First of fore most, my name is Charles Chucks Chigozie. I am an Africa man original, origins from Biafrica kingdom.
in the family of a noble great man, John Chucks Benson.Am the fourth and 2nd son in the family of nine blessed great talented of four girls, five boys. To God be the glory, am the lightness of my family tide.

@ ruffmusicent: good music, good life. Love music, love life. When i say Ruff, you say Busy. Ruff.busy, Ruff Busy. Tears and pain promo debut song is spreading faster than bird flu. Text 046277 to 4100. When good music hit you, it make you feel no more pains, it take ya tears and turn it to joy. Ruffmusicent is fast coming up. Look forward for my upcoming tracks on songzfactory.com or (www.star.naij.com/ruffmusicent)

personal:
Naturally am a gentleman, noble being, am a visionary, romantic and enthralling, despite confession of my mistake and acceptance i commit them repeatedly. my confidence and determination power needs to be enhanced and more developed. I am an easy prey of depression and tense situation, though i am a hopeful person …. dependable.

Career:
I am an attractive person, yet i attempt so many things twice in my life time. As i always get break through in my second chance.
that’s why i do not succeed in getting the expected profit from my daily art work. I am good in textiles, accountancy, computers, shipping and electronics.

Financial:
I believe in realities and an imaginative planning. If i discipline myself enough, i can avail money and authority. I always show courage while facing all the barriers of life on my way. I have guts and I can show my talent at any giving time no any where, though am shy from the start.

Love life:
I am a kind of lover who like to be controlled. I am an intense believer of love as I assume it to be a high spiritual relationship
I give and takes a lot in my relationship.

Sun sign:
I possessed the 12th signs of world astrologist. Pisces: Element, Water, Feelings and Emotions. Ruling planet: Moon. Favorable day: Monday. Gem stone: Pearl. Colors: White family, Cream, Green.

Project fame:
I have passion for good music, Ruff Music Ent play it twice. I love Singing, Dancing, Swimming, Riding, Driving. I love Football, but am not a fan of any club master. I love hunting, balling, tennis ball, basketball, base ball, wrestling, kick boxer and many more e.t.c
I started writing, composing. singing and rapping, mcs, djs, and many more at the age of 16. I started recording song, street shows, end of years party, acting, back ups artist, and inward teaching at the age of 26 till update.

Experience:
I have worked and recorded songs with many artist… still upcoming. I got a lot of good songs and project to take care of, plus some of my past demo song and mix tape is currently blazing every where, online, the street, and every neighborhood. Still got a lot more in the Lab. Ruff music Ent. www.star.naij.com?ruffmusicent.

e-digitalsignature.com is the leading registration authority providing digital signature certificates to enable secure e-commerce and communications for Web sites, intranet and individuals. A Digital Signature is an electronic security sign. digital signature certificates use for MCA21, ROC, e-filing of Incometax returns, TDS Certificates, Sale tax, DGS&D, IRCTC, e-Tendering, trade mark, e-Procurement for various departments & organisations. We are providing all type of Digital Signature such as Digital Signature Class2, Digital Signature Class3, Digital Signature for DGFT.

Turn The Other Eye is an experimental electronic music project consisting of the uk producers, Jimi Berkeley (TriskelionMusik) and Thomas Reynolds (ÞЯψÅΜĬ). Despite being electronic music producers inspired by the likes of Pendulum, Doctor P, Pegboard Nerds and Netsky they are also heavily into Hardcore music; commonly listening to bands such as Chelsea Grin, Whitechapel, Motionless in white and suicide silence. Taking these different influences, and following in the footsteps of crossover acts such as Enter Shikari, Ghost town, The Prodigy and even the crunkcore acts of the early scene days, Turn The Other Eye is all about combning sick electronic music with heavy lyrics. 

Hopefully we have something for you! our first E.P will be dropping soon so give us a follow and see whats to come! 

Having the brightest flashlight could make one feel unique, a standout. However exactly how is the brightest flashlight identified? There is really more than one means to measure illumination and hence conflicting methods of marking one light as being brighter compared to another.

