Ever had that dream where an insect invades the ear and sets up home to mercilessly tease and torment thereon in? If so, a form of similar reality is about to be unleashed as the Reverse Family step forward to announce themselves with a sound which trespasses and festers in the psyche. The difference is that this is set to be the most welcome invasion of ears as it crawls with relish into the imagination.

Reverse Family is the solo project of Dermot Illogical, aided by a fluid band of collaborators from time to time, this debut offering is a lo-fi exploration into an experimental DIY web of sounds and flavours which is hard to pin down but certainly embraces everything from post punk and noise pop to indie and old school punk.  

The first song we came up against was Alchopoppers on Fast Food, a brief and gentle yet deviously engaging song which instantly entices thoughts of seventies bands like Swell Maps and The Shapes but with the melodic natures of The Freshies. It is captivating stuff even with a drop into calmer waters which does not quite connect with personal tastes. We are not sure of the album's track order but if this is to be the opener it provides a potent start though the brilliant Way It Goes is an even bigger pull. Carrying an early Adam and The Ants feel to its magnetic stroll, the song is pure addiction with a funk revelry bubbling under its pop punk surface, Dermot as vocally mischievous as the guitar led sounds around him. 

There is great variety to the songs too; Bit Slits for example flirting with the senses through keys which manage to sound like the brass flames of Essential Logic while guitar and vocals veer towards the Nikki Sudden school of discord blessed minimalistic seduction while Electronic 6 entangles portentous keys and winy guitars with fuzzy vocals for a Dalek I Love You/Artery scented melancholy. It is fair to say that Dermot wears influences openly yet each song develops its own distinct character under often familiar hues.

Hand of God has a darker and meatier nature to its predacious swing, contagious hooks and a great grumbling bassline aligning with melodic enterprise for a proposal which swiftly grips ears and appetite; a success just as easily won by the lively pop bounce of One Eyed, a seemingly early Television Personalities seeded encounter and the hypnotic I Can Sense Their Watching Eyes. This too has a flavour of Dirk Wears White Sox to it but with funky beats and another irresistible post punk guitar jangle in its off kilter dub teased shuffle, the track blossoming into another unique proposition within My Songs About Life Mid Crisis.

Other tracks in the mix are Business or Pleasure, a delicious song which sounds like Weezer soaping The Piranhas while recording it all in the bath, The Legend of Pierre with its haunting keys wrapped sultry croon, and Odd Mix Newgates, a seductive magnetic monotone tone spawned track surely inspired by Mark E. Smith.

The collection of tracks are completed by Higher Power with plaintive melodies and dour yet emotionally suggestive vocals and the outstanding May Number 10 Dream which again hints at bands like The Fall, Marc Riley and The Creepers, and The Mekons, as well as the criminally catchy Sods Law. Hips and feet beware as even in its low key nature it will have you swinging in an instant.

There are so many highlights offered by the Reverse Family songs; each track connecting with an ever eager hunger for punk fuelled, post punk spiced imagination. Plastic Punks epitomises this perfectly, its Fire Engines toned melodic jangle and Spizzenergi devilry sheer temptation again emerging as something specific to Reverse Family.

With a tongue in cheek lining to the lyrical reflection shaping songs which spreads into the music itself, Reverse Family is a beguiling adventure with a nod to the past and a grip on an imagination as fresh as it is, well quite simply a touch loco.

.. Dj Gomor, Nice kalendar, Seq9, Aerosoul Also called Schoffmann Anthony. 
      
      His father was one of the first juke box Wurlitzer dealer and his mother a fan of Motown , Gainsbourg and “messe pour le temps present” of Pierre Henry for Béjart. The apple never falls very far from the tree! It is at the age of 12 that Gomor begun djing while picking in the family collection and their vinyl which could not be heared in the last pub “à.la.mode” "not being enough TOP50"! 
      as well better because that significated that the 1st 45t of Coldcut would remain in his hands to be placed in his red colored penny slot-in record player.
       After that came time when Gomor being delivered to itself made its own musical choices : Jean-jaques Perrey "no, dad has it already", Kraftwerk "dad has it , too " what a fuck ! : what to choose? 
      The answers arrived very quickly: Acid House, New Beat, Chicago trax, Detroit techno and Fnac records made in France by Garnier and Shazz! 
      
