Message me here for tracks and   other requests

stellarsolutionswav@gmail.com

Gavin began his involvement with music DJing around Nottingham as part of Giddy Fruit,  a group of like minded friends who were frequenting the deep house nights of the town in the early 90's. Inspired by the sounds of local heroes DiY and Go Tropo the Giddy crew would commandeer their own and friends' houses , cover them in decor and fill them with speakers and invite a club full of strangers to enjoy their first forays into public performance.

Over the years the Giddy Fruit sound could be found in clubs, at their own "Giddy Up" nights or guesting for fellow house heads such as Quadrant and Smokescreen. Towards the end of the 90s Gavin began to get interested in "the studio" , where all these great tunes derived. Invited along by friends Steve Walker and Jay Cowley, of house outfit To-Ka Project, Gavin contributed to two tracks on the 1999 To-Ka EP on Viva "Don't Cry", his first vinyl release.

By now Gavin had been a regular at parties thrown by Smokescreen, originally a rig from Sheffield that had relocated to Nottingham. The Giddy crew, especially Gav, Al and Lucy, would always bring their tunes down and eventually pester their way onto the decks. It was here that Gav first met Steve Lee, who had been playing for Smokescreen since his early teens and was himself starting to make his first attempts at making music. Gav and Steve found they shared a drive to make music and Gav began trekking down to the Rubber Biscuit studio with Steve to see what they could do.

Meanwhile several of Gav's co-compositions with Jay from To-Ka had found their way onto releases on his side project, Lo-Motion. Together they put out well received tracks on Tilted, Myna, DiY and Drop Music before Jay withdrew from the music scene.

Gav and Steve had by now gelled and, calling themselves The Littlemen, had their first major relase with the "Tall Order EP" on Drop Music in 2001. They then went on a run of around 20 EPs in the next 7 years, including highly respected labels such as Amenti, Lowdown, Tango, Nightshift and Aroma. Steve also founded a label, Mobile Trax, which put out a string of excellent releases between 2003-2006.

By 2008 Gavin was also making solo material and put out his debut tracks on Guess Who? and Guesthouse. He has since then put out several releases on Mobile Trax as well as EP's and remixes for labels such as Aroma, Myna, and Odour.

In 2015 Gavin relocated with his family to New Zealand where he has been putting on events under the monicker "Love Bug" as well as releasing music on local label HuHu.

2018 sees Gavin putting out a two-part release on Replay Recordings, the UK label run by his old party associates Kinky Movement as well as continuing  to push quality house onwards with Love Bug and FFWD nights in Auckland and Whangarei. 

Contact at gavinbelton@hotmail.com...for further music try the soundcloud pages of The Littlemen and Mobile Trax as well as Smokescreen Sound System.

A singer-songwriter and electronic music producer from Georgia, Tamada is named after the traditional Georgian table host, or toastmaster: the one who presides over banquets and conducts the evening’s salutes, songs, and stories. His debut album, "Dionysus vs Tamada", revolves around Tamada’s songwriting combined with elements from different electronic sub-genres. Both highly experimental and wildly catchy, his lyrics resemble toasts in ancient Georgian, touching on current social issues and romantic sentiments.

Upon the release of his debut album, Tamada gained the love and support of Georgians of different ages and musical tastes, as well as media coverage from magazines such as Mixmag Turkey, Songlines, Transglobal, Beehype, and more. Tamada is still searching and experimenting, an ongoing process that is unlikely to end.

Following his breakthrough debut, Tamada announced his sophomore album "9 Deadly Sins for Tamada," which was released on July 4th, 2024. He released two singles from the album, "Dao" and "Jinit," on the aesthetic music platform ColoursxStudio. The album continues his exploration of identity, culture, and music with a unique blend of experimental sounds and deeply rooted cultural influences, offering listeners a deeply personal and philosophical experience.

Efdemin aka Phillip Sollmann (born 1974 in Kassel) is a German DJ, producer and musician based in Berlin. Known for his deep, psychedelic, and idiosyncratic take on both house and techno, he has released numerous 12“s on various labels, three albums on DIAL and a fourth LP called "New Atlantis" on Berghain´s inhouse Label Ostgut in 2019

FOR DIFFERENT GENRES SUCH AS CHILLOUT, DISCO AND FUNK, HOUSE OR DRUM AND BASS - CLICK ON PLAYLISTS

TO DOWNLOAD ANY MIXES YOU LIKE HERE PLUS ADDITIONAL EXCLUSIVE MIXES PLEASE BECOME A PATRON ON MY PATREON PAGE - ALL DONATIONS GO TO SMALL CHARITIES :) https://www.patreon.com/djpaulguy

Thank you so much for listening to my mixes.
For over 30 years I have been playing, what I believe is, quality music that is packed with soul, energy, diversity, melody, and a funky groove.

I have an eclectic taste, which is always evolving, but one thing remains, a passion for making people feel great with a customised music selection.

Starting in 1991 I was drawn into the UK rave culture and became an immediate lover of the energy of it's futuristic music. 

Happy hardcore and drum and bass is where it began but I never really loved jungle so moved to uplifting house, trance and hard house in my early 20s. This style had the power and uplifting melodies that I always have loved. 

