Hi my name is Adrian Davis Jr I’m a Hip Hop artist from Southeast San Diego California my stage name is Adrian Waltuo I’m also known as A.D. Music is my escape from this cold world, it eases the pain, and helps me get through hard times. It makes me smile, when I’m down and out, I start writing or I just put on a beat and freestyle. I’m in my own world. I just get in my own zone when I’m focused on my music. I don’t do it as a hobby, or because everyone else is doing it, or because I want to be like some of the sterotypical rappers. I do it because it’s my passion. I do it because it’s my outlet. if I didn’t have music I probably be dead or in jail. Music for me is very theraputic. Since I was a kid I’ve always loved music. I started getting into music at the age of 12. I wasn’t serious about it, but I knew how to rhyme words. I was to shy to rap around my peers. At age 17, I started writing. I wrote a couple songs about my experiences in life and in my community. I loved the fact that I could express all my emotions, and my thoughts on paper to make a song. Thats when I became real serious about music, and started to pursue rapping as a career. I started writing in March of 2005. By June of 2005 when graduated high school. I had a whole rhyme book completed. I didn’t know I had so much to let off my chest. I truely put my blood, sweat and tears in my music, just uncut and raw I have to keep it real with my music, because if I don’t I’m not keeping it real with my self. Also music has made me become smarter, opening my mind to always search for more knowledge. As I got older, I started tto understand the power of music. I realized that its a universal language and always has been. I truly believe that music is so powerful, that it can convince nations to change their outlook on life and to put their weapons down. To strive for a better change. I know that God has givin me a big responsibility and when I understood that, I knew that it’s way bigger than rap, it’s deeper than that. Some of the things that drive me are that I can change peoples perspective on life. I love being able to relate to people through my music, I’m writing for change. I’m trying to open peoples eyes so they can see the matrix were living in. Truth is I refuse to dumb it down for a dollar. I’m going to keep it real even if it kills me. You might ask me why, well if I supress this knowledge or information. I’m no better than the ones in control keeping the truth from us. When people appoach me after I perform and tell me how real my music is, that’s what keeps me going. That’s one of the main things that drives me because it lets me know that someone is acknowledging my music and they’re listening. So I know I’m always speaking to that person when I put a song out I just want to be heard. When I leave I’m cool because with music I’m Immortal. I’m leaving something for you to vibe to, music to relate to no matter your situation or how your feeling. My goals for music are to be the best I can, and keep striving. I know that I can become better than the year before to master my craft. That’s what I’m working towards. Also expanding my creativity with music, either if its learning an instrument or writing to instrumentals. I want to become a better composer, singer, and performer. I want my music to be acknowledged and remembered after I’m gone. When you hear someone playing your music in a car, in a stereo, club, or rapping the lyrics, It’s a great feeling. I have to bring the realness and passion back to hip hop because it’s so watered down now days, everyone talks about the same topics about money, sex and drugs. The concepts I talk about in my music, is what makes me stand out from the others. Another goal is to start my own record label.

John “Dj JrKiss” Perry

I was raised in Cape Cod, MA then moved to Poughkeepsie, NY in 1995 and that is where it all started! (The love of the electronic beat that is!!) I spent many of the previous years following bands such as the Grateful Dead and Phish around the country (I’ve been to 49 states). That's where I first really understood the power of music on a large crowd and the true meaning of the word VIBE!!

When I moved to NY, I started going to clubs and raves and shortly thereafter got involved in promoting and then running my own company in NYC. I spent years going to hundreds if not a thousand parties, being on stage three feet away from the best Djs from around the world; learning, listening and now applying it to my own music!

In 2000 I threw my last rave and started to play with producing my own music and putting together live sets with Ableton Live. I then got in front of my first pair of 1200's and let’s just say the rest is history!!

I now Dj with an all digital setup (portability!!!). My love is House music, but I also love my hip-hop too. What I do best is be a ‘REAL’ Dj and play to the crowd, not just what I want to hear! So, depending on the night, the club, and the crowd that’s what you will hear or maybe a little of both!!!!

SEE YOU ON THE DANCEFLOOR!!!!!!!!!

Dj JrKiss

Once I read...
The best thing in music - is not written in notes!
...and it made me smile!