A flashlight might be brightest in a qualitative feeling although another one could output a lot more overall lumens or have a higher luminescent strength. Marketers, well aware of clients' propensity for desiring the brightest flashlights, will make their cases based on that action, whether subjective or unbiased, placing their items at a benefit.

Candlepower, now an essentially out-of-date term, suggests the toughness or strength of a specific light beam. Today, a comparable measure is the number of lumens per unit area. This is appropriate if the application requires a directly concentrated light beam, maybe in order to brighten objects at a significant distance from the visitor.

Nevertheless, a flashlight that emits a solid however narrow light beam may not produce that several total lumens. This different step is more appropriate for broad and also dispersive flashlight bulbs, and also it subjectively feels brighter, so because the light covers a wider location.

Various bulb kinds have various luminescent performances, or abilities for converting power into light. Incandescent bulbs are rated at 8-22 lumens/watt, which is a modest number, suggesting that great deals of power must be put on accomplish commendable brightness. This is why old tactical flashlights were so big and heavy.

On the other hand, light releasing diodes (LEDs) have a much greater effectiveness, something on the order of hundreds of lumens/watt. This bulb kind has revolutionized every lighting application there is. The LED is not just a lot more efficient, it is instead durable, not likely to fail from shock, and it has a long life 25 times higher than that of the ordinary incandescent bulb.

