All links ► https://band.link/foreststoriesEP

Red Sun Rising is coming back with a new Ep nearly two years after having released "Awake the Rituals" on Altar Records.

The music is still in the psychill vein, organic and melodic with the amazing, one of a kind 'Red Sun Rising eastern vibe'. 
Michał has greatly collaborated with the Banati crew and Alia Fay on the first two tracks. Alia lays her beautiful voice and some flute lines on top of the music composed by Michał and Iga, while the last two tracks are composed by Michał himself.

We hope you will enjoy these enchanting stories from the forest!
✨🦄🌲✨
Releases April 16, 2021

♪♫ W&P by Michał Niecikowski, Poland
www.facebook.com/redsunrisingpl/
soundcloud.com/red-sun-rising/

Except:
Track #1 feat. violin by Iga Suchara from Banati Crew:
► www.facebook.com/banaticrew

Track #2 feat. Alia Fay on Vocals and Flute
► https://www.facebook.com/AliaFayOfficial

Mastering and image editing by DJ Zen @ Altar Records
► www.facebook.com/AltarRecords/


More tracks from Red Sun Rising:
► mobitex.bandcamp.com/track/tears
► rita-raga.bandcamp.com/track/all-i-know-red-sun-rising-remix


Digital-only album offered in 24bit studio master quality only in Bandcamp: https://red-sun-rising.bandcamp.com/album/forest-stories

|ARDEP57|
license
all rights reserved

Tags
electronic downtempo progressive chill progressive chillout psychill trance psychill Poland

Hesitate

Red Sun Rising - Hesitate

A recording of my idm/glitch live at Suti Festival - Tero Stage in Portugal.
I have brought so much beautifull memories and inspirations from this gathering. It was trully magical event <3

SOURONE - GLITCH LIVE @ TERO STAGE - SUTI 2023 - PORTUGAL

Непредубежденный техно-микс в заводном электронном ритме, зачерпнувший в себя релизы с 2009 по 2017 г.г.,  от Oliver Lieb и Patrice Bäumel До Joel Mull и John Tejada.
Свободная энергия электроники от Rada Alfa в одном из ночных клубов Санкт-Петербурга для вас на афтерпати от ChillOutPlanet Serial Edition.

Rada Alfa - Afterparty ChillOutPlanet.Serial SPb. 2023

Experimental Forest Chillout Mix прозвучавший на мероприятии SPACE💫 на Ладожском озере, окутанный таинственными северными лесами🌲Путешествием в океан сознания🌊🏄🏻‍♂️ Гармонией и единением с окружающим миром.🌎

✨Рекомендуется к прослушиванию в спокойной, уютной атмосфере. ✨

SPACE

Soulfire Angels 80bpm C
Mastering by Marco Amoazoo
www.mountainvibesmastering.com

Für diesen Track habe ich mir extra ein Sonodrum gekauft. Es gab auf meinen Synthesizern keinen ähnlichen Ton, darum blieb mir nichts anderes übrig, als eines zu bestellen. Ich habe ein einzelnes Audio aufgenommen und anschliessend mit den Tasten eingespielt.

Dieser Track ist eine Widmung an ein zuvor von mir gewünschtes und sich anschliessend tatsächlich manifestierendes Ereignis mit einer engelshaften Begegnung am Feuer.

Die Widmung geht vollumfänglich an die uns umfassende Energiematrix in welcher wir uns Alle bewegen, ob wir wollen oder nicht. Es ist grösser als wir denken können, und hat die Fähigkeit alle unsere Herzwünsche zu erfüllen. Es lebt von unserem Vertrauen und unserer Zuversicht, unseren inneren Bildern und ihrem Suggestionspotenzial. Alles ist möglich!!!

Der Schluss des Tracks soll daran erinnern, dass wir zwar Alle in unserer eigenen Realität leben, diese aber ein zauberhaftes Märchen sein kann, in welches ich euch mitnehmen möchte.

