Amy Stevens vocals
John Russell guitars, bass, keyboards, drums/drum programming
Recorded at PORKCHOPS! III May-July 2025
Produced by John Russell and Amy Stevens
All tracks composed by Amy Stevens and John Russell c/p 2025 Solstice Music INC/The Chocolate Era LTD

At The End

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.

Open-Format Dj/Producer based in Marrakech - Morocco 
 BOOKING & CONTACT 
www.momomac.com
   contact@momomac.com

‘Through My Eyes’ Sophomore Album, COMING SOON❤️‍🔥🤭
Singer | Songwriter | Producer 🖤

Victor Bouzard is a French pianist and composer. Coming from a musical family and a grandfather who was an orchestra conductor, he trained at the conservatory as a violinist, then discovered a passion for the piano as a teenager that he never left. Today at over 50, he decides to share his compositions which have spanned all his years, hence the album Nostalgia, Melancholy and Dreaming were born in 2024. Between some inspirations from jazz, classical or film music, Victor takes us on an emotional journey that connects him to his memories, his encounters and his friendships

🔥 HOLLYWOODPKR-VAMPits 

HollywoodPKR-VAMPits is a high-energy country rock, hard rock, and Southern rock crossover artist known for powerful ReVampd anthems loaded with electric guitars, 80s rock revival energy, and modern outlaw attitude. Specializing in country-rock covers, rock ReVamps, guitar-heavy remixes, and arena-style rock anthems, he blends the grit of outlaw country, the fire of classic rock, and the high-voltage punch of hard rock guitar riffs into a signature sound built for adrenaline, swagger, and full-throttle energy.

His ReVampd tracks fuse Southern swagger, modern country production, heartland rock vibes, classic rock riffs, neon 80s synth-rock glow, and blazing lead-guitar solos. HollywoodPKR’s style connects fans of country rock, guitar rock, glam metal, alt-country, 80s rock, southern metal, Americana rock, and outlaw anthems, creating a genre-bending sound built for road-trip playlists, gym hype, bar-band energy, and festival-ready rockers.

HollywoodPKR-VAMPits has gained traction across SoundCloud charts, RepostExchange playlists, and country-rock / rock-revival communities, where listeners gravitate toward his ReVampd Series — transforming iconic tracks like “Stayin’ Alive,” “Hawk Tuah That Thing,” and “Yellowstone Cowboy” into rocked-out, guitar-driven, country-fused power tracks. His originals and covers combine anthemic rock hooks, southern-fried attitude, arena guitar tone, modern country polish, and retro-rock fire, delivering a unique sound positioned at the crossroads of:

Country Rock

Hard Rock

Southern Rock

Classic Rock Revival

80s Hair Metal Energy

Alt-Country + Outlaw Country

Guitar Rock / Riff Rock

Country-Metal Fusion

With a rapidly growing fanbase for modern rock x country fusion, HollywoodPKR-VAMPits is becoming a standout in the new wave of country-rock revivalists, pushing a bold style where country storytelling, rock attitude, neon 80s aesthetics, and guitar-hero swagger collide.

If it’s loud, guitar-heavy, southern, retro-revival, country-fused, or rocked-out…it’s ReVampd.

One good thing about music is when it hits you,you  feel no pain..
Beat maker from SL - riddin n shit
 Inquiries: dilip.udaya27@gmail.com

Amy Stevens- vocals
John Russell- guitars, bass, keyboards, drums, backing vocals and programming

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.