Token Part 1

Ambient indie instrumental soundscape rock

Home Recordings / Curated Playlists / 

Collaboration / Participation / 

In pursuit of novelty. /

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Curly Compositions from a German Composer.

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

No AI is used to generate sounds whilst journeying on these cacophonic adventures.

I'm primarily a guitar player but I'll try to make music with anything you throw at me. When left to my own devices I enjoy recording minimalist ambient pieces and textural soundscapes. My principal sound source for these efforts is manipulated guitar but I often include electronics and organic sources. I enjoy working on collaborations with other musicians. Please contact me if you are interested.
________________________________________________________________________

I am the co-founder of the 80's indie avant-garde mutant pop band Proof of Utah, the Smiley Turtle Records label and the Smiley Turtle Recording Studio. For a taste of the Smiley Turtle sound check out: https://soundcloud.com/user-745187095
________________________________________________________________________

*** Visit the collaborators' websites:

Louie Simon @lsimon33
Stan Magendanz @stan_magendanz
Wodwo @user-364196783-552705040
Lone Arrivals @tiny_wytch and @tinywytch
Marcin Gruszczynski http://www.fairlyconfusing.net/

Music is an infinite source of creation and a Universal language.
All my music is guaranteed without AI. 
Recording, compositions, mixing and mastering at Audio Colors studio.
My other Soundcloud profile: https://soundcloud.com/jules-keys-1
Thank you for passing by and listening !

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Token Part 1

Electric Supply Station