Over the course of a musical career which has spanned over 25 years, Sami Dee, aka “Le Flamant Rose”, has been a champion of House Music in numerous capacities. As a DJ, he has showcased his unique & energetic style in the best clubs in France ( 287, Rex, Les Bains, Queen) but also worldwide in cities such as Montréal (Stereo, Circus, Beach Club), Miami, London, Prague, Geneva, and Algiers. Another key stop in his vast career was at the legendary Red Zone in New York City, where he had the advantage of meeting the “Boss” himself, David Morales, who tutored the young DJ in the early 1990s. If Sami Dee is deemed a true master in the art of mixing records, it is also thanks to the radio. He reached this hard-to-earn legendary status first on NRJ Radio, co-hosting “Better Days” with Bibi, during a classic four-year run which saw the show broadcasted in France, Switzerland, and Belgium, and then, on FG Radio, for over nine years. Today, he is pleasing his worldwide followers through his podcast,"  Forever More House Music By Sami Dee" releasing unique mixes like only he can. Furthermore, Sami Dee may be an even more recognizable name as a producer & remixer, with over a hundred original productions and remixes on his résumé with the likes of Grammy Award Winners David Morales and Frankie Knuckles, Kenny Carpenter, Todd Terry,  Dimitri From Paris, Crystal Waters, Lisa Pure & CeCe Peniston for various labels such as  Warner UK, East West, Atlantic Records, Def Mix, Stereo Productions, In-House Records, Ultra, Nocturnal Groove, Tony Records, Mjuzieek Digital & Poole Music, to name a few. After more than 25 years in the game, Sami Dee is still one to be reckoned with, both in the DJ booth and in the studio. Having gained accolades from some of the biggest names in the business and having worked for legendary artists, Sami Dee is still pushing his music forward, while paying homage to the roots, producing new gems in his unmistakable style.

I'm a one man business TYNE MUSIC. and since my retirement in 2010, my passion has been to write for musical theatre, mainly with the intention to give up and coming performing artistes the opportunity to showcase their talents through schools,colleges & commuity theatre.  All of my musicals are either new and original, or modern re-works of familiar classical stories. All of the musical numbers are entirely my own work and cover most subjects from classical to modern and Sci-Fi.  Please note that more songs are featured on my music channel (https://www.n1m) All of my songs are available to any artist looking for additional material to add to their own repetoire.

I am a seasoned voiceover and on camera talent, easy to work with, whether on set or working remotely. On the VO front, I have a private studio with Source Connect and travel often for bookings and auditions.  Please visit my website to hear/see a sampling of my work: https://www.lynnedarlington.com/
Thanks for visiting!

RUMAH QASIDAH 2 [ ALL ABOUT OF NASIDA RIA]
 Nasida Ria is an Indonesian qasidah modern musical group consisting of 12 women’s from Semarang, Central Java. The band was founded in 1975. Nasida Ria was led by H. Mudrikah Zain, but is now managed by Choliq Zain. It is one of the oldest qasidah modern musical groups in Indonesia.

Member
- Mudrikah Zain [lead]
- Mutoharoh
- Afuwah
- Rien Djamain
- Nurjanah
- Nurhayati
- Nadhiroh
- Hamidah
- Sofiyatun
- Siti Romnah
- Thowiyah
- Titi [ siti Mukarromah]