Only in the late youth, Simon Sameson came on the taste of electronic music. Before it became his fascination, shrill guitar riffs and fast duble-bass shaped his daily life. Today his enthusiasm for soulful and energetic electronic music cannot to be bet. Out of boredom with a friend, he had his first contact with the production of music. This experience aroused his love of electronic music and rose his hunger to learn more about it. So he taught himself the necessary know how, to be able to implement his ideas and finally he even started to work on his first own tracks. As a part of the Uferton-Crew, Sameson participated in various events and played in clubs such as the „Batterie94“, the „Heimatliebe“ or „Suxul“. His first EP has been released on "Suxul Music". Today he acts as a club artist at the same named club „Suxul“. This is just the beginning of his career and it's sure we will soon hear more about Simon Sameson.


Hey Hash Teh Wolf Here Dj and mixer Please like my tracks and if you are wanting me to mix something for you i would Be happy to Been djing for about 7 years and i am trying to make myself know to the public Happy Furrying


My life is so expecting when it hits you in the face and it Catches you breathless and you do not know what to say. A shrill goes up your spine thinking in your head that they is maybe a way to change fate but fate has the best of you and you wish you can grab it by the neck just wishing that you can take fate in your own hands. Sometimes life and fate happens for a reason and it smacks you int he face and you wonder why that fate has made its reason and sometimes it just happens because god made it happen for a purpose. Your heats beats ever so fast when the news you clearly thought that it was your won fate of life but life is stronger as it grasps your hands telling you that everything is going to be okay and you think to yourself why....why i am on this world that we call a planet has placed in in my shoes. Life is like a roller coaster that pulls you up and it drags you down you just have to get back on the ride and deal with life and expect the worst and the best will come. Theres a purpose in life and all the purpose is on how you live it and how you spend every sec of your memories on the fate and the path that you have made. What my fate is saying to me that every breath that i take every move that i make is a purpose in life why i am living and why any other is living. It hit at the most times that you at least expect it and it over does the the life changing expections that you thought that was going to be a warm feeling to your heart as it lifts your heart up and your mind calms with faith. Just just just not give up and let fate carry you in the direction that it needs to take you.





Here is sit as my mind wonders threw my thoughts and my thoughts carry out my actions. My heart lifts with passion with every breath i take as it opens a new world to my eyes. Seeing the inner light that i strive to my heart beating ever so faster in my chest as i come near to the inner glow of white. I am thinking to myself that i am not alone that my path is destine for my future as a work of art. My ears hearing the inner desire that my eyes cannot withhold and my lips cannot breathe.

...Whats on my mind now

Here i sit with the quill in my hand as the passion is here to come. Like new ideas that run threw my eyes like the taste of love that escapes my lips of the day. New thoughts new desire almost like a dream that i strive for but it is better to hope and maybe just maybe there is more to come.....

...Whats on my mind now....

My mind burns with the air the i grasp around me as my heart lifts up with shock. The shock of a love sensation that burns in the air as i take in each breath threw my nostrils. This dingos hearts of some days just maybe his quill will take him the way he needs to go and find use of his skills. His heart builds up with self assurance that some day he will make someone out of himself :3