For this track I bought a Sonodrum. There was no similar sound on my synthesizers, so I had no choice but to order one. I recorded a single audio and then played it in with the keys.

This track is a dedication to an event that I previously wished for and then actually manifested with an angelic encounter around the fire.

The dedication goes entirely to the energy matrix that encompasses us, in which we all move, whether we like it or not. It is bigger than we can think, and has the ability to fulfill all of our heart's desires. It lives from our trust and confidence, our inner images and their potential for suggestion. Anything is possible!!

The end of the track is a reminder that although we all live in our own reality, it can be a magical fairy tale that I would like to take you into.

Soulfire Angels

Story on why i made this: Once apon a time there was a bored ahh music producer. he wanted to try something new to make music on. hmmmm. i wonder what the cheapest REAL Daw out there is?!?!?! its obviously reaper bc its only $60. plus, he didn't have to pay a dime for this program because he found leaked credentials online and used them to his advantage. it took him 1 day to learn reaper with barely any tutorials (this proves how skilled he is)... so yea. new daw uhhh... new ummm.. law... yea ig that rhymes. well anyways. listen to the the song and if u already did, than good for you.

rate the song pls and givce feedback. hopefully i dont switch to reaper after paying hundreds of dollas on fl :cry:

droplets

22 - The Labors

True Luminescence

Caroelia

Mr Licka  is at it again with a two hour, daytime bush-prog journey thronged with mind-bending sound design and spiritual aura.

Featuring tracks from his only recently released album 'Beyond the Senses' as well as others unreleased and some of his personal favorites the set induces excitement that is best experienced on the festival dance floor when having a good old booty shake down with our friends and family.  

The aim in surfacing more deep progressive daytime delights alike Mr Licka is something we're excited by and presenting such a newly launched project that is so well aligned shares a taste of what's to come. 

Tracklist:
Sands of Time (Mr Licka) 0:00 - Unreleased
Folding Space (Mr Licka) 8:15
Dating The Creator (Mr Licka) 14:45
UFOs In The Forest (Mr Licka) 20:30
Eywa (Mr Licka) 22:58
Mayan Toolkit (Grouch) 28:39
The Transition (Mecca, Bushmech) 34:16
Getting Closer (Mr Licka) 39:28 - Unreleased
Deep Circles (Adama) 45:54
Ancient Secret (Adama) 50:49
Spiral Journeys (Mr Licka) 52:14
Bayaka (Berg) 57:45
Shmeego (Mr Licka) 58:37
Tomorrow's Another Day (Morten Granau, Mystical Complex) 1:00:31
Bungee Jump (Astrix, Captain Hook) 1:03:00
Blimshmark (Mr Licka) 1:05:42
Crab Apples (Ambler) 1:13:07
We Wombats [Like Liquid Remix] (Ark-E-Tech, Kase Kochen) 1:18:44
Quantum Architects (Mr Licka) 1:20:58
Never endings (Merkaba) 1:27:50
Audio Monkey (Mr Licka) 1:31:18
Limitless (Mr Licka) 1:38:06
Slabs (Mr Licka) 1:45:00

Find tracks - https://bit.ly/34iJSSZ
Follow Mr Licka - https://soundcloud.com/mrlicka

Find Tracks

Mr Licka - Stank Sessions Vol 1

Amazing Remix of loved track Dub terratory Remixed By Green Beats & Released By Sofa Beats.
buy it.
https://beatspace-sofabeats.bandcamp.com/album/eternity-remixes

Terra Nine Dub Terratory- Green Beats Remix

ABSTHRAX (5.10.1977)

