An artist laden with a rich and diverse history, who famously held down a 5 year residency at one of London's most notorious clubs, Turnmills. Anil had the both envious and unenvious task of warming up for electronic music royalty as diverse as The Chemical Brothers, Fatboy Slim, Francois K, Josh Wink, Green Velvet, Simian Mobile Disco, Mylo, Hot Chip, MSTRKRFT, and Cassius.

His career has taken him around the world on numerous tours to Argentina, Peru and Guatemala (on his headline tour of South America), to Cocoon in Frankfurt, Australia, Dubai, Miami, Egypt, Amsterdam, Ukraine and across the UK. That’s not to mention his other appearances at Pete Tong’s Wonderland and Cafe Mambo in Ibiza, and in countries including Mexico, Russia, USA, Spain, India, Lithuania, Philippines, Georgia, Austria, Poland, Sweden, Italy and the Channel Islands.

No stranger to radio, guest mixes followed on BBC Radio 1, Carl Cox’s Global and John Digweed’s Transitions shows, as well as a resident spot on Ministry of Sound Radio. His DJ profile has been constantly growing year on year, as well as his ever increasing status as a producer, with releases on leading labels like Saved, KD Music, Bitten, and Great Stuff. That alongside countless awards/reviews from DJMag, iDJ, Mixmag and Beatport.

More recent times have seen Anil gather strong props from the techno fraternity, with Richie Hawtin playing a vast majority of his releases, and quite memorably he played 4 of Anil's tracks during one set at his Enter night in Ibiza last year. More support has been coming from Marco Carola, Loco Dice and Carl Cox, as well as numerous airings from Hawtin during his 'CNTRL: Beyond EDM' tour across the US last year, which has put Anil firmly on the techno map.

Whilst currently based in India, Anil continues touring across the globe - with everything from deep grooves to freaky acid house and techno still all part of his repertoire. His productions continue to gain support from the likes of Laurent Garnier, John Digweed, Pete Tong, Hernan Cattaneo, James Zabiela and Nic Fanciulli. With new releases forthcoming on Tronic, KD Music, and Alleanza will ensure that his name carries on being on the house and techno music cognoscenti’s lips into the decade.

The Amazing Few are more of a collective then a band but more like a movement then a collective!  They Play psycho-POP. This group of like-minded separate individuals, have been collected over the course of the last six years. The songs are expressive and explosive! The music pulls from Ska, Jazz, Punk, Pop, using dramatic chord progressions with up beat energy while throwing out powerful twists of lyrical tales.

The band write songs about everyday situations, bank robberies gone right, love lost, loved gained, people run over by vans on highway 89a and anything that moves.

Songs like Bruce Lee Movie describes the first 4 min 32 seconds of “ Fists of Fury” and Russian Girls is a love story about girl meets a boy, boy grows up and meets the lady and chases her to India. Ric O’ Barry is about the famous dolphin (Flipper) trainer and his flight to save dolphins (he actually flew in from Florida to see the band perform in Dublin) Each song is a story describe through theatrics in music.
The Amazing Few live shows are a must see it to believe it experience.  Interaction is an understatement. Their enthusiasm has made them a festival favorite! Each show is completely different.

The band’s wildly different, excitable songwriting has been compared to The B-52′s,The Clash, Presidents of the United States of America, Frank Zappa, Pavement, Frank Black, The Mouldy Peaches, Heavy Vegetable, Weezer and Beastie Boys but with horns.

The have played in recent times:
Electric Picnic, 2013,12,11,10,9

Body And Soul 2012

Knockanstockan 2013,12,11,10,9

Closing act Dublin Fringe Festival 2012-2011

Cork Jazz Festival 2012

Closing act Killkenny arts festival 2012
Vantastival 2012, 11, 10
Belfast Culture Night Headline 2012

St Patricks Festival Store house 2011 Headline

TED X Board Gas Theater (Sold Out)

New Castle Arts Festival Headline 2012

Pride Festival 2013

Euro Culture Festival 2011-10 In Dublin and Manchester
They have headlined venues -The Village ( SOLD OUT) Whelan's ( Sold Out) The Black Box Belfast ( Sold Out ) Tri Pod, and the Grand Social just to name a few.