      Later he begun to produce his own music while recovering keys, tb303 of the groups of Waltz eager to replace their Bass player "but it is not a good sound of low this trick: with the dustbin 303!” “Sorry! please ? may i recover it “ said dj Gomor ". 
      Not as too many people in French touch whose material had to be paid by Dad and Mom, Dj Gomor boss of recycling was consequently put to reproduce the funk music, which he listened to in the belly of his mother, with the means he had : 808 as a battery, CZ 5000 for the guitar "hey but it is almost like Cybotron" 
      A few years after he is a considered DJ, who plays in the corner of the 3 borders "France, Switzerland, Germany", where he has the chance of playing with musicians who made him dream formerly! 
      He became very quickly an artist teared off by the organizers ! today he plays house and techno mixed with the old school vinyls from his collection.
      
      
      
      Label owner of : Opak records alkyle series, Decadenxa recordings  , Investigation music lovers & Lakemba
    
    
    
    
    
    
    
    
  

Musicians don't retire; they stop when there's no more music in them. ( Louis Armstrong ).
I am a professional musician of 50 plus years experience.  From 18 years of age until I became 55 my career was spent as a musician in the Royal Air Force, the only ever "Staff Arranger" to the RAF, completing 37 years service as a Bandmaster.  The experience and knowledge that I gleamed, performing in 67 countries throughout the world, during this period is quite extensive.
I was fortunate enough to have had 2 professors of music to educate and tutor me, Dr Ken Abbot and Dr Derek Healey; their styles and differences, from classical style of common practice music to really modern 20th century classical idiom was vast,; I was very fortunate to have been tutored by these gentlemen whose contrasting musical periods opened not only my mind, but also my ears.
I am a Big Band fanatic, my 18 piece bands "Touch of Class" and "Swing Wing" were well known throughout the RAF fraternity.  I have, quite naturaly been influenced by many , many composers, both classical and jazz wise , therefore, I have striven to write in what I call, term as Classical fusion,, a combination of jazz and classical style.  I was very much influenced by Laurie Johnsons' "Synthesis",  I  have however  attempted to go one step further, especially as I use the Sibelius Music format with its vast pallete of instruments to choose from,, to inter-weave, combine, and co-operate European, Far Eastern, World Instruments and Synthesizers into my compositions to obtain many different timbres at the same time.
I would  be delighted to hear your differing opinions on my music as I am still eager to learn and apply and adapt to new ideas.
All scores and parts can be purchased from Mr Johnny Jones at www.ScoreExchange.com Johnny has 800 or so pieces of music for sale on this website.  Ranging from Duets ,Trios, Quartets, Quintets. Clarinet Choir, String Orchestra, Saxophone music, Brass music, Solo instrument with piano acompaniment, Double Reed qurtets, Orchestral, Big Band, Concert Band  etc....
For much more please visit !!!!

For the past twenty years, Argentinian-born, Barcelona-based artist Juan Pablo Pfirter has been a driving force behind a sound that's alternately steely, dark, and uplifting, remaining true to the founding principles of techno while infusing it with his avant-garde touch. 

Since his early days, whether through DJing, producing, or as a label owner, Pfirter has demonstrated his talent with focus and style. He's left his mark on esteemed labels like CLR, Figure, Mord, and Stroboscopic Artefacts with select singles, while headlining renowned electronic music venues and events such as Berghain, Tresor, Concrete, Awakenings, and Time Warp. Since his first European tour in 2005, Juan Pablo has tirelessly shaped one of the most distinctive sounds in contemporary electronic music, blending stadium-sized kicks with textured organic elements and hypnotic sub-bass motifs that remain captivating after countless listens. 

In 2006, Pfirter launched his own imprint, MindTrip, which has since become a prominent fixture in the techno landscape. The label serves not only as a platform for his own productions but also for those of his close friends and collaborators, including luminaries such as Flug, Kashpitzky, Nørbak, Stanislav Tolkachev, Dold, and more. Additionally, MindTrip has thrived through its monthly podcast series, featuring acclaimed artists like Angel Molina, Setaoc Mass, and Amotik, each presenting an hour of music that embodies the ethos of the label. 

