This was my contribution for Disquiet Junto Project 0690: Knot Bad. The Assignment: Interpret wood grain as a graphic score.

Here’s a copy of my post on the Disquiet Junto 0690 discussion thread on Lines:

This was inspired from a live edge black walnut board I’ve had for many years. I used to do some woodworking, and this is a souvenir from those days. I might someday incorporate it into an art or craft project, but for now, I keep it around as something to be simply admired.

I used the horizontal grain patterns and the imperfections in the middle of the board, as the graphic score. First, I assembled a Morphagene reel using slices from various pieces I created as well as field recordings I had. Included in the samples was a recording of the sounds of a piece of wood being lightly dragged across the surface of the board that included the imperfections. This created a drone like foundation using the modular synth. I then created some tracks in Ableton Live following the “notation” of horizontal center grains and notches. Used Slate+Ash Cycles for instruments and Valhalla Delay for effects. I also added an outdoor field recording from our front yard. 

I imagined sights, sounds, music and other memories that the tree might have experienced when it was alive.  Those things, embedded within the grains of wood, are released here with this soundscape as a remembrance of those years. At least, that was my intention.

More on the 690th weekly Disquiet Junto project, Knot Bad — The Assignment: Interpret wood grain as a graphic score — at https://disquiet.com/0690/

Memory From A Walnut Grove [disquiet0690]

Somewhere on the California Central Coast

Electronic music ranging from ambient to experimental.

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Curly Compositions from a German Composer.

Exploring music theory and ambient electronics.

Electronic music, field recordings and weird electroacoustic sounds.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

Soundscapes and textures of ambient-drone, minimalism, experimental, post-rock, with sporadic field recordings.

Memory From A Walnut Grove [disquiet0690]

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