They have also supported or shared the stage with: The Presidents Of The United States of America, Adam Green, I'm from Barcelona, Mundy, Ham Sandwich, Har Mar Super Star and plenty more.
They have appeared on News Talk, Phantom FM 104, The Alex Zane show, RTE 2

What the press say:

"Weird and wonderful "
The Metro

“The Amazing Few are a brilliant live band they really get the crowd going"
The Irish Times

"These guys are a true indie band. Not doing it for money, fame or anything other than the love of playing music. They've been doing the rounds around Ireland for years now, and have moved up in the world playing cool festivals around Europe. If they're ever playing near you, go see them. It's a real spectacle to see live"
Pretentious indie boys

"…this set was dramatic and vastly entertaining, their stage presence was performative, visual, spectacular, and full of those cool mood-enhancing ska-like brass outbursts" - Claire Rushe Connected Magazine

"Imagine the Juno soundtrack gone wild, heaps of people crammed onto a stage, brass instruments mixed with guitars and drums, a narrator and a vocalist, all in a barrage of balloons, silly string, card tricks and plain ole, uninhibited fun. This is The Amazing Few, and they are a wonderfully weird and wacky, Dublin–based delight.” - Eimear Duignan, Note media

Label heads at @World-Famous-Headquarters

Bookings: will@sleepinggiantmusic.com // All other inquires: griff@potentialfun.com

Promos / demos: worldfamousheadquarters@gmail.com

Gordon Huntley & Erick Muise joined forces as Botnek back in 2008 in Halifax, Nova Scotia through a shared love for house music. With a shortage of inspiration in the form of nightclubs and generally an unlikely scene for the quiet seaside Canadian town, Gordon & Erick bonded over Ableton tips, dance music blogs and late night radio shows on BBC Radio 1. Soon after forming a strong friendship through similar musical interests, the project was formed, which led to a string of releases with a number of up & coming fidget & electro house labels. The guys landed a couple of key remix opportunities from this early buzz around the project from names including Crookers, AC Slater, Felix Cartal & Jack Beats. In this first chapter of their careers, the duo toured first in Europe and Asia, in clubs such as Fabric, Sub Club, and Bootshaus.

It wasn't much longer until Dim Mak Records & Steve Aoki were interested in signing the project to the label. From the signing to Dim Mak came a number of singles & EPs, tours in America, and their viral edit of Martin Garrix’s hit “Animals”. The duo gained far more attention from this than ever expected, and started the next chapter in their career. Shifting styles into more main stage ready Electro House and Big Room, the duo began touring internationally. More singles for Dim Mak followed, along with another viral remix.  This time for The Chainsmokers' “#SELFIE”, which really put Botnek on the map. Collaborations with Zedd, 3lau, Loudpvck & Snails soon followed as well as an even heavier touring schedule. Since then, Botnek have toured the globe in almost every continent, have played on some of the biggest festival stages in the world including Tomorrowland, Ultra Music Festival, Coachella, Electric Daisy Carnival & more, and have done a Las Vegas residency with Steve Aoki.

Almost a decade later, in the summer of 2017, the Botnek boys reached a major turning point. The once dance music class clowns felt an urge to evolve their sound; to shift the project away from the festival Big Room sound, and back to the roots of the project.  After years of touring, both Gordon & Erick realized they had almost subconsciously stopped creating the kind of music that had originally fueled the formation of Botnek in the first place, all those years ago in Halifax. It was time for the next chapter in their careers and they decided to take a leap. They released a song called "Don't Need U" on their own independent label imprint World Famous Headquarters. The track had the quirky house sound they bonded over when they first met and shared such a deep love for. From there, the duo has released a number of tracks in this musical vein, each one a deeper dive back into the diverse & ever-expanding world of house music.

