What a morning, monday fusion morning at Kutt.Air. all stages are closed, some tired ravers go to bed, some to the Wackstelzen Stage to kick the last pills, but some open up their ears and come down with fine tunes out of the jukebox from @sui_so and Parole Emil!
Sorry to the Kutter Crew, we didn't ment to breake the ravy mood so fast, but there was this guy, passing us a huge spliff right in the beginning. From there on, our way was paved.... 
A session to brush the auditory canals free from the constant bass of the last days.

Fusion Festival 2022 - Kutter bei die Fische - Sui b2b Parole Emil!

Omaggio a Sandra Marconato e Teresa Rampazzi. Trame di suoni e giochi di forme per rendere omaggio a due artiste padovane, due donne, che hanno intrecciato le proprie vite e aspirazioni con la forza del loro talento e visione artistica

Installazione sonora per il micro festival di Architettura e Design _ Festival dell'Abitare: Memoria e Riuso. Centro Culturale Altinate/San Gaetano, Padova 15 Maggio- 3 Giugno 2024. Il microFestival dell'Abitare è un progetto di incursioni culturali ideato da Silvia Codato e organizzato da GuerrillaLAB, GRAUNDSTUDIO, IN-STUDIO, con il patrocinio dell'Universotà IUAV di Venezia, Università degli Studi di Padova, Odine degli Architetti di Padova e in collaborazione con Assessorato al Commercio, Assessorato alle Politiche abitative, Assessorato alla Cultura del Comune di Padova

Trame ( versione 12Maggio2024)

I've been working on a so-called stream-of-consciousness text for a while (well, since fall 2016). I've recorded 39 CDs worth of it by now (May 2024, recording in spare time) and decided to publish parts of the set here on Soundcloud. This is CD 39. I've been working this text as I would a poem - and approached in another way, this could well be a very long poem, or a series of poems. The splitting into CD-length parts is just a practical measure. There are no divisions. This is the thirty-ninth in the CD series of this text. Most of it comes in Swedish, but there are sections here and there in English.

Texter ur tid & rum 39

En vue d'un projet autour de texte d'Henry Koek, nous avons fait deux séances, l'une le 22 l'autre le 23. Le 22, nous avons juste jouer, sans que je connaisse les textes. Le 23, Henry a choisi et expliqué les textes, et noius nous sommes mis d'accord sur quelques éléments musicaux, juste deux ou trois mots.
Cet extrait est ici pour une courte période. Il sera retiré d'içi une à deux semaines!

musiquepoésie

GOM EXTRAIT DE LA SÉANCE DU 23 DÉCEMBRE

On 28 May 2006 I recorded the birds in the great castle park at Tista Castle in Sweden; a place where Greta Garbo spent much time. This is the first of a few such recordings from that park.

Tista Ornithology 1

Tista Ornithology 1 (0225 AM - 0344 AM)

Tista Ornithology 0225 AM - 0344 AM

Quest (2011-12) - viola & saxophone
Music written to accompany a dance for dancer Miranda Wheen choreographed by Martin del Amo
Premiere performance from Chronology Arts' 'Synchronicity' (February 2012)

Quest - Alex Pozniak

eliska (and the falling stars) : written and read by @megwaf - inspired by the #vss365 prompts during March 2019

eliska : written and read by @megwaf

Part of a new Album of GOM : Energy Confinement Fusion 

Christophe Meulien & Henry Koek  You can find the Album on
https://gommusic2.bandcamp.com/

Contact  remote collab Henry Koek & Christophe Meulien / GOM

In the fall of 1988 I sent Sune Karlsson a package with some recordings I'd done for fun, of another friend's electric razor, me playing with some forks, plus some other household items. He reacted with a massive recording spree in his tiny apartment in Danderyd, Stockholm, recording 12 hours of household sounds. He called the collection PHONIA DOMESTICA. This  is a sample with a vacuum cleaner and a newspaper.

ANEMONIA E

„very sad ‚amusic‘ (sound art), a sounding SCHWITTERS“
This is a quotation from a letter of Nam June Paik to Dr. Steinecke (8th December 1958). Paik tried to do music (or better: ‚amusic‘) in the spirit of Kurt Schwitters.
Perhaps Schwitter's "Merzkunst" is sometimes melancholic, but never really sad, however it never lacks of playfulness.
This installative sound collage tries to be "faithful" to the spirit of Schwitter's art. Not at least also using materials from his epoch. Doing sound art with acustic garbage, but not only…
Schwitters is been a master of collage and assemblage.
He said: „Merz means to create relationships, preferably between everything in the world“.

Cover image - Kurt Schwitters, Collage (1944)

Theatrum Phonosophicum
(© Leopoldo Siano & Shushan Hyusnunts, 2020)

https://arefoundation.com/en/the-magic-of-collage

sehr traurige „Amusik"  (Tonkunst),  ein klingende[s] SCHWITTERS  [excerpt]

Biker, hiker, poet, skier, sound artist, photographer, FORMER horse rider, retired crime investigator

Texter ur tid & rum 39

Ingvar Loco Nordin

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