ESCHATOLOGY ESCALATOR II (Padma Light) 32723

Tekst :ZuZa
Wokal: ZuZa
Aranż: ZuZa
Music Prod. Matthew May(contract)
Audio Language: polish, polski

Playlist : https://on.soundcloud.com/ztHiU

This song conveys the intense emotions and desire for a deep connection between a woman and their loved one, while also highlighting their indifference to the outside world when they are together...Love an chill...

Niech Rumieni się Świat

Niech Rumieni się Świat (Prod. Matthew May )

some kind of nothing

K G G - Treacherous Territory

Captivus

I’ve played this song for many years
I got the girl, though she disappears
Another verse, another rhyme
Maybe she’ll come back sometime?
The same old beat the same old bar
Seems I didn’t get very far

Busted tables and broken cues
Every line I sing is one I had to choose
So there’s no hiding place
I must accept my fate

Go man go
You’ve got to do this for us
Go man go
Such a lonely chorus
Go man go
The girl is waiting
Go man go
While the world’s rotating 

Call me a man
But what’s that mean?
I’m a groundhog
When I dream
I could run just to chase the sun 
But I’d never know it’s embrace
I’m just atoms floating in space 

Don't give up!

I sing this song to end my days
Mopping floors cause cleaning pays
4/4 time as I dance with dirt
Shame toilet duck can’t erase the hurt
A melody that’s much the same
A time sig that just won’t change
I guess I wrote the song
And it’s my fault if it’s wrong
No more blame
I’ll change my tune and proclaim…

Go man go
There’s a love inside you
Go man go
You have work to do
Go man go
There’s a new horizon 
Go man go
You have just begun 
Go man go
The crowd aren’t jeering
Go man go
That’s the chorus singing
Go man go
Peace and love to all
Go man go
And stand tall

Key change!

Go Man Go

Hallucination One

"Dance track for the unmoving"

Music by Stu King
Korg Monologue synth
AudioKit Synth One
Hologram Microcosm
Phase (Small Stone)
Digital Delay (Timeline)
Reverb (Big Sky)
Gretsch Streamliner
Mixed in Cubase

Frozen Regard

Frozen Regard (naviarhaiku534)

Lyric:TheZuZa
Vocal:TheZuZa
Choruses: TheZuZa
Arrangement: TheZuZa
Music prod. Matthew May & TimiBeats (contract)
Audio Language: polish

Album :
https://on.soundcloud.com/bBnEp

Playlist:
on.soundcloud.com/pJMG9
on.soundcloud.com/jn1rK
on.soundcloud.com/9STj7
on.soundcloud.com/W1RvH
on.soundcloud.com/YUrGB

Lyric after translation :

'Don't tell Mom'

Don't tell Mom you have me.
Don't tell Mom you know me.
Don't tell her about our dreams.
I don't want to be afraid anymore.

Please, be silent and don't sigh.
Whisper tenderly to me as I breathe.
Hold me when I desire it.
Just don't tell your mom.

Because I don't know what it is.
Even if you want to call it.
Because I don't know if I know.
When I breathe your dream.


Because I don't know what it is.
Even if you want to call it.
Because I don't know if I know.
When I breathe your dream.

Don't tell Mom you're calling me.
Don't tell Mom you love me.
Don't tell her about our games.
I don't want to be afraid anymore.

Please be silent when you sigh.
Stroke me tenderly as I breathe.
Hold me when you desire it.
Just don't tell your mom.

Because I don't know what it is.
Even if you want to call it.
Because I don't know what it is.
Because I don't know
I don't know
I don't know

Because I don't know what it is.
Even if you want to call it.
Because I don't know if I know.
When I breathe your dream.


Because I don't know what it is.
Even if you want to call it.
Because I don't know if I know.
When I breathe your dream.

Nie Mów Mamie

Nie Mów Mamie (Prod.Matthew May & TimiBeats)

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Marco Lucchi & Henrik Meierkord - The Third Stage

..someone say that May is a crucial month in the year.
 it has always brought strange suggestions to me, difficult to describe.
 clear skies, oppression, promises.
 a sense of latency, something imminent that never comes to an end.
The title refers to the magnificent poem of the same name 
by Arthur Rimabud, written in May 1872.

Still in progress

Bannières de mai:

Aux branches claires des tilleuls
Meurt un maladif hallali.
Mais des chansons spirituelles
Voltigent parmi les groseilles.
Que notre sang rie en nos veines,
Voici s’enchevêtrer les vignes.
Le ciel est joli comme un ange.
L’azur et l’onde communient.
Je sors. Si un rayon me blesse
Je succomberai sur la mousse.
Qu’on patiente et qu’on s’ennuie
C’est trop simple. Fi de mes peines.
Je veux que l’été dramatique
Me lie à son char de fortune.
Que par toi beaucoup, ô Nature,
– Ah moins seul et moins nul! – je meure.
Au lieu que les Bergers, c’est drôle,
Meurent à peu près par le monde.
Je veux bien que les saisons m’usent.
À toi, Nature, je me rends;
Et ma faim et toute ma soif.
Et, s’il te plaît, nourris, abreuve.
Rien de rien ne m’illusionne;
C’est rire aux parents, qu’au soleil,
Mais moi je ne veux rire à rien;
Et libre soit cette infortune.

Mai 1872

bandiere di maggio *study

Inspired by Inspiration. Inspired by your existence.♥️

I'm a songwriter, arranger, singer, publicist. 
In my songs, you'll find a piece of my soul and a part of my heart.
I love music and its various genres. Diversity allows me to evolve. 
I'm open to sounds I haven't heard before. It enriches me and stimulates my imagination.

Be ready for surprises...
Always with love.🥰😊

Niech Rumieni się Świat (Prod. Matthew May )

TheZuZa

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