In 2018, Botnek decided to take things a step further with this World Famous Headquarters imprint by launching a monthly radioshow. They launched World Famous Radio in partnership with SiriusXM’s Insomniac Radio, as a sort of homage to the radio shows they first loved on BBC Radio 1. After fully realizing the amount of talent existing amongst their peers and the next generation of young producers, the guys opened up the doors of the World Famous Headquarters label to outside artists for the first time in the fall of 2018. The label's sound will consist of Botnek's filter of wacky house music inspired by those early fidget & electro house days Gordon & Erick are still so inspired by today.

Itamar Sagi, DJ/Producer (3R88, Ovum, Intacto, Soma, Drumcode, Sci-Tec)

For worldwide bookings:
aminata@amgbooking.com

Grown in the political, and clubbing, hot spot of Tel Aviv, Itamar Sagi has been entertaining dancefloors for the past 22 years and his dj career include a 7-year residency at the legendary “Haoman 17”, a club which was elected as one of the best worldwide.

It’s 2007 when, after a series of successful first releases “Cancun / Dreams Theaters” and “Sparta / Weird BAO” Itamar’s name got worldwide attention. The success of these releases propelled Itamar into the global scene and expectations grown strong around his name.

Itamar quickly surpassed those expectations in 2008. First with “Black Gold”, a sublime combination of classic Detroit techno and Chicago house, tech funk and killer stabs, that was announced as one of the 10 best track of WMC08 by DJ Mag. Then, later that same year, Itamar cemented his reputation releasing two Techno monsters: “Later On” on Samuel L Session’s KlapKlap, and “One Million Oaks” on Soma, which was one of Itamar and Soma’s biggest hits and was selected by the label to be remixed by Mark Broom for its 20 Years Anniversary celebration project.

Since then, Itamar’s career has just kept on going up and his profile growing, and today the Israeli’s resume boasts highly respected labels like Ovum, Soma, Drumcode Intacto, Sci-Tec and more..
Having his musical roots based in the Detroit and Chicago sound of the 90’s, Itamar brings up these influences in his music which is always characterized by an advanced production and care for the sound. Itamar’s tracks can range from epic sounding material as “And The Rest” or “Fiona”, to more classic loopy techno affairs as “Selio” or “Coffee Beans”.

on early 2017 Itamar founded his own label "3R88 RECORDS", there he's promise to deliver his sound, groovy and full of emotion.

With each of his releases being supported by the biggest djs all across the world and by reviews and interviews, Itamar Sagi is a well respected name in Techno and an artist not keen on compromises when it comes to musical quality.

http://www.itamarsagi.com/
http://www.facebook.com/itamarsagiofficial

"A stunning collage of words, music, background noises, orchestral effects, dream sequences, social observations, and tuneful melodies, blended together into a catchy pop CD."                 

