Name: Keep 'er Loaded (Demo) by Reedy
Duration: 4 min
Description: Demo Version. Life in quarantine does strange things to your mind......watch out, and keep 'er loaded.

OMG man that's totally different to what I had in mind.  Amazing, yours has a They Might be Giants vibe to it, which I love [via https://sc.repostexchange.com]

good production for a demo. good song, nice harmonies

Didnt mean to unfollow just now!! Was actually trying to message and say i really like this song 0:

nice blink182 style thing you have going on here. still your own style coming thru. great vocals too. sounds pretty done here (you call it a demo.. haha)....

perfect harmonies. i love the bit of americana that permeates through the punk. i punk, therefore i am.

Eclectic influences blend into one another in this showcase from the songwriter of We Fell Close. Different vocalists bring out the styles and moods of the track from uplifting indie rock, to country rock power ballads, and thoughtful acoustic tracks. Haunting, delicate female vocalists and powerful, emotive male rockers collide on this unique album.

Spin

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - IV. Scherzando

Posted another version of this earlier but i yanked it. A "Pro" went thru a rewrite and then suggested naming it 'Remerge"...but this is the original version and its just.....BETTER...stickn with it....this is..Me.

Alias

A muddy walk is sometimes all you need for a change of pace

Fields and Water

Where Did All The Fun Go To Die

Prognosis II: Continuum's Relapse

All That Glitters

Something's missing in your eyes, as the wounded saints have shown
So he cut through your disguise, but replaced it with his own

All the kisses you have stolen, well they now have lost their charm
All that glitters has been counted, from telescopes to outstretched arms

Has your conscience buried you? in the ruins of your mind
What is right is hard to choose, with love as rich as it is blind

All the blankets you have woven, well they now have come undone
All that glitters has been counted, from Jupiter up to the Sun

Something's missing in your eyes, every homeless saint has known
But has your sadness left you blind, to all that's precious and your own

All the people you have courted, well their love has been reclaimed
So the universe is charted, but on earth we're still the same

All That Glitters - Nashville Mix

From the album, “Wet Work (Vol. II)” A musical ode to the gals who strap on to go to work every day (strap on their HOLSTERS, I mean, whaddit ya think?)

Wet Work (Vol. II)

Dyke Cop

Buy it, now!

Spiritual Warfare

Demo Version. Life in quarantine does strange things to your mind......watch out, and keep 'er loaded.

Keep 'er Loaded (Demo)

Written & Prodcued by Andy Nagle featuring the amazing Ron Snyder on Lead Guitar! https://soundcloud.com/snyderron

Breakdown - Andy Nagle & Ron Snyder

Song writer, Production, Dog owner....Mixing and mastering upon request.

Keep 'er Loaded (Demo)

Reedy

Recent comments

Nube Fénix

Fullyard

Reedy

WUMWOE

Related tracks