History
Nasida Ria was founded in Semarang, Central Java in 1975 by HM Zain, a teacher of qira’at (how to read the Qu’ran); Zain had previously had experience with the mixed-gender group Assabab. He assembled nine of his students for the band: Mudrikah Zain, Mutoharoh, Rien Jamain, Umi Kholifah, Musyarofah, Nunung, Alfiyah, Kudriyah, and Nur Ain. The group initially only used the rebana to provide music. Later, then-mayor of Semarang and fan of the group Iman Soeparto Tjakrajoeda donated an organ to aid the group, also facilitating their musical studies. The group later acquired a bass, violin, and guitar.
Nasida Ria’s debut album, Alabaladil Makabul, was produced three years later and marketed nationally by Ira Puspita Records. Their songs were entirely based in dawah and drew influences from Arabic music. The following three albums were similarly themed and included much chanting in Arabic. After a suggestion from kyai Ahmad Buchori Masruri that the songs would be more effective if entirely in Indonesian, Nasida Ria changed its style; Sir Buchori Masruri also contributed songs under the pseudonym of Abu Ali Haidar.
Nasida Ria’s new style was shown to be popular, with several of the group’s songs, including “Pengantin Baru” (“Newlyweds”), “Tahun 2000” (“Year 2000”),), “Anakku” (“My Child”), and “Kota Santri” (“City of College Islamic”), gaining much airplay in both rural villages and urban areas. They also appeared on national television and toured the country.
In 1988, Nasida Ria performed in Malaysia to celebrate the Islamic New Year on 1 Muharram. Six years later, they performed in Berlin, Germany in Die Garten des Islam (The Islamic Cultural Exhibition) under invitation from the Haus der Kulturen der Welt. In July 1996, they returned to Germany for the Heimatklange Festival, performing in Berlin, Mülheim, and Düsseldorf.
After 2000, the group saw less success. Several members were replaced, having died or left to further other goals.
Nasida Ria is now headquartered in Semarang. The current manager is Choliq Zain, son of their original manager.

Style
According to Suara Merdeka, a Semarang-based newspaper, Nasida Ria mixes classic Arabic styles with modern, Western instruments. Songwriters for the group often adapt traditional Arabic rhythms. Their songs, although involving dawah, also touch on subjects like the press, justice, environmentalism, disasters, gambling, and warfare; Masruri notes that even songs with worldly themes have their root in the Qu’ran.

Awards and recognition
Nasida Ria has won several awards, including an award from the Islamic Cultural Center in 1989. Their song “Perdamaian” (“Peace”), written by Masruri, was a “radio staple” during the Eid ul-Fitr season for several years and was covered by rock band Gigi on their 2005 album Raihlah Kemenangan (Reach for Victory). “Kota Santri” has been covered by Krisdayanti and her ex-husband Anang.
The Indonesian newspaper Republika notes that Nasida Ria was followed by other qasidah modern acts in the 1990s, including Haddad Alwi and Sulis, while in Malaysia the genre has been popularized by groups such as Raihan, Rabbani, Hijjaz, and Saujana.

Discography
As of July 2011, Nasida Ria has released 34 albums, including two Arabic-language ones. This includes 400 songs.




	
The Audacious Art Experiment is more than a record label. We're a community mindset that yearns for something more than nine-to-five and aim to take back our chosen social freedoms, artistic expressions and community spirit from the companies trying to sell them to us. Music is our voice and the records we make are the product of our beliefs, dreams and desires.

If you make music, or just like what you hear... if you create art, take photographs, or saw some that blew you away... if you met some people who inspired you, or would like to meet them... then let us know, and we'll share what we know.

Take tribal drums, mix with pounding analogue synths and a killer club sound and what do you get? Welcome to iVardensphere. 

The new album, APOK, finds iVardensphere exploring different aspects of their sound, from dance floor stomping powernoise to more exotic flavors of tribal drumming blended with elements of trip-hop and a club-pleasing analog synth bumping EBM sound. APOK, iVardensphere's first release on Metropolis Records, also takes iVardensphere's passion for collaborations to a whole new level, bringing in guest artists including I:Scintilla, Caustic, God Module, and This Morn' Omina as well as featuring remixes by SKOLD, ESA, releveleR and Pull Out Kings.

The story of iVardensphere's rise begins a few years ago in Edmonton, Canada, where Scott Fox DJs the notorious club nights SICK and Das OOntz. Fox took his expertise in filling the dance floor and applied it to his passion for synths and industrial dance music to create a fresh take on the genre to form iVardensphere. Upon being heard for the first time by Vancouver-based label Synthetic Sounds, iVardensphere was immediately signed and the debut album Scatterface was released in July 2009, mastered by Sebastian Komor [Icon of Coil]. 

Soon after the completion of Scatterface, Scott enlisted the talents of Chris Lacroix [aka Siborg from Virtual Terrorist] to help bring the project from the studio to the stage, where the band shines. Ever since, iVardensphere has been constantly active live, having performed with acts ranging from Apoptygma Berzerk to Iszoloscope to 16Volt and Chemlab to Front Line Assembly at such places as Das Bunker in LA and the Kinetik Festival in Montreal. Buoyed by touring and word of mouth from an ever-growing fan base, iVardensphere has steadily swept across the industrial dance club scene in North America.