          "Hidden Symphonies" is a new pop album by Marco Joachim.  More than a year in the making, it was Marco's second outing with producer/arranger/multi-instrumentalist Jon Gordon.  Featuring layers upon layers of guitars, synths, sound design, string and horn arrangements, the CD was a labor of love for both artist and producer, with a big tip of the hat to influences such as Jeff Lynne and Paul McCartney.  Hidden Symphonies also features Joe Mardin on drums, a crack string quartet led by cellist Jeanne LeBlanc, and a horn section led by Aaron Heick.
Envisioned as a concept album, Hidden Symphonies brings together well-crafted, catchy melodies and lyrics, with musique concrête influenced intros, endings and transitional pieces. From the colorful psychedelic cover painting by May Ann Licudine, we know we are in for an adventurous sonic experience.
         Marco is an eclectic songwriter, with an enduring love for many genres of music.  Marco's previous two albums "Changing Times" and "Songville" had been firmly based in the realm of folk and Americana.  However, while in production for Songville, Marco and producer Jon Gordon discovered that they both shared a deep affection for the pop music of the 60's and 70's- British Invasion bands such as The Beatles, as well as the soul and classic rock of that era.  Stimulated by working together on the McCartneyesque song "Dream Away", a vision started to form of the album that they wanted to make next. Hidden Symphonies is that album.
   Marco Joachim runs the full gamut of emotions on this CD: The mysteriously titled opening track "And When The World…" finds Marco building on the tradition of peace songs á la Lennon, but with a more modern, Oasis-like feel. Nice harmonies and bursting guitars make this one jump. 
  "Nameless", performed to a string quartet, is an ironic commentary on suburban life that is touching and yet sarcastic, sung in a sincere McCartney style that evokes the Beatles "Revolver".  
The rockin' "Cellophane Sue", complete with Stones-like horn section, Penny Lane baroque trumpet, and capped with a wacky, exuberant guitar duel by Gordon v. Gordon, is inventive.  
       "Dominoes" evokes a British Invasion take on rockabilly, with stinging, twangy guitar riffs and Jordanaires-style harmonies, propelled by Joe Mardin's definitive train beat. 
        Marco's vocals can summon melancholy memories, yet with surprising results, such as in the dreamlike "Gramercy Park":  Evoking the city sights and sounds that Marco grew up with, Gramercy Park starts as a sentimental ballad, sung in a sidewalk cafe during a rainstorm.  From there it wanders nimbly through vaudeville, klezmer, Beach Boys-like vocal harmonies, an ELP style synth fantasia, a horse race, segues into an Elvis send-up, and, through a guitar cadence that would be right at home on Let It Be, winds up back in the sidewalk cafe. 
         "Those Days" is a nostalgic tour-de-force, complete with Harrison style guitar solo, Phil Spector castanets, and an infectious twist-beat-and-hand-clap chorus. It also gives a nod to the Beach Boys in the richly voiced, rhythmically contrapuntal backing vocals. 
        "Things You Do":  A vaudevillian soft shoe flows forward into classic rock.  The message, an "I-told-you-so" poke at a karmically challenged girlfriend, is delivered delicately, in the form of pure pop fun with a cool guitar solo.  
  In ballads, such as "These Days Of Winter" and the gospel influenced "Hidden Symphony", Marco displays a winning gentleness and sensitivity in his heartfelt singing.
       Completing the album are: "Angel Eyes", a blue-eyed soul rave-up featuring a horn interlude reminiscent of Sam & Dave, and "Restless Love", a pop tune with a hint of middle period Billy Joel, plus some very idiosyncratic use of vocoded guitar and wah-wah lap steel by Jon.
   Hidden Symphonies was co-produced by Marco and Jon Gordon, who also wrote the string and basic horn arrangements, and plays inspired guitar throughout. Longtime musical friend, producer and ace drummer Joe Mardin brought great energy, feel and taste to the drums, bringing the whole project to a new level. There are even Hidden Symphonies if one listens carefully.  A must have.
Trans-United Records

Born and bred from the streets of New Orleans, Louisiana, enter into the game, 20-year-old August Alsina...

With the love and hustle of the Crescent City running through his veins, August is eager to follow in the footsteps of the NOLA music legends that paved his way. His recently inked deal Def Jam Recordings looks to be a great step in the right direction, but music wasn’t always in his future. 

August learned at an early age that drugs and money could make you, or break you. With both his father and stepfather battling crack addiction, August’s mother moved their family to Houston, Texas in search of a fresh start. But Houston provided no happy ending. For years a young August endured a home life plagued by drugs and violence. At just 14, he got word from New Orleans that is father, August Sr., lost his battle with drugs and alcohol. 

In an attempt to escape his reality, August took to Youtube, where he posted dozens of homemade performance videos. His clips covering Musiq Soulchild, Lyfe Jennings and others went viral, generating millions of views in just over a month. It seemed that he was finally taking his first steps toward a bright future in music, but just a year later, reality hit home when his best friend was shot and killed in the streets of Houston. As quickly as August appeared, he vanished form Youtube, back to the real world. With tensions mounting at home, 16-year-old August was kicked out. Alone, he returned to New Orleans and took to the streets, selling drugs as a means of survival. 