When Michael first discovered the original "August Förster" piano in grandma and grandpa's house as a young boy, he was hooked. His loving parents immediately recognized their son's talent for music and supported it from the beginning.
Since you could not learn to play the electric guitar or drums in the 1st grade, i.e. at about 7 years of age, the trumpet was the most impressive instrument and his future trumpet teacher Peter Roschi presented it with a huge amount of space. For Michael, it was clear that the trumpet should be the first one.
After 2 years of basic lessons and knowledge of sheet music as a threesome, we then went to the ensemble of the Kadettenmusik Aarau. There he learned in an impressive way how a small orchestra is structured and how incredibly strong the power of music can be when you play and live it together. He was immediately hooked...
When the "August Förster" suddenly stood at his home, there was no stopping him. Every day he needed his piano ritual, played all the songs he liked without any trained knowledge of the keyboard, only by ear. At the same time, it was a kind of meditation early on. This piano will accompany him and his brother, who has been blessed with the same musical talent, for a long time to come.
Whether piano, cornet, trumpet or trombone, Michael tried out many things during this time. This partly ended at the age of about 14, as he met the cool guys in high school who really wanted to found a band. Guns'n'Roses, AC/DC, Metallica and whatever they are called, were very trendy at the time, the hair was long, and the guitars hung low.
Luckily, his father Markus still had an old "Framus" electric guitar. From then on, the electric guitar was his main instrument and the first band was founded at the age of 14. In total, Michael played the electric guitar in 3 different main bands and various side projects until he was about 30 years old, in the latter also bass or drums.
Cubase1 was also developed at that time and first insights into electronic music in the studio of friends were possible. 
Through the S.U.N Project, which produced the music style "GOA" with distorted guitar and drums, Michael found his way into the previously hated, dead and lifeless computer music. Luckily, there was this studio. From now on, DJ was the order of the day. At that time, this was only possible with vinyl and you still had to travel long distances to get to your shards.
He became a resident DJ at the GoaSpaceGroup and often DJed with his brother at various Goa parties. At some point, however, the good music was only released on CDs and since there was no money for players, and at that time the digital computer world was still too far away for Michael, the end of Dj Absentia came for the time being. The position in the band was more important anyway and the energy of the five on stage was also much more intense. Until the age of 30, he played in the last band. As is so often the case, an argument led to one of them packing his things and leaving.
Then family and everything around it became so important that Michael didn't notice how his musical talent was absolutely unused and forgotten, slowly atrophied. A deep spiritual wound arose quite unnoticed. In between, he was in the studio at "Sphenoid music" and took a lot of know-how with him from this time, got to know all the Fabfilters and other plugins, including Cubase. In itself, watching the champion for hours was really good. The joint project "Plasma" did not work for very long, but it was still very rich in learning.
Through further training in the graphic planning of horticulture, Michael really made friends with the computer for the first time and later Dj Absentia was also gradually raised from the dead. Sphenoid helped him understand Traktor and Beatport. Thanks to the close contacts to the "Reisefieber" crew, he has the opportunity to mix at various parties. But as in the past, a musician simply notices the difference. Mixing alone is not enough.
It was only when he bought a hybrid western guitar with nylon strings with cut away at the age of about 37 and began to sing and play the old songs that were all still in his head on his own in the style of a singer-songwriter, he experienced again the lost magic and meditation that he once felt directly in analogue direct music through vibration on and in his own body. The tears flowed by the liter in the early days, it was his salvation. He had rediscovered an important form of meditation that he will now practice forever. The learning effect has also been huge since then and does not seem to stop.
It was only with the death of his father and the little inheritance that Michael decided to afford a DAW that can hardly be topped in terms of performance. Now it was time to take the helm into our own hands digitally. Only after a few sobering results, feeling "at home" on the DAW and watching some good video tutorials, did he get to know certain blueprints for floor plans and foundations of song structures, which has developed into the 1st small milestone.
However, what is needed first and foremost is the time and space for inspiration. This is a bit difficult, especially in the summer months. But he will now produce music for the rest of his life and learn a lot along the way. How close one release will be to the next remains to be seen. But it comes!!

Soulfire Angels

ABSTHRAX/Dj Absentia