Half live set record at Soundmaker Studio
but some technical issue my ipad didn’t fully recording
Instruments 
iPad (Borderlands Granular)

殘次品 (live set) 09.03.2024 at Soundmaker Studio

369 aka Jackson is a multifaceted emerging artist based in Penang, Malaysia. As an experimental musician, DJ, tattoo artist, and fashion model, he seamlessly blends various art forms into a captivating expression of his innermost thoughts.

Utilizing mobile tablet media as his sonic instrument, 369 crafts immersive experiences that transcend traditional boundaries.

His sonic explorations cover an eclectic spectrum of genres, ranging from ambient and noise to arcade sound and techno. Incorporating elements of field recordings, his music delves deep into the intricacies of physical vibrations and raw emotions. With a keen eye for detail and a fearless approach to experimentation, 369 navigates the micro cosmic sound, weaving together intricate sonic tapestries that captivate and challenge listeners.

Welcome to Interworld Media!
For All Your Media Needs

Electronic music label based in Sheffield, UK

|ɒƚᴎɘm-iɿɘqxɘ

~~~Mercury Retrograde~~~

~"χєησ∂ємση ƒяσм ƒυтυяє" 2023/2024 debut album p1. via @NOFUTUREBERLIN~

https://nofutureberlin.bandcamp.com/album/-

I make listening decisions where/when sound chooses to listen back, or maybe its the other way around?

My curiosity lies in where objects, bodies, and environments reciprocate attention. Experimenting with sound instruments that engage, improvise, and perform new questions behind the chased conclusions and answers.

Listening happens with the whole body. Sound moves through you while altering your perception of space and self. A field of phsical orientation and mentality negotiation through the medium of technology and environment. When I record, I ask: What is this specific sound listening to; before or after I press the record button? And how does this sonic reciprocal relationship manifest as a tool to destabilize the ego and invite co-authorship with a world that resists human-centric attention?

My labortary setup includes amplified speakres, gyroscopic sensors, electromagnetic microphones, site-found objects, soft/hardware synthesizer and wearable inputs/outputs that translate bodily orientation into shifting sonic environments.
Rather than seeking clean control, to embrace unstable signals as generative sources, a sound organisim that drift, glitch, and argue back. 

The sounds are not meant to explain, but to invite: