George Glass is a flailing Charlie Brown foot aimed deadeye at Lucy's football, which isn't a football at all, look closer, it is flatter and it's grayer, and it's squat and it is gritty and it's a rectangle, hard as tooth, a cinderblock that on contact makes toes crumble into plum flesh. 

George Glass is another collapsible night spent sleeping crooked on the floor of the storage closet, or the practice space, or a bored ex-lover's kitchen linoleum, a linen sack of unread headlines and bylines and buried ledes your only timid cushion. 

George Glass is the impacted wail of a baby spending thirty years slithering slow out of its mother, its creeping voice echoed off the walls of her thighs.

George Glass is the split-second afterimage lingering on a boxy woodframed television screen in 1986, when all that remains of the saucy charm and the hardpack body and the teased hair of craven ecstasy is a wisp of light that may exist only in your eye.

George Glass is the point at which one more band bio on one more one-sheet could do nothing but break the sturdy spine of the world.

George Glass is a band from Los Angeles.

Just as we must feel the sand in our toes, we must feel the wind in our hair
find the time to unwind the twine in your mind its all you've been blind to seeing and freeing and being yourself, not an elf, or hu-man with a tan but a spirit-so hear it, in longing you fear it, is near it, engulfs you-its love

"Vashti was born on a faraway planet called Zorb.

She travelled to Earth in a small automatic washing machine manufactured on the planet Zannusi!

Her skin was a bluey orange colour, with the texture of a walnut, thick purple hair covered her body, as did hidious warts. Her diet was mainly newts and sulphuric acid. By the age of 3 months, she was 7 stones in weight, and 4 feet tall.
To us, she was truly beautiful! And having extra fingers and toes was an added bonus.

By the age of 6 months, Vashti could talk .... No one could understand her as she spoke a mixture of venusian and seahorse.

At 9 months we shaved her and dyed her a fleshy pink ~ she was then a beautiful English rose.

It was several years later when we discovered the terrible truth .... she was a vampire!

Absolutely perfect!" -Dad

Beatmaker & DJ For P-ISM ENTERTAINMENT
My influances are G Funk, Funk, P Funk, Hip Hop, Metal .....
Music is a passion he must live !
There's enough of this rap game this is crap and bullshit ! !
It should not be forgotten that the Hip Hop out of the street and not all these Label Commercial Shit ! !
G Funk is a Lifestyle Sunny ! ! And Positive Music Vibe ! ! 
It is a music that takes you from toes to the tips of hair ! !
I have a preferance for Style Of The Bay !
My Style like G !! Nino , Ant Banks ,The Deliquents,  3x Krazy, Suga Free, Dj Quik, WC, Nate Dogg, Hi-C, Mac Dre, Sh'Killa, Big Ron , Too Short, Celly Cell, Spice One, Ice Dogg and all the other artists in the Bay exellent ! !
So if you seek for insrtumentals collaboartions G Funk Contacted I would with great pleasure !
Peace to all !

At their 4th Annual Holiday Show, Dead Presleys celebrate the release of “Midnight”, the first new batch of Dead Presleys material in 2.5 years.

“Midnight” brings a more evolved, polished Dead Presleys sound. As they dive more into their love of vintage rock n’ roll music, they find their true groove - big drums, raunchy guitars, ripping guitar solos, soulful vocals, driving bass, and fun and energetic live show that'll keep your blood pumping.

With a style that’s been called “The Black Keys meets Kings of Leon meets Foo Fighters”, Dead Presleys are a versatile group of musicians that continue to push boundaries.

When you come to a Dead Presleys show, you’re going to have a good time. Bet on that.

Since releasing their debut album ‘Muses’ in 2017, Vocalist/guitarist Kerry Sherman, drummer Colton Gabel, lead guitarist Tyler Cook, and bassist Zachary Reiter continue to play bigger shows on bigger stages, including opening for 90’s Alternative rock icons Gin Blossoms, The Runaway’s Lita Ford, Jackyl, spots on 2018’s Magic City Blues Fest and 2019’s Rockin’ The Rivers, headlining Butte, Montana’s Famous St. Patrick’s Day Parade, several headlining shows at Billings’ Pub Station Taproom and Concert Hall and slots on the main stage of Evel Knievel Days, Original Festival and Wild West Music Fest.

‘Dutch outfit Mozes and the Firstborn are unpredictable and that’s a complement. They dip their toes into the numerous sub-genres of pop and rock. They can create boisterous, uplifting pop-rock anthems to intense, hair-raising rockers. Whatever approach they opt, they always write dynamic and relatable stories.’ ~ The Revue



Playing a potent mix of sleazy grunge and power pop perfection Mozes and the Firstborn hail from Eindhoven, The Netherlands. The band’s inspirations vary from Guided by Voices and Beck to Weezer and Nirvana. The past year Mozes and the Firstborn have been recording new tunes for their third full-length album Dadcore, due for release on January 25th 2019.  With ‘Dadcore’, Mozes and the Firstborn embrace this sentiment of looking back to what their dads listened to exploring their favourite styles within the paternal genre. The band present the record as a mixtape, a colourful collection of eclectic songs that they’ve hand chosen and want you to fall in love with and pick out your favourites, like any other mixtape. The band worked with a number of producers for this album, including producer/mixer Chris Coady (Beach House, Slowdive) and Roland Cosio (together PANGEA, Fuzz). In 2018 they have already released four singles: 'Baldy', ‘Sad Supermarket Song’, ‘Hello’ and ‘If I’. 

Clash Magazine on their latest single: ‘'If I' is a righteous guitar melter, a sort of fuzzed out Di-nosaur Jr. riff attached to a sunshine pop song, driven by helpless adolescent fantasies.’ 

The Revue: ‘While ‘If I’ will make you wonder about the skeletons that exist in your closet, it will also make you feel alive and renewed. It’ll make you believe that rock music can still move you in ways that no other genre can.’ 

The band started out in 2010 with Melle Dielesen on vocals, guitar and songwriting, Corto Blommaert on bass and Raven Aartsen on drums. Guitar player Ernst-Jan van Doorn joined them later. In 2011 they released their first EP I Got Skills, which title track rather fast became the fan’s favorite. The Californian label Burger Records released their self-titled debut album in 2014. Since then the band has embarked on international tours with The Growlers, Unknown Mortal Orchestra and together PANGEA, crisscrossing the United States and Europe. In 2016 the band released Great Pile of Nothing, a more introvert and mellow album. 

Mozes and the Firstborn released their third EP Marianne in 2017, followed by the Cassette Club EP a year later. This EP was released as a preparation of the Mozes Cassette Club. This is a ‘club’ for a limited number of members who get premium access on new tracks, demo’s and stories in the shape of a cassette. The latest singles of the new album Dadcore were also released on cassette for the Cassette Club.

Detroit native Ryan "Bread" Bolden has been known in small social circles throughout the city his entire life for his musical abilities. Determined to influence the music industry in "his own way" as he puts it, B.R.E.A.D. the artist, is making strides to become a force not only the the hip hop community but in the R&B community as well. A creative blend of edgy, sometimes "over your head" lyrics blended with smooth-soulful vocal undertones and hooks hopes to  keep his listeners on their toes. Love Peace and Hair Grease...Please enjoy the music!!!

                                              Believer    Realist   Entertainer    Artist    Detroiter

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