Korri, an Arizona born singer/songwriter, has always relied on music to hold her life together, and at the age of 19 she has already learned quite a bit about the value of life and one chance to live it. From her first performance on stage as a six-year old, Korri understood that songs let her sing the things that needed saying, and by the age of fifteen she began writing her songs. Korri could not have dreamed what would come next. As a junior in high school she was diagnosed with Cushing’s Disease, a neurological condition that would ultimately require surgery. The disease tore down her self-esteem and confidence, and coming out of recovery she struggled with her new understanding of stage fright, something she had never struggled with before. After a period of time stumbling through her performances, she put her fears behind her, suddenly grasping the genuine happiness she feels from being on stage after a entering a lip-syncing contest.  Feeling more than ready to take on anything the world had to offer, she took a few of the great songs she wrote that were in her back pocket and made the plan to record her debut EP. Korri's songs reveal the fist-bumps and heartaches of growing up.  Her lyrics read like letters from a smarter best friend:  words to pull out and repeat, again and again.  "I've always been freakishly obsessed with lyrics and telling stories," notes the Arizona-born artist. "I’m one of those people that gets a new CD and goes straight for the booklet with lyrics so I can follow along as I marvel at the writing in each song. I wanted this collection of songs to give young girls the confidence to speak their truth and their own stories."  The six-song EP does just that. I Shouldn't Say moves from the up-tempo “On Your Doorstep”, which was inspired by how she wished her relationship with a friend would have played out, to the ballad, “Kelsey”, which shares a personal story of triumph over the poison of depression, inspired by her high school best friend.  It was only fitting that an "A" student of songwriting would make such an honest, revealing record at the studios of The Songwriting School of Los Angeles, with her long-time mentor Rob Seals producing a top-shelf band including drummer Ryan Brown (Hannah Montana, Jesse McCartney), bassist Trent Stroh (Eddie Money, Nancy Sinatra), and cellist Cameron Stone (Green Day, Sara Bareilles) among others. Currently attending college in Arkansas, Korri has already written many of the songs that might become her follow-up release.  Honest, brave, and whip-smart funny, Korri continues to find dead-catchy ways to say what she should, and shouldn't say.

Frank Cruz cut his teeth on his mother's record collection. The lyric-forward, narrative rock and roll of Bruce Springsteen, Bob Dylan, Jackson Browne, The Eagles, and Paul Simon lead to early attempts, at 13 years old, to write songs in order to impress girls. A failed junior high school saxophone, trombone, and guitar player, Frank finally found some success at the piano, an instrument he taught himself to play so he could move forward with songwriting, while his younger brother, John, learned to play the drums. Throughout their teenage years, the brothers played together in numerous local bands in Ventura, California (a sleepy beachside town just north of Los Angeles), never achieving much success, but building a small following and self-releasing several DIY recordings.

This activity in the local music scene lead to lifelong friendships with likeminded high schoolers/troubadours Chris Dixon (La Practica de Familia) and Joel David Levin (Far From Kansas). Together, this group launched their own co-operative record label, SFS Records, modeling their community on the halcyon days of David Geffen's Asylum imprint and taking their motto from a lyric by Jets to Brazil: "It isn't what you sell but what you make." Collaborations, concerts, and a small but impressive body of recorded material emerged from this period, including Frank's first CD, A Thousand Perfect Summers, in 2001. Two-thousand-three saw the formation of Frank Cruz and the New Deal and the release of Blueskies Longrides Youreyes, Frank's second full-length record. While The New Deal featured a rotating cast of southern California musicians, including Dixon, Levin, and as always, Frank's brother John Cruz (Contra), what remained constant throughout personnel changes was Frank's emphasis on songwriting and his focus on excavating the sonic textures and aesthetic commitments of 1970s California folk rock in a 21st century context.

By the mid-2000s, Frank and Chris had traded in the sand and sun of Southern California for the bay and bridges of Berkeley and Oakland. While they continued to record and tour with Levin's band, Far From Kansas, they also began expanding their musical circle to include new friends and collaborators from the Bay Area's Rose Hill Collective. After a west coast tour in 2007, that included shows with Poor Bailey and Audrye Sessions, Frank and Chris (now the nucleus of The New Deal), reached out to the Poor Bailey rhythm section of Daniel Casentini and John Snapp to contribute to the New Deal EP, A Place of Our Own, released in 2008.

In early 2009, while Frank and Chris were in the process of writing for the next New Deal full-length, tragedy found the friends. Frank’s 5-year-old son, Zachary, lost his life in an unexpected accident on February 27th, 2009. Over the course of the next few years, while Frank and his family grieved and began the difficult process picking up the pieces in the aftermath of Zachary’s death, Cruz returned to the one thing that had been constant in his life since adolescence: songwriting. In addition to creating a scholarship at UC Berkeley in Zachary’s memory and founding a non-profit organization in his son’s honor, Frank began working on a series of songs to document the new world he was now forced to navigate without his son.

