Good tune here. I like the sound, those guitars sound simply great.

IAN!!! Dude been a minute. This track is tits man, so rad

this mellow part is supercool. love it. the vocal lines and melodies fit in perfectly. great job, Ian!

This rock track is pure raw energy. The vocalist’s raspy, soulful voice adds so much character and emotion, delivering each line with a perfect blend of grit and passion. The instrumentation complements the vocals flawlessly, with each instrument’s tone shining through — the guitars have that rich, warm crunch, while the rhythm section adds a solid foundation that drives the song forward. The overall sound feels alive, with every element coming together to create a powerful, immersive experience that grabs you from the first note.

Simple and old fashioned singer / songwriter piece, first penned when I was a fresh faced 18 year old! Re-released in 2024 and remixed and mastered Oct 2025 by Gyp Buggane at Ballagroove Studios, Isle of Mann

Slight Country flavour in this version but originally influenced by The Velvet Underground's "Lisa Says" and "Sweet Jane" :-)

Jane

Jane (2024 rework)

Blue

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-original
Para escuchar la versión cantada por Dazz Deva  https://soundcloud.com/juan-fco-bueno/a-las-6-de-la-ma-ana

A las seis de la mañana

A ti, que cuando suena el reloj
sientes las garras de la pereza;
que abres las calles igual que yo
cuando aún vigilan las estrellas.

A ti, que nunca escuché tu voz
aunque te conozco desde siempre;
que te veo con frío y calor
pero seguimos estando ausentes.

A ti, quiero pedirte un favor:
que me dediques una sonrisa
por la mañana si, en tu opinión,
no tengo que ver al oculista.

Estribillo

A las seis de la mañana
casi no veo corbatas
ni uniformes salvadores
ni cochazos ni sotanas.

A las seis de la mañana
veo sólo a los obreros:
unos marchan y otros vuelven
silenciosos por el sueño.

A las seis de la mañana
¡ay! qué bien se está en la cama
sobre todo cuando tienes
bien cubiertas las espaldas.

----------------

A ti, que tienes que trabajar
en la rutina, sin motivarte;
que estás sin fuerza para luchar
contra los que quieren explotarte.

A ti, que vives con la ilusión
de que un día cambiará tu suerte;
que los fines de semana son
los que mantienen viva la fuente.

Estribillo

AT SIX IN THE MORNING

To you, that when the clock rings
you feel the claws of laziness;
that you open the streets just like me
when the stars are still watching.

To you, who never heard your voice
although I've known you forever;
I see you hot and cold
but we are still absent.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

At six in the morning
I hardly see ties
nor rescue uniforms
neither cars nor cassocks.

At six in the morning
I see only the workers:
some leave and others return
Silent by sleep

At six in the morning
Oh! how good it is in bed
especially when you have
their backs well covered.

-------------------

To you, you have to work
in the routine, without motivating you;
that you are without strength to fight
against those who want to exploit you.

To you, who live with the illusion
that one day your luck will change;
that weekends are
those who keep the fountain alive.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

A las seis de la mañana

Deep Space

Count Me in

Forever and a Day

Stay (rihanna cover)

Uplifting trancy EDM track. I hope you enjoy it!

Lyrics from Philip Larkin’s poem "Dublinesque":
There is an air of great friendliness,
As if they were honouring
One they were fond of;
Some caper a few steps,
Skirts held skilfully
Someone claps time,

And of great sadness also.
As they wend away
A voice is heard singing
Of Kitty, or Katy,
As if the name meant once
All love, all beauty.

Album art credits goes to Liudmyla Shalimova: https://www.pexels.com/de-de/@ludakavun/

Dublinesque

Dublinesque (Extended Mix)

This music is the soundtrack to the film "L'aranya teixeix llum" (The Spider Weaves the Light).

It is therefore advisable to watch the film directly on YouTube, as the images and music complement each other, forming a superior whole (unfortunately, SoundCloud does not allow films), so it is better to watch the film than just the music:

https://youtu.be/qCwEE9YSpgE?si=YLXvYaRxxbW1Uosd

This is a locally produced film centered on the Ripoll River, a small river that runs through the outskirts of Sabadell, a city near Barcelona (Spain). It is a short film (13') with a documentary approach but with a "artistic" style. We made it together with Nativitat Ayala and it is based on a poetic text written by her (with the same name as the film). She was primarily responsible for the plot idea and the script. I was in charge of the technical aspects (filming and editing) and, of course, also the musical composition.

The overall intention of this film was to highlight this river and its natural and wild environment, which is still preserved today and is currently in danger given the latest proposals to modify its industrial and tertiary uses by the City Council (which are not at all appreciated by most of the opposition and citizen movements).

Also, in the first part of the film, we sought to emphasize that the harsh conditions that the working women endured in the warehouses of the old factories of the last century are also part of the history of this river.

Thus, in this first part, we sought to create, both with the images and the music, a more somber and despondent atmosphere, which gradually transitions to greater luminosity and serenity, eventually achieving, in the final section, a liberating effect by showing that the natural and wild nature of the river ultimately prevails (at least for the time being). And all of this using a "poetic-artistic language" and modest and simple technical means.

Below are two PDF files, in English and Spanish, that explain the characteristics of the music:

In English:
https://drive.google.com/file/d/1v3DmQEQuOaz4SPXjXkHfyO_RhxSJiIVr/view?usp=sharing

En español:
https://drive.google.com/file/d/1nHrU8rSyndgxS0izdofu8tQoiJcrJ_Xs/view?usp=sharing



The film's soundtrack

Lyrics:

Through the shadows
Silent and swift
The moonlight bends as he takes his gift
A blade of honor
A vow to keep
He fights for the living
The lost
The weak

He’s the last ninja
The final breath
Dancing on the edge of life and death
Justice in his hands
Fire in his soul
The night is his story
His legend untold

The winds whisper secrets
Ancient and cold
He carries the weight of a thousand-fold
A phantom unseen
His heart beats strong
Righting the world where it’s gone so wrong

Every step a promise
Every leap a prayer
He fades like smoke
But his truth stays there

He’s the last ninja
The final breath
Dancing on the edge of life and death
Justice in his hands
Fire in his soul
The night is his story
His legend untold

Steel meets the silence
A spark in the dark
Enemies crumble
He leaves his mark
The past may haunt
The future calls
But for this moment
The darkness falls
--------------------------------------------------------------------------------------------------------

Track: The Last Ninja
Lyrics: NTENSEIFIED
Music & Vocals: NTENSEIFIED, Daniel Espinoza
Produced By: NTENSEIFIED

Count Me in

Ian McIntosh

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