wow so unexpectable to hear Prezidium. love so much this track, play it by myself also.. thank you

Copiloting Future

We are very happy about our next guest from Rostock, on the Baltic Sea. A friend and househead from home: Sdunic (@sdunic)

He delights us with a pure vinyl mix of the extra class. Enjoy listening. For the love of house music <3

1. St. Germain - What's New? - F Communications [F022DLP] - 1995
 2. Ladymonix - Steppin Out - Frizner Electric [FE005] - 2021
 3. Kicks - Keep On - Ordinaire Records [ORD001] - 2020
 4. Black Traxx Sampler 2 - Dreamin (Rmx) (Vol. IV)- Night Club Records [NCL2017002] - 2017
 5. Eddie Fowlkes - Hold Me Down - Upstairs Asylum Records [UAR005] - 2021
 6. Alton Miller - Brooklyn - Roots Underground [RU006V] - 2021
 7. Salary Boy - Newland Court (Ari Bald's Fry Mix) - Västkransen Records [VKR004] - 2019
 8. Nicolas Aftalion - An Uplifting - Imported Recordings [IMPRTD003] - 2018
 9. Niles Cooper - Florida Keys - Running Out Of Steam [ROOS006] - 2021
10. Flabaire - Tell Me About It - South Street [SOUTH003] - 2017
11. Júlio Cruz - Rhythm Inside - Random Mind State [RMS009] - 2019
12. Format - Deep In My Soul - Housewax [HOV009] - 2021
13. Pal Joey - Power - Loop D' Loop [LDL-026] - 2021
14. Kid Sublime - Left-Right-Dub - Ballroom Radio Records [BRR001] - 2020

BH Mix #5  // Sdunic

011 - Kassem Mosse:

Excited to share a mix from our next guest @scottzacharias . The Detroit-based DJ's DJ, the man who continues inspiring some of us to play everything in between dirty club jams, Italo, jazz, and whatever. Cause music is love. In the mix for us, Scott mixed "recent favorites with a dash of nostalgia".

Get the full tracklist at patreon.com/kross_fingers. All the money from it will be donated to volunteers helping people in Ukraine affected by the war.

Stand with Ukraine ✊🇺🇦

KF SHOW W/ SCOTT ZACHARIAS #14 5/02/2023

On 11 June 2022, we had PLO Man and Hashman Deejay at Club Daphnia in Osaka. Our 20th mix is a part of their B2B live at that night.

DREAMING 020 : PLO Man & Hashman Deejay Live @Club Daphnia - 11 June 2022

"Thinner Groove (aka TG or 76) is a record label run by Powder and friends. All show has 2 segments of different style of audio pleasure, zone in and catch the groove." 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/thinner-groove/episodes/thinner-groove-26th-august-2024

THINNER GROOVE w/ Powder 260824

SWU FM Podcast

Roo with Variable_Self - 01 November 2024

Ernest Hood - Untitled
Rahim AlHaj - The Second Baghdad
Yoshio Suzuki - Kane
The Swingle Sisters - Organ Fugue in G Minor
nrl:ndr - B2
Omar Sosa & Tiganá - Muilo
Honestly Same - Foyer Joyment
Bauri - Have No Fear
AceMo - Deep Down (Don’t Drown)
Saine - Traces
Moritz Von Oswald Trio - Sounding Line 1
Jlin - Eye Am
Stereolab - The Flower Called Nowhere (Photay Edit)
dreamcastmoe - HAND DOWN, MAN DOWN
Lukid - Manchester
Santaka x Mandreda - Oepning Chasms (In Four Parts)
Michael J. Blood - ENVY
Pearson Sound - Hornet
Erik Luebs - Microtonal Phasing 1.3
Lifted - Born In The Roof
SoulPhiction - Blues Theory (Churchapella)
Kelpe - All the Way Round (Photay Remix)
Clark - Butterfly Prowler
Mala - Cuba Electronic
Roland Haynes Jr. & Phoenix - Ceta Theme
Jon Gibson - Relative Calm: III Extensions RC “Reach”
Caroline Polachek - Fly To You (instrumental)
Tirzah - Beating (TONE remix)
Msafiri Zawose - Hali Halisi
Peter Giger + Family - slow motion
Ichiko Hashimoto - Le Beau Paysage

Extravagant Frequencies on Dublab Radio (10.22.24)

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

New Massage 043: Pal Joey special - Telephones - 06 Nov 2024

The producer best known as Huerco S. accompanies One Day, our record of the year, with two hours of minimal and dub introspections.