After a few early gigs in London playing at Sunny Side Up and Ghost, my friend DJ Basil and I established a local monthly party called Ballistic which allowed us to play loud music to our friends until dawn. The night ran for 6 years and was always fun.  I was lucky enough to also play regularly in my home town of Folkestone at The Music Factory, Capel Court, Lydd Watersports and La Parisienne.

I moved to Australia in 2002 with the intention of staying for 12 months...and stayed 10 years!

I played trance for a couple of years but then got bored of that sound and was left wondering what would fill the gap. After spinning drum and bass vinyl in my garage to keep me engaged, I ended up playing house music with my friends and started developing a taste for the different genres including progressive, electro, jackin and then eventually tech and deep house. 

Sydney's clubbing scene created the opportunity for me to become the resident for the unique Shipwrecked and Gorgeous events, Bondi's The Bucket List plus bookings for the legendary High Flyers and Monkey Tennis parties. 

I moved to Bali in 2011 where I ended up being a resident DJ for the world class Karma Beach Club, at Karma Kandara, through to Sept 2012, playing over 100 times on their incredible beach along with 50 other parties for other venues.

Returning to Sydney in 2014 I was the Saturday night resident DJ at Bondi Radio based in the funky Neighbourhood bar in Bondi Beach. I have also been lucky enough to play lots of unique house, rooftop, villa, clifftop, park and boat parties. I love it and am grateful for every chance to play.

Continuing my travels in 2015 created opportunities to play a few times at Goa's best house music event Leopard Valley, and some sets in London, followed by a dozen gigs for Sublime in Guatemala's beautiful Lake Atitlan and a cheeky set in southern Mexico. But every New Years Eve I am blessed to be able to return to Sydney to play major events on the harbour for the biggest fireworks event possible, and this year will be my 8th year in a row. I was travelling in Sri Lanka with big plans for 2020 but like everybody else had to hit pause...but not on the music :) I recorded 200 mixes during the 2 years i stayed in the UK and now have returned to Bali to take up my residency at Karma Beach Club and picking up a new residency at the Twin Fin after party for Single Fin every Sunday in surf mecca Uluwatu. I love it as much as I ever have,, the music is so good, I just cant stop :) So expect new mixes every month covering all of the styles I love.

SoundCloud is a dream as it allows me to share some of the brilliant music being produced around the world by people we will often never know, and who will probably never be rich from it, but through their imagination and technical abilities, create hugely positive energy on dancefloors and in peoples bodies, in countless numbers. A big shout out to the very many talented DJs and energetic Promoters who I have been lucky to work with and become friends with over the years. Thanks for your support.

Jamar Rolando McNaughton, using the moniker Chronixx, has ignited a torch in people's hearts the world over and is confidently lighting the path for an entire generation of youths to rediscover roots and culture.

Born October 10, 1992, Chronixx was musically nurtured from an early age by his father, the artist Chronicle, and grew up surrounded by the likes of Burro Banton, Norris Man and Gregory Isaacs. This was before 'Little Chronicle' benefited from the mentorship of Danny Browne with whom he recorded his first tune in 2003. His remarkable ascension in the music industry was in full effect when he began harmonizing for artists such as Lutan Fyah and providing production assistance for tracks sung by Konshens, Munga Honorable, Popcaan and others.

Today, Chronixx is a respected artist in his own right after his career was stimulated by the unfortunate passing of both his blood brother in 2007 and his brother-in-arms, Lil' J.O.E., in 2010. He decided during that period of grief to bypass the difficulties of a young producer seeking external talent by, instead, channeling his energy wholeheartedly as a vocalist. Thankfully, early and unwavering support was received from Zincfence Records producer Romaine 'Teflon' Arnett, who was the first to urge Chronixx to sing the lyrics he was writing for others.

The first EP, Hooked on Chronixx, was released in 2010 and immediately put the budding artist on the radar of music lovers and industry heads alike. Among its 7 tracks, 'Start A Fyah,' 'Capitalist' (featuring Infinite) and 'Behind Curtain' stood out as a fan favorites, reaching far beyond Jamaican shores. Meanwhile, 'Warrior' became Chronixx's first official video and served to alert many more to his arrival.

Chronixx toured for the first time in 2013 when he went to Europe with his own band. Soon afterward, he bestowed a name upon this carefully assembled musical crew: Zincfence Redemption. Altogether, their fascinating stage presence has elevated the Chronixx experience to new and ever increasing heights.

Also in 2013, he and his team were Jamaica's only representation in Nairobi, where he performed as a Peace Ambassador ahead of Kenya's general elections. The next year, he found himself in New York City where he participated in a reggae and jazz series together with living legends Ernest Ranglin and Monty Alexander. By this time, Chronixx had established new and renewed working connections with Sly & Robbie, King Jammy, Leroy Sibbles and, again, Danny Browne.

The Dread & Terrible Project was released in April 2014 with seven tracks plus three dub versions, immediately topping both the Billboard and iTunes reggae charts. Neither an album nor an EP, the Project also includes a short film based on one of its tracks, 'Rastaman Wheel Out.' The film was directed by "The Guru" Ras Kassa and has received high critical acclaim. The hit single, 'Here Comes Trouble' can also be found on The Dread & Terrible Project.

With so much accomplished in so short a time, the world is bracing for greater wonders from this young man who walks with an old soul. For Chronixx himself, music is a mission and history is being made everyday still.

"Prepare your minds and hearts for this revolution."


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