At the end of 2009, Scatterface made its way across the Atlantic on one of Europe’s leading darkrock and industrial labels, Danse Macabre Records, as Fox prepared iVardensphere's second release, Remixes Vol. 1, featuring remixes from Komor Kommando, Memmaker, Left Spine Down and others. Initially a digital-only release, fans demand CDs, and so Remixes vol. 1 came out in February 2010 on Synthetic Sounds. This release also marked iVardensphere's first introduction to the college radio charts across Canada. 

The summer of 2010 saw the band hit a wide range of cities and venues all across the USA and Canada with Iszoloscope and ad*ver*sary, gaining loads of new fans. Word of their powerful live shows continued to spread and they were asked to open Combichrist's North American tour in the fall of 2010, just in time for a new album to hit.

iVardensphere’s much anticipated second studio album, Bloodwater, came out in November of 2010, showcasing Fox's growing interest in using tribal drumming and other more organic sounds alongside electronics and samplers. Spurned on by club play and word of mouth from the band’s performances on Monsters on Tour with Combichrist, Bloodwater smouldered up the Canadian college radio electronic charts, eventually spending three months on !earshot’s national electronic charts in early 2011 and nine weeks on ChartAttack’s electronic charts. It also received great reviews, including in Outburn Magazine and Rue Morgue. 

The fall 2010 tour with Combichrist went so well that iVardensphere was asked to come out on tour with Combichrist again in the spring of 2011.

Wherever they roam, iVardensphere are always eager to collaborate with other artists, including working with Booming Tree Taiko on their first tour with Combichrist and trading remixes with the likes of Rotersand. Past collaborations with Iszoloscope went so well that iVardensphere recently announced that Iszoloscope's Yann Faussurier became a full-fledged member of iVardensphere at the end of 2010, and Fox, Faussurier and Lacroix wasted no time in starting work on APOK alongside their collaborators. iVardensphere recently grew again as Iszoloscope and Memmaker's Frédéric Scarfone also joined the fold as an official member after previously exchanging remixes with iVardensphere as Katastroslavia and co-writing on APOK.

The band's continuing growth and solid sounds caught the interest of industrial/electro powerhouse label Metropolis Records, who have now welcomed iVardensphere into the fold to help foster further expansion.

Tol Gruber, was born in Athens on August 2nd, 1986.
At the young age of nine, he began his education in music with the guitar, but his passion slowly began to steer towards electronic music and the desire to compose such music. He immersed himself completely in the electronic music scene and each experience influenced his sound even more in his own productions.

Completely self taught, over the years, Tol’s eclectic catalogue increased with solid productions. Through many trials and tribulations, he finally discovered his true passion and niche in Techno music as deep, dark and experimental sounds became the “signature” of Tol Gruber’s musical compositions.

Over the years, some of Tol Gruber’s music has been played on radio stations like Cannibal radio. He has been interviewed by ART UBER ALLES and Freeze magazine and with increased experience and fine tuning in his Techno, he caught the attention of Brood Audio, which saw the potential in him and signed him as an artist.

His passion continues to drive him and be the main force behind his music. With releases lined up on Brood Audio and keeping busy in the studio, you can be sure to expect a lot more from Tol Gruber.

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Charlie Clouser is a multi-instrumentalist and composer for film, television, and games who lives in Los Angeles.  

His scores include all seven films in the "SAW" franchise, as well as films such as "Dead Silence", "Death Sentence", "The Stepfather", "Resident Evil:Extinction", "The Collection" and many others.

With nearly three hundred hours of television underscore to his credit, including the CBS series "Numb3rs", the NBC series "Las Vegas", the FOX series "Wayward Pines", and the SyFy mini-series "Childhood's End".

Formerly the keyboardist in the band nine inch nails, he has remixed and collaborated with artists as varied as David Bowie, Jamiroquai, Killing Joke, Atari Teenage Riot, and Rob Zombie.

Roy Harmon is following