With his older brother also in the streets hustling, it wouldn’t be long before August learned that the addiction to money could be as deadly as the addiction to drugs. Just days before August’s 18th birthday, his older brother was gunned down in New Orleans East, another unsolved murder in one of the nations most dangerous cities. “I never expected them [the police] to find his killer”, August explains. “People die everyday in the streets of New Orleans. Unfortunately, death has become a way of life,” but not for August. His brother’s death became his motivation to not become a statistic, but to pursue his musical aspirations on an entirely new level.

Under the guidance of Noontime Unlimited (management and production company), August relocated to Atlanta in 2011 to begin carving his own musical path with his life experiences at the center of his artistry. He recently teamed up with Hoodrich/MMG’s own DJ Scream for the release of his debut mixtape, ‘The Product’, which spawned the internet and radio buzzing anti-love single, “Sucka” which features fellow New Orleans crooner Lloyd. 

Yet to reach 21 years old, with already a lifetime of experiences behind him, August is living proof that your past doesn’t have to dictate your future, and that life’s hardships can be the motivation required for success. With Grammy Award winning singer/songwriter The Dream prepping August’s debut project for release through his Radio Killa/Def Jam imprint, the path to success has been laid. Look for August to make 2013 his official coming out party.


Dan Scot, is a psytrance DJ with a passion for music and community. He has been making waves in the psytrance scene with his energetic performances and dedication to his fanbase. His music is a reflection of his love for the genre, and he is constantly pushing the boundaries of what is possible with his sets for the last 15 years! Dan Scot takes his dancefloor on a journey through a dystopic wonderland!

Recently stepping down from Psynopticz Records, Dan Scot now finds himself co-owning Hidden Leaf. A Cape Town production and artist management brand hosting indoor and outdoor events for the past 3 years. He has built a dedicated fanbase that eagerly anticipates each new performance. His sets are always packed with energy, a relentless assault on the senses, full of driving beats and mind-bending soundscapes. He is a true master of his craft, and his fans are always in for a treat when he takes to the stage. 

Dan is more than just a dj, he is a true advocate for the psytrance community. He is always looking for ways to bring people together and create a sense of unity within the scene. Whether it's through his music or his interactions with his fans, he is always striving to create a positive and uplifting experience for everyone involved.

Over the years Dan Scot has appeared on most of Cape Towns indoor circuit including his own production, Zodiac which sadly ended with the pandemic.

He has also performed at outdoor festivals such as Origin, Organik, Alien Safari's Rezonance NYE, Masqued Ball, Vortex, Altered States, Wacky Woods, Echo Gatherings, One Festival DBN, Equinox Experience, Elysium DBN, Sanctuary JHB, Twilight Festival JHB, Connexion NYE DBN, Transylvania, Earthdance JHB, Cape Town as well as in Nelson Mandela Bay!

"Khaled Fouad" (born June 22,) is an American/Egyptian Rock/Blues guitarist and singer, known as K. Fouad. khaled became known in the year 2011 combining styles of guitarists together giving him his own Blues/rock guitar tone and style, which suits him best. khaled continued working on stage and in studio with artists and bands like: The Head bangers, Ziad Hisham, Unknown, George Hill, Amina Abdel Wahab and Aly El Rouby.
 
Khaled learned to play the guitar at an early age, having picked up a battered nylon-string classic guitar that his uncle had bought for him. He got his first quality guitar at the age of 13, learning to play some licks and easy songs to practice with his band "The Head Bangers". Khaled was highly influenced by guitarists like Gary moore, Santana, Eric Clapton, Jimi Hendrix, Eddie Van Halen and Richie blackmoore. Seeing Gary Moores wacky facial expressions or jimi hendrix's crazy stunts, khaled was left amused wanting to play more and try harder. khaled was also influenced by bands like Iron Maiden, Whitesnake, Dire Straites, Saxon, johnny cash and Van halen. Khaled often enjoys Customizing guitars and playing genres like Blues, Rock and jazz.
 
i Hope You check out my Tracks and keep on track for new Songs, Videos, Albums and much more ! Dont Forget to Like, Follow, Subscribe and Join the Mailing list.

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