s Globe Theatre in 2011 as part of The Patsy Cline Show.

With obvious reference to Dylan Thomas’ ‘play for voices’, In the Milkwood are a two-piece ensemble hailing from below the creaking floorboards of bygone times, whilst gleefully defying logic and floating about the South West of England’s outer stratosphere. Yet whilst their soaring, lark-like soprano voices relate disembodied tales of werewolves, ships and beloved postmen, In the Milkwood remain decidedly grounded by the compelling rhythmic force of the mandolin and 10-string lyre.

To begin at the beginning, in the second paragraph, In the Milkwood is more specifically the Bristol-based brainchild of folk-inclined duo Polly Staple and Emily Phelps. Intent on brewing up a heady mix of blood-curdling folklore and disharmonious harmony, In the Milkwood intricately integrates elements of vocal acrobatics, gesture and story telling to hopefully beguile and bemuse even the attention-deficit among us. 

The striking blend of Polly and Emily’s theoretical and vocal collaboration results in a phantastical set of their own songs interwoven with re-interpreted traditional folk ballads. Despite their contemporary leanings, the music remains firmly routed in folk tradition via busking about the dingy street corners of British cities, hoping only for enough pennies to swap for a pint of Somerset’s finest, sweet cider-nectar of the Old Gods! In the Milkwood has recently supported Diane Cluck at the Grain Barge, Bristol, performed at Pill Music Festival, Bristol, collaborated with Dogface Sockets and shadow puppet company Gongoozler within a theatrical production at the Cube, Bristol. Past performance venues have included Bristol’s Grain Barge, The Cube, The Folk House and the monthly Folk Tales event at the Scout Hut, Bristol.

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