ABSTHRAX PSYCHEDELIC TECHNO

ჩა

Techno

Charlotte de Witte

Watch the full stream here: https://fb.watch/eFb0tFiXp4/

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WATCH

Charlotte de Witte - Tomorrowland (Closing Main Stage 2022)

Jera 105bpm B 2022

mastering by Marco Amoazoo

The main Hang part of this Track was originally composed and compiled in decembre 2023 by Christian Schäli (ISTARIAN) from Speuz..
The Remix of it, i finally done in march 2024 by using my new Microphone to record my own voice the first time..

Thanx to Christian Schäli (ISTARIAN) 💜

Jera

Multiband-Triggerdiethylamid 120bpm G 2023

Mastering by Marco Amoazoo
www.mountainvibesmastering.com

It was the first Lyserg-contact after the primal experience around 20 years ago. This magic Night on the fire, in the area on the River by Niederried, with my lovely Soulfamily, brought back some intensive Inspiration to enter and constantly follow my infinite path of Soul.

It start's smooth and tell my story of passing the holy Gate one more time.. From dusk until dawn it's a journey through different Dimensions..
Thanx to Bidu and Aira 💜

Multiband-Triggerdiethylamid

Blessdance 125bpm F 2023

Mastering by Marco Amoazoo

Inspired in summer 2023 by technoid shuffle beats, this track is the first to have 30% swing in the bassline. The experiment, the rhythm at about 8min. switching to binary also gives my recorded Cachon trace an additional kick.
Many thanks to Fredi, who provided me with his Cachon for the recording.

Blessdance

Yggdrasil 120bpm Fis/B 2022

mastering by Marco Amoazoo

So, this one is the first Track i used to be finish for release.. These first Audiorecordings with ISTARIAN takes a lot of time, and includes much learning material..
Ultimately, both will be happy with the results, but I won't do the keynote change in the second part again so quickly.. 😂

Thanx to ISTARIAN for playing the Handpan so precise.. 🙏

Yggdrasil

Handscape 120bpm Fis 2022

mastering by Marco Amoazoo

The handpan also forms the main core in this track and only needed a matching 6/8 rhythm to be carried solidly, 
backed by glowing spheres of the Spectrasonics Omnisphere 2.. 😇

Thanx a lot to ISTARIAN, real Handpan sounds very nice.. 🙏

Handscape

[PREMIERE] Bronco - Super Jupiter | Procyon II [2023]

Fazack, Not Even Noticed, NairLess and Henrik Villard battle it out on the 4th Terrazzo disc, unleashing a contagious arsenal of acid and proggy tech house in the process.

NairLess
Soundcloud: https://soundcloud.com/nairless-music
Facebook: https://www.facebook.com/nairlessmusic/
Instagram: https://www.instagram.com/nairless_/

Terrazzo
Soundcloud: https://soundcloud.com/terrazzotrax
Instagram: https://www.instagram.com/ssstodorovic/ https://www.instagram.com/holly__lester/

PREMIERE: NairLess - Zugzwang (Terrazzo)

Support it here: https://hawscardiff.bandcamp.com/album/amnesia
B From E, the enigmatic producer from Denmark showcases his amoebic demeanour via his all-encompassing, rave-centric 4 tracker EP; 'Amnesia'. @bfrome @hawsmusic
releases January 19, 2024
¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪¸¸.•*¨*•♫♪
More 030esar0303
https://www.instagram.com/030esar0303.berlin/
https://www.youtube.com/c/030esar0303
https://www.tiktok.com/@030esar0303
https://www.facebook.com/030esar0303/
https://open.spotify.com/user/36gpx9w5czvvow3mpk1y0m4sg?si=0e722513c2464d2f

YouTube

PREMIERE: B From E - Symetrix [Haŵs]

Welcome to the captivating universe of 'Farming The Metaverse,' the latest musical adventure from J.deere 420. This EP marks the beginning of a quest to sow melodies in the wild lands of virtual universes.

The EP opens with a melancholic experience in 'Did I Miss You?'. This track shaped for closing mix pays homage to J.Deere 420's first EP at DLZ Records, with a nod to the track 'Why U Left.' The emotional break accentuates the melancholy, offering a poignant conclusion.

'Tasteless Turbo Tool' immerses the listener in a deep atmosphere through its pads, reflecting the majesty of the ocean and the power of the waves off the shores of Ouessant. This bouncy track, rich in drums, is ideal for peak time.

The harvest concludes with 'Left Like No One,' exploring the complexity of UK elements and the hypnotism of trance. The first part, full of energy with a powerful break and impactful bass, gives way to a second, more trance-oriented part with its vocal gate.

The project is complemented by 2 tracks skillfully remixed by Jeku and Cosmic G.

● Artist: J.Deere 420
@johndeere420420
www.instagram.com/nocho.wav/
● Title: Did I Miss You? 

● Artist: Jeku
@johndeere420420
www.instagram.com/nocho.wav/
● Title: Did I Miss You? (Jeku Remix)

● Label: DLZ RECORDS
@danslazone
www.instagram.com/dlzcollectif/
● Release: 2024.01.26

BUY on BANDCAMP

J. Deere 420 - Did I Miss You ? (Jeku Remix)

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SC: @ravvenmusik
FB: facebook.com/ravvenmusik
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▼ AM.I ♫
SC: @am_i_music
IG: instagram.com/am.i.dj
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► Apex  ♫
SC: @apexmusicrecords
IG: instagram.com/apexmusicrecords
https://apexmusicrecords.com
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Release Date: 19 April, 2024
Download: https://www.beatport.com/release/espejismos-ep/4508349


#GetMorePlays
#Scfirst

Energy Alligned

PREMIERE: AM.I - Energy Aligned (Original Mix) [Apex]

In My Mind

This is the full set of my SOLD OUT marathon at Aeroscopia Museum Toulouse 01/06/2024

Space 92 Live at Aeroscopia Museum Toulouse

Watch the full stream here: https://youtu.be/XFLIztjVaR8?si=rK7wK5wxouqaPxKS

www.facebook.com/charlottedewittemusic
www.instagram.com/charlottedewittemusic
@charlottedewittemusic
www.residentadvisor.net/dj/charlottedewitte-be

www.charlottedewittemusic.com
@CharlottedWitte

Charlotte de Witte - Tomorrowland Brasil (Closing Main Stage 2024)

Drunken Kong - Dance All Night - Drumcode - DC318

PETER PAHN - Let The Beat Control Your Body - Drumcode - DC318

Cosmic Dreamscape 135bpm Fis
Mastering by Marco Amoazoo
www.mountainvibesmastering.com

With this project I am now very mid in the bass frequencies on F sharp with low cut at 46.2Hz. The pressure comes through in a completely different way. It went relatively quickly, only the Christmas holidays slowed down production somewhat. Otherwise, this track is my new benchmark.
I have also expanded my audio sample folder a bit, so that I am prepared to go up to 140 bpm with the next tracks.
I am looking forward to a productive winter time.

Mit diesem Projekt bin ich nun ganz mittig in den Bassfrequenzen auf Fis mit Low Cut bei 46.2Hz. Da kommt der Druck schon ganz anders durch. Es ging relativ schnell von der Hand, nur die Weihnachtsfeiertage haben die Produktion etwas abgebremst. Ansonsten ist dieser Track meine neue Messlatte.
Auch meine Audio Sampleordner habe wieder ich etwas erweitert, damit ich gewappnet bin um mit den nächsten Tracks bis 140 bpm hinauf zu fahren.
Ich freue mich auf eine produktive Winterzeit.