This summer, Kansas-raised DJ and producer Brian Leeds released One Day under his revived Loidis alias. Enamoured with the restrained, loopy sounds of early '00s dance music, the album’s eight tracks linger in the air, luxuriating in dubbed-out chords, swung beats and sub vibrations. It's our favourite record of 2024 for a reason. 

It's a sound he's coined, in his typically teasing fashion, "dub mnml emo tech." All winks aside, it’s no wonder One Day became the soothing balm we all needed. In a scene overwhelmed by hard and fast trends, the softer—and Leeds might argue, more sincere—stylings of minimal and dub techno enjoyed a welcome second wind. 

Not only was One Day one of our favourites of the year (more on that this week), but it also inspired us to break our usual no-repeats rule, inviting Leeds back to the RA Podcast under a different alias after his 2019 turn as Huerco S. 

"The prevailing trends in dance music are more and more maximalist," Leeds noted. "I missed restraint, subtlety, and sensuality." Clocking in at just under two hours, RA.965 embodies that ethos in spades.

@huerco_s

Read more at ra.co/podcast/965

RA.965 Loidis

Recorded live from Mascaras at Numm Tokyo Fri.27.Dec.2024.
passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !

Passing it clockwise (02:19 - Mascaras)

Clone West Coast Series just released the album "DJ Sotofett & The Colours Of Computer Generated Instruments" - 15 cuts widening the spectrum of electro, with 80's Nintendo console vibes and holy grail analog vs digital synthesis. The album is filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to avant-garde electro cuts. But this is "The Mixtape", a 45 min energetic and deep dive into essential Electro and Detroit Techno. Mixed by DJ Sotofett, with 2 x Technics 1210mk2 in the tradition of old school Hip-Hop mixtapes, it holds several cuts from the album (even an unreleased version), as well as excellent tracks by Aux 88, Skatebård, Carl Craig, Cosmic Baby, Westbam & Nena, Kraftwerk, DMX Krew, DJ Hell, Pom Pom, The Advent, Victor Duplaix, Dopplereffekt, Gus Gus, Reese Project, Daft Punk and The Jonzun Crew.

Album @ bandcamp
https://djsotofett.bandcamp.com/album/dj-sotofett-the-colours-of-computer-generated-instruments

Album @ Hard Wax (EU)
https://hardwax.com/84864/dj-sotofett/dj-sotofett-and-the-colours-of-computer-generated-instruments/

Album @ Juno (UK)
https://www.juno.co.uk/products/dj-sotofett-the-colours-of-computer-generated-instruments-vinyl/1056299-01/

Album @ Naminohana Records (Japan)
https://naminohana-records.com/?pid=185460268

Get Album here!

DJ Sotofett & The Colours Of Computer Generated Instruments - The Mixtape

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly show.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-16th-may-2025

Orpheu The Wizard 160525

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-26th-june-2025

drizle.FM w/ PLO MAN feat. DJ Spence 260625

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !

blissed out wake 'n bakers or lullabies for insomniacs -- choose your own adventure

Passing it clockwise (07:30 - Nico Tobón)

Nyc Darlings (Continuous Mix)

https://www.nts.live
https://www.instagram.com/nts_radio/

THINNER GROOVE w/ Powder 260824

NTS Latest

Recent comments

Lê Hoàng Minh

BODY CORP

Vika Shishatskaya

pauletek

Related tracks