this ones my favorite with that killer bassline

Bounce

Radio frequency bouncing/shortwave noise, and modular synths

crosstalk

108 - Nocturne

dual world on Bandcamp

in the pocket

Lenz

WARNING: Contains the most epic metal scream of all time

Recorded on a Tascam 4 track tape machine.  Gremescer plays the drums, which is why they suck.

She Was Too Darn Young

Electric guitar, percussion, effect pedals, unsynchronized loops, voice, two tube amps, field recording (jackhammer). All sounds, voice, lyrics, mixing and production: Velvet Something Superdark. Image: Abandoned doll's head at roadside, Berlin (photo: VSS)

I don't see you
You don't see me

I don't hear you
You don't hear me

I don't touch you
You don't touch me

I can't feel you
You can't feel me

I can't kill you
You can't kill me

I'm alone
And you're alone

I am home
And you are home

We're together
Here forever

We're together 
Here forever...

Together Forever

Anna Viechtl - Harfe
Sebastian Berweck - Klavier

Scenes aux sons d'émeraude habe ich 2023 anlässlich eines Komponistentreffens in Nürnberg komponiert. Leider kam es aus terminlichen Gründen dann doch nicht zur Aufführung.

Anna Viechtl und Sebastian Berweck haben im April 2025 die Komposition im Tonstudio der Landesmusikakademie Berlin für mich eingespielt; Toningeneur war Benjamin Ostarek.

Die Kombination Harfe und Klavier war im 19. Jahrhundert eine beliebte Besetzung. Sie wurde jedoch später seltener. 

___________________

Anna Viechtl - harp
Sebastian Berweck - piano

I composed Scenes aux sons d'émeraude in 2023 on the occasion of a composers' meeting  in Nuremberg. Unfortunately, it was not performed for scheduling reasons.

Anna Viechtl and Sebastian Berweck recorded the composition for me in April 2025 in the recording studio of the Landesmusikakademie Berlin; the sound engineer was Benjamin Ostarek.

The combination of harp and piano was a popular instrumentation in the 19th century. However, it later became less common.

Bounce

HELIUM

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