Having released over 50 club-oriented records, Pfirter ventured into the realm of albums with 2019's "The Empty Space," offering a panoramic view of the subtle intricacies and emotional depth of his craft. His sophomore album, "Altered States," further explores the nuances and expressive possibilities within techno, balancing club-focused realities with introspective, psychoactive elements deeply rooted in the genre's tradition. 

Continuing to bridge the gap between the visceral and the cerebral, Pfirter consistently delivers compelling works that resonate long after the last strobe light fades. While his singles dominate specialist charts, the depth of his compositions lingers in the minds of listeners long after the club doors close. In Pfirter's hands, darkness becomes oddly comforting, inviting listeners into his unique sonic universe.

www.facebook.com/pfirtermusic
www.soundcloud.com/mindtriprec
www.twitter.com/pfirtermusic
www.pfirtermusic.com
www.mindtripmusic.com

Founder of WE ARE TECHNO & STEREO CLUB [Montevideo - Uruguay]

*Contact
info@anthillentertainment.com

Monophona are:
Claudine (vocals, guitars, keys)
Jorsch (percussion)
Chook (programming)

When Claudine and Chook first started discussing a common musical project in the winter of 2010, they came from completely different worlds. He had discovered DJ-ing as a teenager and soon made a name for himself not only as a turntable artist, but also as a drum&amp;bass producer; she was a singer-songwriter touring with a folk-rock band and had an admiration for the likes of Tom Waits, Van Morrison and Joni Mitchell. She loves acoustic instruments, the touch of fingers on strings or wood; he can spend hours in the studio tweaking a sound until it is just the one he’s been looking for, building up a tune that speaks for itself and is in no need of words.
Neither one of them knew anything about the other one's musical roots and influences. Yet, after having built successful careers in their respective fields, they were eager to take on a new musical challenge and search for common ground. The result of this collaboration is Monophona, a blend of two extremes, electronic and intimate, melodic and innovative.
On stage, the line-up is completed by percussionist Jorsch, equally at home in both musical worlds. He adds detail and dynamics to their live-set.
Since their first gig in the summer of 2011, they have managed to establish themselves among the local scene, earning the chance to open for acts such as Rodrigo y Gabriela, Elektro Guzzi and Nostalgia77. They were even able to step outside the borders of their native Luxembourg, being chosen as their country's representatives for the Printemps de Bourges contest and for the Midem in Cannes. 




London based singer, Matt Luis, began his career performing covers of chart topping songs on YouTube under the alias ROLLUPHILLS from 2011 to early 2018. Since then, Matt honed his craft exploring other musical endeavours including his MVTCHES project where he fell in love with songwriting and production. Now, with experience under his belt, Matt wants to show his audience who he truly is, with an EP and plenty of new music on the way.

"Self Imitate" Out now!
zenonrecords.bandcamp.com/album/self-imitate

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Born into a family where both his mother and brother are skilled musicians, David Hellquist from Gothenburg, Sweden, has always had music and sound as his main focus in life.

Starting in 2008 with electronic music, he felt an urge to create the twisting sounds and noises that kept bugging his head – only finding peace of mind once they were realized.

His tunes vary from Dark Progressive/Psygressive with a “twisted-tech-glitch” touch, to different EDM genres such as Techno, Minimal, Deep/Tech, and House.

Hellquist is sure to continue serving us psy-heads with his unique “digital-acid-deep-in-the-Swedish-forest” kind of mind-altering musical creations.

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. https://hellquist.org
. https://facebook.com/HellquistMusic
. HellquistMusic AT gmail DOT com
. https://hellquist.bandcamp.com
. Hellquist Releases: 
https://docs.google.com/document/d/15ZJEufCDuqvTiK88DoWstqROFP23MG0GpTX2YY1gXL8/edit?usp=sharing

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https://zenonrecords.com
https://facebook.com/zenonrecords

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