hi there, i am a bluesman like back in the 1920's and 30's living and surviving from busking...someone whom got tired going along with a system that deliberately does certain elements of mankind down and in particular myself...back in the day it was due to skin colour and if you were brownskinned then you were done down...nowadays the new 'black' is white...it doesn't appear, to me at least, to be a bias based upon race any longer, merely upon the choices the individual makes in their life...if you believe that cannabis is a valued 'erb and economic/energy and food resource that we need to end the usual reason for wars and diminish our reliance upon the habitat destroying oil and paper industries and their affiliates, then you are done down...well i for one know that cannabis/hemp (the same plant) built our present day world and the seed of that plant is also the perfect long-term nutrition for mankind and thats why it's illegal and maligned in most folks minds...basically it suits their agenda to have this opinion amongst the many....gordon brown, the ex deputy prime-minister, was britains largest investor in hemp, why would that be i wonder..?  you figure it out...a clue would be 'jack herer's' book, 'the emperor wears no clothes' read that and you will become aware...anyway enough about why they've done us all down and a little background on me...i came to music  after an abusive childhood, using it as an escape first and foremost... arriving at playing an instrument seriously much later in life as something to learn patience...this was in late 1989, the week the berlin wall came down...i remember this because i was being shown my second chord by my good friend and neighbour, roy millard, a week after being shown my first chord and discussing whether we thought the wall would ever come down in our lifetimes, to which we both said in unison, nah..!  ...we watched in awe as a week later we were sat there and people were destroying it with hammers...since that time i had become an hobby guitarist and 8 years later a builder of high quality acoustic guitars...around 1990 i was exposed to complex ragtime inspired guitar arrangements and begun taking guitar playing far more seriously as a result...becoming proficient in finger-style...  i continued to add new and more complex right hand techniques to my repetoire and this began to add a different flavour and dimension to the tunes i already had in my repetoire and this has continued right up to the present day...the next big change in my playing came about in early 2011 when i was passed information that pertained to the 'goebels' imposed standard diapason of A4=440Hz and suggested i try tuning to 432Hz... as a result of this fella's reputation i gave it a try...i became certain of the veracity of this choice after finding out a considerable amount of info from the 'schiller institute' which backed up what i was told... after virtually re-learning my instrument for most of 2011 and part of 2012 i began soloing anew... so basically i am a bluesman akin to those back in the 1920/30's america, who called 'unfit for purpose' on the system that had subjugated them and caused their poverty, the only difference is i'm not brownskinned, i'm the new 'black'...hope you like the music you listen to whilst here, it is played with love and is me stomping away the blue feelings my life has left me with and hopefully changing the outcome of the suffering and abuse i was affected by, into aural pleasure in the ears listener hopefully, thereby turning around a disaffected life... 
	now for a little on the history of the musical style i play and a brief overview of the origin of the music follows... 
    The “Blues” as a musical form, is probably the best method of soulful expression, musically or verbally, to release the effects of traumas suffered by people enduring terrible or hopeless situations.  With the Pre-war styles being an almost perfect vehicle for those needing an outlet for the frustration, anger or rage that a troublesome and difficult life had built up inside them.  The thud, thud, thud, pounding approach to the finger-picking, allowing the musician to beat out their dis-satisfaction, thereby “stomping away the Blues”.  
    Song has been the chosen method used, throughout the ages, to pass down knowledge or stories from one generation to another or from one geographical area to another.  The “Blues” consist of a simple repetitive rhyming form that was simple to adapt or to verbally improvise with.  Originating on simple one stringed instruments reminiscent of the early banjo and transported to the Americas by traders from Guinea in West Africa, whom were able, because of their physical prowess and experience in navigating some of the worlds fiercest rivers on the African continent, to row across the ocean from West Africa to the coast of South America utilizing the ocean currents.  This hidden history is re-surfacing thanks to the diligent research into early population migrations into the Americas, made possible through archaeology, artefact discovery and DNA. 
