just some of my own tracks (with. some voormilly and Constantine(and low..)) I remember myOWNDEathPT 3

RESURRECTED..I remember my own death ptIII.._archangelvoormilly_ME__Constantine__Andlow..LIVE__SET...

https://tutmonda.bandcamp.com/follow_me
Tutmonda is an experimental music label whose main objective is to create a fusion of improvised and traditional sounds from different parts of the world. 

*We're right now working on collaborations with our soundcloud friends*

With the mission of promoting an inclusive and diverse sound mass, Tutmonda seeks to offer a space for artists from all corners of the globe to showcase their talent and creativity.

Our sonic wizards:

@joaomsousa
@joaoaclopesms
@zelencastre
@joerxworx
@henry-koek
@stevesoundcoombes
@dean-petrovski-44100126
@leonel-cardoso-104759319

Mysterious,inventive,revolutionary original and experimental musician.
Inspired by the amazing and great Billie Eilish.

Main account : https://soundcloud.com/temple-of-the-haunted-man
Recently, I have reduced my music and internet time. I apologize here that i can't reply to all comments. "2econd Skin" is a sideproject of https://soundcloud.com/temple-of-the-haunted-man for electronic, industrial, metal, ambient and soundtrack music.

weird you can't wear
new tracks by 5 Rocket World artists winkYface, AGLA, Clouds for Sale, and Banana Bones

all albums are free on bandcamp 
(https://fiverocketworld.bandcamp.com/)
donations are very appreciated

music can be anything
genre isnt real
thanks for listening

reach out:  fiverocket.world@gmail.com for whatever reason.

~ MUSIC MAKER ~ Remix ~ 🎧 *~ Music Blended With Love ~* 🔊 "Vibes & Sound" * "Powerful and Loud" 
"Something different"
ALL GENRE OF MUSIC / SONG   -  🎶🎤  -  TOUT TYPE DE MUSIQUE / CHANSON

DjMR means nothing. That's only the first letters from my names. Also you can call me "Dom"
-from France

🌨▪▪▪🌜👾🌛》🚧Beyönđ🌌Emo G🚧
▪▪︎▪▪︎▪︎New Music Vids⬇▪︎▪︎On▶Youtube📺
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🖤🕊Rest☦In☮Peace🙏🏽Screw▪DNO▪Martin Barrios▪Josh G▪Pelon▪Kiko▪Junior▪Jacob▪Lil Mat▪Suga🕊Grant

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

RESURRECTED..I remember my own death ptIII.._archangelvoormilly_MEConstantineAndlow..LIVE__SET...

poopooshoes potent mo mary hairy had her hone