Groupe de power rock, Red Session aime quand ça envoie du « loud ». Monté en 2015, il a reçu immédiatement des avis très positifs sur ses différentes prestations et monte en puissance sur son interprétation et son jeu de scène. 
En plus des reprises, passage obligatoire pour un groupe qui se lance, Red Session s’est déjà attelé à plusieurs compos, qui ont reçu un excellent accueil.
Une pincée de gospel dans la voix de Maud, une cuillérée de blues dans la guitare de Steph, un soupçon de punk dans celle d’Alex I, une dose de métal dans le doigté d'Alex II, une once de pop à la pointe des baguettes de Guillaume, le tout dans un gros bouillon rock ! Telle est la recette de Red Session.
Le Red c’est la passion du rock qui s’exprime au bout des jacks et la Session c’est un partage dans la musique, une addition simple et efficace, pour un plaisir qui vous laisse un goût de reviens-y...

I Loud South nascono a Roma e suonano un indie rock/pop condito da influenze pop-punk.
La formazione originaria, composta da Francesco Ventura (voce/chitarra), Francesco D’Ugo (chitarra/seconda voce), Gianluca Romano (basso) e Francesco Bellesini (batteria), ha registrato i suoi primi pezzi nei due EP Tales from Outer Space e It's Christmas But It Never Snows. L'ingresso nella band di Adriano Sabatucci (tastiere) porta con sé un carico di idee nuove e più evolute, oltre al non trascurabile vantaggio di reclutare nel neo-quintetto un essere umano con capelli biondi e occhi chiari: requisiti essenziali per risultare credibili al pubblico anglofono. La nuova formazione ha intrapreso i lavori di composizione e registrazione del loro primo album full-lenght, She's the One She's Not, prodotto da Francesco Catitti (tastierista dei The Electric Diorama, produttore dei The Red Carpet, Over e dell'ultimo disco di Michele Bravi).

Die Band «Say it LOUD!»  hat sich dem Vintage-Rock, dem Bluesrock und dem Modern-Blues verschrieben. Interpretiert werden Stücke aus der Zeit von 1965 bis heute, wobei der Fokus auf gitarrenlastigen Songs liegt, die grooven und interessant klingen. Die Musik von «Say it LOUD!» ist inspiriert durch Künstler und Interpreten wie Jimi Hendrix, Steve Ray Vaughan, Beatles, Red Hot Chili Peppers, Cannibal Snacks, Jonny Lang ...  durch die eingängige Handschrift von «Say it LOUD!» ergibt sich ein energiegeladener, authentischer Stil.

Will Anderson: Lead Vocals, Guitars, Piano
Kit French: Saxophone, Keyboards, Vocals
Alex Hargrave: Bass
Johnny Stubblefield: Drums
Nate McFarland: Lead Guitar, Vocals

For the members of Mercury Records group Parachute, the name of their third album, Overnight, could well be a sly commentary on the hard work and commitment it’s taken for them to experience the success that’s been building over the last four years and first two albums. Their 2009 debut Losing Sleep featured the Top 15 single, “She is Love” (boasting more than 6.5 million views), while 2011’s The Way It Was included the #1 iTunes Rock Song “Kiss Me Slowly” (co-written with Lady Antebellum) and the Top 15 hit “Something to Believe In.”

Or it could refer to the late evenings put in by chief songwriter Will Anderson, burning the midnight oil, writing in his new Nashville base, after moving from the band’s hometown of Charlottesville, VA (where they were discovered and signed to Dave Matthews Band’s Red Light Management out of college). Anderson composed more than 50 songs for the album with a variety of collaborators, including Ryan Tedder (the first single, “Can’t Help”), as well as Grammy winner Chris DeStefano [Kelly Clarkson] and Ashley Gorley [Carrie Underwood, Keith Urban] on the title track.

“Even though there’s plenty of pressure to break through on your third album, the actual recording process was much less stressful,” says Will about the band’s sessions at Ocean Way in Nashville with producer Oren Yoel, a young contemporary who has worked with hip-hop phenom Asher Roth as well as Miley Cyrus, among others. “All of us were on the same wavelength. We all kind of knew exactly what we wanted without having to say it out loud. There was a weird sense of peace that we knew where we were going and where we needed to be.”

From the pop fervor of “Can’t Help” and the powerful simplicity of “Hurricane,” composed on acoustic guitar by Will after a long frustrating day, to the ‘80s Phil Collins-meets-U2 flair of “Waiting for that Call” and the slow Peter Gabriel/John Mayer jam of “The Other Side,” Parachute prove adept at combining guitarist Nate McFarland’s Edge-influenced arena-rock guitar licks with Will’s melodic sense of what will resonate with their passionate fan base. 

It’s no surprise for anyone who has followed the band’s history. Will has been playing with drummer Johnny Stubblefield, bassist Alex Hargrave and saxophone/keyboardist Kit French since they were high school classmates in Charlottesville almost 10 years ago. Anderson met Nate while attending University of Virginia together, and the guitarist joined the band six years ago.

“We’re just now getting to know one another as musicians as well as we know each other as people,” says Will. “We wanted to capture a sound in the studio that reflected us as a band. And we all know which parts each of us had to play to get that sound.”


The band’s stylistic palette can run the range from old-school legends like Stevie Wonder, Elton John, Paul Simon and Bruce Springsteen to newer acts like U2, Coldplay, Weezer, Ben Folds, Maroon 5 and John Mayer.

With producer Yoel, the band has even begun to stretch the boundaries, with Will’s spoken word vocals adding almost a hip-hop flavor to a new song called “Didn’t See It Coming,” about an actress friend of theirs in Hollywood excited to land a gig, only to discover it was an X-rated feature.