    The commonly held belief is that this cross cultural musical pollination occurred solely as a result of the slave trade. Whilst this may be true in part, there were most definitely coloured peoples in the Americas long before Columbus or “slave ships”.  Writings and Artwork prior to the slave era exist depicting both the African facial characteristics and these trader Kings of old, believed to be the origin of the peoples known as the Olmec the precursor to the Mayan culture.  Giant stone heads found in the Americas depict African facial characteristics without a shadow of doubt, these stone carvings even pre-date our present day calendar let alone the “slave ships”.  These elaborately adorned ocean bound traders were known for their gold tipped spears, probably the origin of the name given to the old unit of British currency, the Guinea, as this was the name the traders themselves gave to their gold tipped spears.  It seems that the African forebears of the coloured race were much like their Afro-American cousins of today with their “bling” ;) .  The currency/gold connection is also likely to be one of the reasons why that part of Africa is still known as New Guinea today.  The “Blues”, or more correctly “the Blews”, as a generalized term for describing sadness or low spirits originates from the old Maritime term “the doldrums,” this was the name given to areas of the oceans and the times when there were no prevailing winds to carry the ships so ships would just sit motionless almost, sometimes for days on end, leaving those on board feeling helpless and hopeless, hence the old English Maritime phrase “in the doldrums,” or as it was more commonly known in those days by the Sea Captains of the British Fleet, as “the Blews”.  
    This hidden history aside, the widely recognized present day musical form of “the Blues” is radically different even from the early pre-war Blues, let alone the very earliest blues which sprang from the very primitive single stringed instruments and playing styles which have been traced back to Africa by the study of banjo playing and building techniques.  It's a very detailed and drawn out study and one we haven't the space or time to delve into now, so we'll concentrate on the more advanced blues styles of play from the late 1800's through the turn of the century until the Great Depression of the 1930's, as it's melodies and styling can be shown to have inspired and contributed considerably to most of today's musical offshoots from the Beatles to The Rolling Stones and from Rock to Pop music, or from Jazz to Rap.  All now owe they're present popular status to the roots from which they sprang, “the Blues”.  There are several geographical based differences to the ”Blues” that developed as distinctive styles in their own right.  Chief amongst these and the starkest and most haunting of all are the “Delta Blues” which emerged from the Mississippi delta, though there are some similarities with aggressive “Texas Blues”.  I believe that these stark, aggressive sounds are a reflection of the deeper hardships and suffering experienced by the coloured race in these areas, a result of the extremely hard work and the absolute poverty conditions that were experienced as the daily norm in these industrial and farming areas.  Poor water quality led to blindness being more common in the delta areas and this was why there were so many blind Blues artists, unable to work, they spent most of their time playing guitar on the streets, hence the level of technical skill achieved by some of them.  Rural musicians of the day would try and emulate the syncopations and feel, created in the recorded marching band music or early Jazz that was popular at that time.  “Ragtime” or “early Jazz” was created in part bizarrely, out of fear and racism.  Ragtime was so feared in it's heyday that the press carried insane comments such as - “the only cure for this modern menace to society is a bullet to the head”.   Remember this ridiculous level of hostility is about nothing more than musical syncopation!  Patterns within the melodies that simply caused people to get up and dance!  It sounds eerily reminiscent of the modern day hysteria and outcry over Acid House music in the late 1980's which was supposed to have ruined Society.  Nowadays nearly every single track you hear on the radio has a House/Dance music backing.  It just goes to show the retarded and over-reactionary thinking of the established order in their belief that we need protecting from ourselves or indeed shielding from fun and frivolity.
     Ragtime was sweeping america by the end of the 1890's, making so called “decent folk” actually tap their feet in public!!  The greatest concern was “white folk” being swept into “delirium and frenzy” by the marching bands of the day because of their catchy syncopated rythms.  This was deemed so unacceptable because cultural norms were so very strict back then.   It would have brought disgrace upon any “decent” white woman and her family for her to simply be seen in public tapping her feet!!  Let alone dancing along with coloured folk or to coloured folks music!!  How ridiculous you are probably thinking and rightly so, sadly this was how the situation was viewed by the ruling classes and just as sadly it is little different today, merely tolerated as opposed to being considered inappropriate though now.  You have common sense to thank for that.  
     “Ragtime” or early Jazz was first recorded in 1926, the name of the actual recording escapes me now, but it was recorded by a recording engineer with racist views, who warned the black musicians they would “only be getting one chance at recording and when the wax was cut, it was over”.   The musicians, knowing this might be their only chance to make a record, had a discussion and decided to play their piece of music at twice the normal speed, the decision to play it this fast was due to their awareness that in rural areas of America (most were without an electricity supply), most folks had wind-up gramophones (early record players with 78rpm and 33rpm) so they could slow down their “fast” piece of recorded music to almost the right speed.  Quite a clever idea really.  When this fast recording was released, it swept the nation selling 3 million copies in one week and “Ragtime” or “early Jazz” was born.  