In the winter of 2010, Frank and Chris began work on an LP explicitly and unapologetically for Zachary. Over the course of several difficult years, the friends used the recording process as a space to work through their feelings of grief, sadness, and anger, as well as feelings of hope, possibility, and reconciliation in the face of the infinite and unknown. Fortunately, they were not alone in this work. Old friends and new ones, who all understood the significance of the project, contributed their talents to The New Deal’s complicated new concept album, including Casentini and Snapp, James Leste (Audrye Sessions), Anton Patzner (Bright Eyes, Foxtails Brigade), Lewis Patzner (Judgment Day, Mates of State), Chris Dugan (producer, Green Day, Norah Jones), and Willie Samuels (mixing engineer, Poor Bailey).

The resulting full-length borrows the symbol of an offering for the dead from the Mexican tradition of Día de los Muertos. Titled Ofrenda, the album is scheduled for release on limited edition vinyl and digital download on Día de los Muertos (11/1) 2014. Both haunted and hopeful, the record features honest songwriting and impassioned performances that bear witness to the enduring power of love between father and child.

He born in 1975 in Rome has always been fascinated by electronic music . passionately he study sound design and music production at an important and innovative school in Rome .
promo to: promogianlucacorsi@gmail.com
As a DJ, he plays a new style of tech-house with atmospheric sounds that combines together energetic Techno with elements of House.
He has a special music taste, always careful about techno universe changing’s. His performances convey a rare energy made of a soft fusion of high bpm beats and acid funky, which create shrill grooves and bass lines. One of his attitudes is the use of three decks together with his talent for a strong alteration of the sound in his rhythmic combinations, likewise, the ability to smooth down any melody element, through a clever use of the mixer.
his influences range from detroit techno style and berlin .
many musical influences come from the Balearic tech house , the atmosphere of Ibiza are always present in his sets and in its musical productions .
currently working with
RIOT RECORDINGS (IT)
GAIN REC. (IT) 
PHUNK TRAXX (IT)
KLAPHOUSE (IT)
SKULLBUSTED (IT)
ANTURA (DE)
BE COLOR MUSIC (IT)
RIDE MUSIC (ES)
MILK CRATE (AUS)

C.J. Watson, was born In Portland, Oregon in the Concordia and Woodlawn neighborhoods and raised in Dallas, Texas in the South Oak Cliff & North Dallas neighorhood. Brought up by his mother, grandmother, and R&B/Soul music. He combines his Pacific North West roots with his down South upbringing to give the audience a mixture of sounds that can only be heard through Watson's unique low-pitch. Watson has been described as 'political', 'militant', and his music has been called, "Needed" by blog site Hip-Hop Clock while other media outlets has called his music, "Music with a message". C.J. Watson often uses real-life experiences to 'paint a picture' in his songs. The use of assonance, alliteration, and double entendre are heavily used in Watson's songs. C.J. Watson fell in love with music at three different times. First in the church, where his mother sang in the choir. Watson quickly understood how to compose and write lyrics. At that same time he learned how music can touch people. The second time came when he first heard the smooth voice of Anita Baker while listening to his grandmother's records. The singing stayed with Watson and carries into his music today. The third instance of Watson and his love for music was in the Summer of 1995 when his uncle introduced him to Nas and The Notorious B.I.G. That day Watson and his uncle listened to the entire Illmatic and Ready to Die albums. From that moment on, Watson began writing songs, but had no instrumentals, so his lyrics quickly turned into poetry. C.J. Watson has said, "I have always been a poet, I just finally put it to music." You can still hear Watson's poetic ways in the structure of his verses and the emphasis on certain words in his 'flow' while his physical size and lisp has got him comparisons to the late-great Notorious B.I.G. C.J. Watson is very politically aware and celebrates knowledge and education especially in the African-American communities which draws comparisons to the hip-hop duo Dead Prez and rapper Immortal Technique. His motto of "Stay Black" is known throughout his college campus of Texas A&M University-Commerce, where he received his Bachelor's Degree in Speech commutations. While attending Texas A&M University-Commerce, Watson quickly befriended many artists, producers, and engineers, where he begin to perfect his craft and take music more serious. Watson also began to gain more knowledge in the classroom, which has led to his sometimes complex and diverse lyrics. He is extremely conscious of issues in society, and is not afraid of speaking the truth when times are unjust. While his upbringing of mostly women gives him a different view point on topics like love, sex, family, and religion which can always be found in Watson's music. C.J. Watson is an artist that truly knows the meaning of being Young, Black, & Educated!

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