“That’s probably the catchiest song I’ve ever written,” he says. “I just laid down this spoken-word track, thinking we’d replace it later, but everyone loved it so much, we kept it on.”

Anderson is most proud of “Hurricane,” a song he wrote before going to sleep by strumming an acoustic guitar.

“It’s like the feeling you get when you think you’re never going to be able to write another song,” explains Will. “Once I started, it all came spilling out.”

Anderson credits guitarist Nate with creating parts that were “just perfect” for each song. “He really nailed it, with a unique spin to every song that made them epic, but at the same time, within a pop framework. That’s something we’ve always tried to do, melding his rock guitar to my sensibilities, making it work both for the arena and within the melodic sense of strong hooks. I think we really nailed it this time.”

Having played more than 400 shows over the last few years, touring around the country with everyone from NeedtoBreathe to Andy Grammer, Parachute’s live show continues to grow and impress. They’ve also played before several million at a New Year’s Eve celebration in Times Square, as well as appearing on NBC’s The Tonight Show with Jay Leno, ABC’s Good Morning America and Jimmy Kimmel Live and CBS’ The Early Show. The band’s songs have been featured on MTV’s The City along with CW’s One Tree Hill, Vampire Diaries and 90210.

“It’s so nice to have three albums’ worth of material to choose from in concert,” says Will, while the band has always played an eclectic variety of covers, from Spencer Davis Group’s “Gimme Some Loving” to vintage tracks from Elton John, Billy Joel, Bruce Springsteen, Stevie Wonder, the Commodores and Motown. “We’re just now hitting our stride as a live band. We’re better musicians who have come to trust one another. We all have our pocket and fill it. But we still have a long way to go.”

Overnight has a little something for everyone. Longtime fans will recognize their favorite band, with a fresh sound bound to intrigue newcomers.

“The last album was like taking a brand-new car straight off the lot,” says Will. “This album is just as fun to drive, but it’s like a vintage Mustang, a little more muscle and grittier, built to last.”

On their third Mercury Records album, Parachute is firmly in the driver’s seat.


Red Bezzy, is a young talented producer/engineer/rapper/M.O.B Boss. I went to the school of Loud so all i know is Turn Up!!! Im very humble but very aware of how talented i am and how dope my s**T is. I grew up around two well respected members in the music industry, Big boy from "Outkast" & Ludacris who influenced me to go hard and harder whenever i step in a studio or on a stage. Im from College Park, Ga. but i represent for the whole South side. My motto is, "Get money, get p***y, and get f**ked up!!!" (M.O.B We In This B***h!!!). M.O.B is a army full of young boss ganstas who are all about that money, respect, and loyalty...always TTG!!! and all of us TTGK!!! Str8 Up!!! Im the 1st and only member, as of now, from the M.O.B in the rap game. None of other members participate in the industry...they just run the streetz. So people dont let these other people you hear on songs screaming M.O.B fool you...we might f**k wit em but they are not part of the M.O.B. STS. M.O.B Boss, is my new record label and Bipolar is the name of my new up coming mixtape full of bangers....back-to-back-to-back. No lie!!! I produce 95% of my beats and write my own songs so if you need some work dont hesitate to hit me up on my facebook page or manger (404) 423-1877. M.O.B We In This Bitch!!!

Red Peach is an international electronic‎ & dance‎ music‎ duo based in Las Vegas, NV. Their tantalizing synth melodies are influenced by 80's-90's music like Eurythmics & Daft Punk.

“Dragged through fields, and left behind” screams lead vocalist Ezra Simons, aptly portraying the feelings of gloom and disorientation felt throughout the listening of Red Sky Blues’ self-titled debut album. Alongside Ezra are Patrick Hickley, David Benge and Jonathan Nott who make up the heavy-hitting psychedelic fuzz-rock band from Wellington. Since 2011 the four-piece have gained an audience around New Zealand by touring extensively and playing tight, loud and passionate DIY shows. It’s at these live shows where the sound they strive for truly shines through - reverb washed guitars blaring through vintage tube amps, overdriven bass tones, fluid and skillfully executed percussion and high energy vocals. 

Their forthcoming album was recorded by James Goldsmith at Blue Barn, and mastered by Brad Boatright in Portland. It consists of songs written and reworked over the years they’ve been playing together as well as a few more recent numbers. The listening experience will take you on a journey to somewhere between rural New Zealand and outer space. Expect to be knocked around and kept forever on your toes by the time-changes and satisfying riff-driven grooves.

Red Lion Licks is Kunk rock band based in East London.

Members are: Thamila Zenthöfer (vocals), Rafael Oliver (guitar, vocals), Ale Cruz (drums) & Chokis Costa (bass).

Inspired by bands like Motörhead/Ramones etc. with a pinch of blues and country, lots of fuzz and echo layers, their well received debut EP entitled 'Billygoat Draft' (2014) brought a wide range of influences, great bass grooves, constant killer drums, a vigorous guitar and a powerful voice.

Having received praise and good reviews from people like Brent Hinds (Mastodon) and Hank Von Helvete (legendary Turbonegro singer).
It opened doors to build a public in the UK, Brazil and some other countries in the world. The live show is a loud-energetic wall of sound which hits you like a loaded train. A MUST.

Now Red Lion Licks is about to release a new EP entitled BAREBONES. 
A bolder, conceptual and heavier album.

Red Diesel, c'est un peu comme un alcool russe : tu planes, t'es heureux et ça t'arraches la gueule.
Qui on est ? On s'en fout
Qui on sera...
Le Loud Rock n'est pas mort.

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