     Jazz is not really a musical style as it is often thought to be, it is simply a method of approaching the playing OF the music.  Recognized by scholars as “musical freedom,” it relates to the bending of, or non-adhesion to, the strict musical rules that had been set in stone for years.  Very fitting really that this form of “musical freedom” which has brought so much joy to the world through all of it's offshoots, has it's origin in such a dark mentality as racism. Therefore the “musical freedoms” we all share and which we mostly take for granted now, is owed to the quick thinking of a group of racially abused, hard-up coloured musicians.  Shameful, but nice to know, is how best to describe it.  We people are truly all the same, there are no differences between blacks and whites except that is, for skin colour.  We all cry when we are sad and we all bleed when we are cut.  It should give us all real cause for hope, that just maybe, all of the worlds woe's may just remedy themselves in the very same silver lining/dark cloud manner, now that would be “nice” and worth waiting for.
     The means by which the Blues influenced musical history is certainly a strange one and no mistake. The early Blues players who'd made the switch from “hard labour” as tenant farmers with little or no reward, to working for a few coin in their “life on the road”, playing instruments in marching bands or with medicine shows as early busker's, were eventually forced to migrate to the Cities or cultural centres through economic hardship.  The imposition of Jim Crowe laws made it illegal for coloured people to vote or own property and virtually overnight this added an unusual level of musical proficiency to the mix of itinerant self taught Bluesmen and Blueswomen.  This occurred because a great many “Creoles of colour” were directly affected by this harsh racist legislation and they were a part of the aristocracy,  claiming descent from French royalty.  Having had wealth and a full education in the Arts, some even having coloured slaves and/or servants themselves prior to the Jim Crowe laws being enacted.  A great many of these very well educated coloured people were made homeless overnight.  These educated types were now in the same sorry situation as the rest of coloured America.  These “Creoles of colour” with their opulent lives now over, relied upon their Classical training and technical proficiency on multiple instruments and they advanced the quality of street music almost overnight, blending vastly different musical styles into the melting pot of the streets.  Before this great leveller, the only serious technical advancements that took place happened mainly as a result of the coloured servants taking Note of any snippets of musicality seen or heard whilst going about their chores, allowing them to gradually become more technically proficient through practising the remembered melodies later on home made stringed instruments or old brass instruments left over from the civil war, (some Blues recordings have a direct relation to this parlour music, solely because of this cultural overlapping).  These technique advancements were facilitated so rapidly, purely as a result of these racist Jim Crowe laws, yet again another silver lining scenario from the dark cloud of racism.  Street musicians then took their new found technical proficiency back to their local rural areas, enabling the “Blues” to develop further and to then begin influencing the recorded music of the day all over again, exactly as it had done before.  This continual back and forth development and influence, from Blues to Jazz and back again, is the main reason for the depth, complexity and variation of the styles inherent within the Blues genre.  
       The “ragging” comes from the capture and full command of the melody and the tampering with the timing or musical feel of the melodic line using syncopation and swing rhythms.  It has its origin in the Jass Houses of Storyville (houses of ill repute in an area of St.Louis), so named because of the Jasmine perfume the prostitutes used to wear.  These places had live music (the house piano player had spy holes and played along to what the prostitutes were getting up to with their clients), this quickly made the piano players highly proficient and they'd gather after work in the local gin joints to “Cut Heads” or “play off” against each other.  Stomp Time piano as a style was considered by the upper classes to be tarnished, not only by this sexual connection to the underbelly of Society but also because of the “insolent behaviour” was believed shown by the coloured folk playing it or those smoking cannabis and gathering where it was played.   Remember, these were very prudish times and sex was not even talked about in public, so it being on public show was bound to offend the more prim and proper elements of Society who just so happened to be the ruling class.     
      “Insolent Noise” or “Jazz” got some pretty bad press and the hysteria it created caused an immense fear of black people by running stories which created those very same racial divisions within Society.  “Insolent noise” and all connected to it, namely the usage of cannabis, the insolent behaviour and the prostitution etc. were first to be blamed when white women fell pregnant after affairs with the free and easy going, liberated, coloured musicians who were obviously being found attractive by white women leading to many false claims of rape etc. to excuse their infidelity.  Further sensationalist reporting of these situations by the press fuelled this and other ignorant fears of the coloured race, the remnants of which are still with us today.         “Insolent behaviour” amounted, at the time, to the following -  Standing on a white man's shadow!! Looking directly at a white man whilst being spoken to!  Looking a white woman in the eye!  Speaking to a white man without first being spoken to!  These “insolent behaviours” may be known as “normal life interaction” now, but if you were brown-skinned back then it would likely buy you a hanging.  
	Hence “the Blues” being a daily occurrence...
long live the life altering original blues...  ;)