Cosmic Dreamscape

Edera

Florian Frings - Hour EP, out now on RUKUS

Get it here: smarturl.it/FlorianFringsHour

Buy Now

Florian Frings - Clock [Preview]

The others

Trasponder

ABSTHRAX (5.10.1977)

When Michael first discovered the original "August Förster" piano in grandma and grandpa's house as a young boy, he was hooked. His loving parents immediately recognized their son's talent for music and supported it from the beginning.
Since you could not learn to play the electric guitar or drums in the 1st grade, i.e. at about 7 years of age, the trumpet was the most impressive instrument and his future trumpet teacher Peter Roschi presented it with a huge amount of space. For Michael, it was clear that the trumpet should be the first one.
After 2 years of basic lessons and knowledge of sheet music as a threesome, we then went to the ensemble of the Kadettenmusik Aarau. There he learned in an impressive way how a small orchestra is structured and how incredibly strong the power of music can be when you play and live it together. He was immediately hooked...
When the "August Förster" suddenly stood at his home, there was no stopping him. Every day he needed his piano ritual, played all the songs he liked without any trained knowledge of the keyboard, only by ear. At the same time, it was a kind of meditation early on. This piano will accompany him and his brother, who has been blessed with the same musical talent, for a long time to come.
Whether piano, cornet, trumpet or trombone, Michael tried out many things during this time. This partly ended at the age of about 14, as he met the cool guys in high school who really wanted to found a band. Guns'n'Roses, AC/DC, Metallica and whatever they are called, were very trendy at the time, the hair was long, and the guitars hung low.
Luckily, his father Markus still had an old "Framus" electric guitar. From then on, the electric guitar was his main instrument and the first band was founded at the age of 14. In total, Michael played the electric guitar in 3 different main bands and various side projects until he was about 30 years old, in the latter also bass or drums.
Cubase1 was also developed at that time and first insights into electronic music in the studio of friends were possible. 
Through the S.U.N Project, which produced the music style "GOA" with distorted guitar and drums, Michael found his way into the previously hated, dead and lifeless computer music. Luckily, there was this studio. From now on, DJ was the order of the day. At that time, this was only possible with vinyl and you still had to travel long distances to get to your shards.
He became a resident DJ at the GoaSpaceGroup and often DJed with his brother at various Goa parties. At some point, however, the good music was only released on CDs and since there was no money for players, and at that time the digital computer world was still too far away for Michael, the end of Dj Absentia came for the time being. The position in the band was more important anyway and the energy of the five on stage was also much more intense. Until the age of 30, he played in the last band. As is so often the case, an argument led to one of them packing his things and leaving.
Then family and everything around it became so important that Michael didn't notice how his musical talent was absolutely unused and forgotten, slowly atrophied. A deep spiritual wound arose quite unnoticed. In between, he was in the studio at "Sphenoid music" and took a lot of know-how with him from this time, got to know all the Fabfilters and other plugins, including Cubase. In itself, watching the champion for hours was really good. The joint project "Plasma" did not work for very long, but it was still very rich in learning.
Through further training in the graphic planning of horticulture, Michael really made friends with the computer for the first time and later Dj Absentia was also gradually raised from the dead. Sphenoid helped him understand Traktor and Beatport. Thanks to the close contacts to the "Reisefieber" crew, he has the opportunity to mix at various parties. But as in the past, a musician simply notices the difference. Mixing alone is not enough.
It was only when he bought a hybrid western guitar with nylon strings with cut away at the age of about 37 and began to sing and play the old songs that were all still in his head on his own in the style of a singer-songwriter, he experienced again the lost magic and meditation that he once felt directly in analogue direct music through vibration on and in his own body. The tears flowed by the liter in the early days, it was his salvation. He had rediscovered an important form of meditation that he will now practice forever. The learning effect has also been huge since then and does not seem to stop.
It was only with the death of his father and the little inheritance that Michael decided to afford a DAW that can hardly be topped in terms of performance. Now it was time to take the helm into our own hands digitally. Only after a few sobering results, feeling "at home" on the DAW and watching some good video tutorials, did he get to know certain blueprints for floor plans and foundations of song structures, which has developed into the 1st small milestone.
However, what is needed first and foremost is the time and space for inspiration. This is a bit difficult, especially in the summer months. But he will now produce music for the rest of his life and learn a lot along the way. How close one release will be to the next remains to be seen. But it comes!!

Cosmic Dreamscape

ABSTHRAX/Dj Absentia