Kick Ass Facebook Group! https://www.facebook.com/groups/302282256785921/
Facebook
https://www.facebook.com/Med-Evil-Sourceror-1206628606044120/
-------------------------------------------------------------------------------------------------
I am a multi-instrumentalist, in the Music genre of metal. Metal sub-genres; Metalcore; Thrashmetal; Heavymetal. Music creation has always been an interest to me. My dad is the one who got me into metal, he liked the bands Rammstein and Slipknot. He was really into punk-rock mainly. I use the music program Guitar Pro, tabbing out music has always been more intersting in my opinion. 
I currently write my own songs! I post them all here on Soundcloud and also i have a Facebook in which i am not really active on! Too busy writing music! xD. My main instrument i play is my 5 string bass! I used to write my songs in drop D now i do them in Ab or G# (same thing)
The many many bands i like are=      (This list will always get bigger)
40 Below Summer (Nu Wave)
A Feast For Kings (Djent)
After The Burial (Djent)
All Ends(symphonic metal)
All that Remains(Metalcore)
Amaranthe (symphonic metal)
Andromida (Djent)
Anup Sastry (Djent) 
Any Given Day (Metalcore)
Arven (symphonic metal)
Auras (Djent) 
The Birthday Massacre (electronic rock)
Before I Turn (Djent)
Beheading Of A King (Djent)
Betraying the Martyrs (Djent)
Blood of The Martyrs (Djent)
Blue Stahli (electronic-metal)
Breathe Atlantis (Djent)
Bring me the Horizon (Metalcore)
Caliban (Melodic Death Metal)
Carcer City (Djent)
Celldweller (electronic-metal)
Change of Loyalty (Djent)
Convictions (Djent)
Deathstars (industrial metal)
Deceptic (Djent)
Delain (symphonic metal)
Demoraliser (Metalcore)
Disturbed (heavy metal)
DOPE (industrial metal)
Drewsif Stalin's Musical Endeavors (Djent)
Drowning Pool (rock)
DVSR (Djent)
Earshot (Nu Wave)
Eisbrecher(industrial metal)
Eluveitie (symphonic metal) 
Eths (Metalcore)
Epica (symphonic metal)
Evanescence (rock-hard rock)
Eyes of Eden (symphonic metal)
Fit For a King (metalcore/djent)
Forevermore (metalcore/djent)
From Sorrow To Serenity (Djent)
Five Finger Death Punch (heavy metal)
Ghost Iris (Djent)
Hanzel and Gretyl (Industrial)
Heart Of A Coward (Metalcore)
I,  Created A Lie (Djent)
I, Embodiment (Djent)
I, The Breather (metalcore)
Incubus (Nu Wave)
Infected Rain (Nu Wave)
Interiors (Djent)
Jinjer (metalcore)
Jonestown (Djent)
Killswitch Engage (Metalcore)
Lacuna Coil (hard rock)
Lamb of God (NuMetal/Metalcore)
Leaves Eyes (symphonic metal)
Mayan (heavy metal)
Megadeth (heavy)
Megaherz (industrial metal)
Metallica (Metal)
Meshuggah (Djent)
Mnemic (Melodic Death metal)
Monuments (Metalcore/djent)
Motionless in White (metalcore)
My Heart To Fear (Djent)
Neophy (djent)
No Consequences (Djent)
Nociceptor (Djent)
New Years Day (Metalcore)
Nightwish (symphonic metal)
Nonpoint (Nu Wave)
0'Kingdom (Djent)
Obey the brave (Djent)
Of Blackest Oceans (Djent)
Omega Virus (Djent)
Pain (symphonic metal)
Powerman 5000 (Nu Wave)
Promethee (Djent)
The Room colored Charlatan (Djent)
Returning we hear the larks (Djent)
Rammstein (industrial metal)
The Raven Age (Metalcore)
Rob Zombie (industrial metal)
Sabaton (heavy metal)
Scared by Beauty (Djent)
Sean Hall (Djent)
Sequence of Discord (Djen)
Shokran (Djent)
Slipknot (Thrash Metal)
Smoke Signals (Djent)
Static-x (Rip Wayne static)(Acro Metal)
Stealing Anxion (Djent)
Stick to your guns (Metalcore)
Spike1000 (Nu Wave)
Spineshank(Nu Wave)
Sybreed (Industrial/doom metal)
Sylar (Djent)
System of a Down (heavy metal)
The Royal (metalcore)
Threat Signal -love this band (metalcore)
Trivium (Djent)
Uneved Structures (Djent)
V3CTORS (Djent)
Vitalism (Djent)
Wage War (metalcore)
Walking with strangers (Djent)
With Different Eyes (Djent)
Within Temptation (symphonic metal)


Im a magical liopleurodon
warning, if you read this you will be sucked into the home stuck fandom and can never escape

Canlo-Sign of the Thespian
Lime Signs are tumultuous, bringing great emotion and creativity to their endeavors. They are resolute in their decisions; if they are going to do something, they do it. They have a tendency toward melodrama, especially when they feel passionately about something, and their bad moods are loud and usually difficult to conceal. Hiding their feelings does not come naturally to them, so many Lime Signs cultivate a hard outer shell to hide the passionate, caring person inside. Lime Signs tend to have a large group of friends-they draw people to them with allure and the promise of excitement, and are usually unaware that they are doing it. They tend to focus on their own flaws, rather than their good points. Although they are exceedingly kind and empathetic individuals, many Lime Signs posses a mean streak. If you catch them on a bad day, they can be incredibly vicious. But it they take care to use their power for good, they make very loyal companions. Romance is extremely important to Lime Signs, and when they fall, they fall hard. They don't take rejection well, and a breakup can send them into a tailspin requiring an extended period of recovery.

Lunar Sway: Prospit
Marked by a flexible optimism, the personalities of Prospit Dreamers are reactive and intuitive. They naturally exist in the present, rather than look to the future or obsess over the past. When making decisions Prospit Dreamers tend to rely on gut instinct and whatever emotions they are experiencing at the moment. This makes them quick to act and reliable in a crisis, but it also can make them capricious. They have trouble thinking things through, and their feelings toward specific situations and decisions can change from day to day. They solve problems with creativity rather than cold logic, often seeing multiple options with ease and clarity. Because they generally take things as they come, Prospit Dreamers are less rebellious than they are adaptable-instead of struggling against authority, they will find a way to coexist with it. Possibly because they are so instinctual and flexible, they like having a defined set of rules-a safety net for their passionate lives. Naturally trusting, they have trouble with deception or hiding their true selves, and will often worry about what others think of them. The self they project into the world is often not under their control. 

Aspect: Heart
Those bound to the aspect of Heart are very concerned with their favorite subject: themselves. It wouldn't be a stretch to call them 'self-obsessed', but not necessarily in a negative way. They simply want to understand the one thing we all are stuck with for our entire lives, i.e. our own minds. Forging an identity is extremely important to the Heart-bound, and every decision and action goes toward building a coherent narrative of their own story. That isn't to say Heart-bound don't care deeply for their friends and allies; they just have a tendency to assume that everyone is as concerned with identity as they are. They are excellent at putting on and taking off masks as the situation calls for them. At their best, they are competent, imaginative, and steady. At their worst they can be overbearing, inflexible, and cold.

ATTACK OF THE ELVIS IMPERSONATORS is a two act musical comedy with book, music and lyrics by Lory Lazarus, about the soul of Elvis returning to earth to save us all from destroying ourselves. World peace can be achieved if we all unite as one – and to do that we must all impersonate Elvis.   Twelve actors (seven male, five female) play many colorful roles.  Take the wackiness of “The Producers,” the heart of “West Side Story” and the sci-fi genius of “Little Shop Of Horrors,” throw them in a blender and you’ll pour out a huge musical glass of ATTACK OF THE ELVIS IMPERSONATORS!
 
Drac Frenzie is the richest, most famous rock star ever, creator of the musical genre heavier than heavy metal, “Heavy Bone.” After a concert his best friend gives him something that will transform his life: a locket that Elvis had once given Drac when he was a child. Drac thought that this locket had left his life forever. His friend, Matt Shadow, believes this to be some kind of supernatural sign. Drac has been wanting a change in direction musically, and has worshiped Elvis all his life. And so, over the protests of his manager he decides to give up “Heavy Bone” and become an Elvis impersonator – the most famous one in the world. Eventually, while visiting the King’s grave at Graceland, the spirit of Elvis descends into him, and from that moment on Drac believes he is Elvis – and that he has come back to earth to bring peace to the planet. He starts a new religion called “Hound Dog,” and soon people all over are rushing to convert to this new religion: all disciples of Hound Dog must wear an Elvis mask and dress like the King. Soon, with his immense wealth and influence, Drac/Elvis buys the state of Tennessee – which secedes from the union and is re-christened the nation of “Graceland.” While Drac/Elvis has been spreading peace-through-Hound Dog, the Anti-Christ has started World War III. The A.C. is Drac Frenzie’s most adoring fan on earth, and is aghast that his favorite rock star, who once worshipped all things dark and evil, is now spreading peace and love. He has Drac’s new bride Prissy kidnapped, to lure him to his kingdom of evil, where he hopes to win him back to the “dark side” and have them join forces. But Drac/Elvis refuses, of course, and after the classic confrontation of good versus evil, the Anti-Christ dons an Elvis mask and is converted to Hound Dog. Elvis has saved the world. Everyone on Earth celebrates world peace by wearing Elvis masks and dressing like the King, and planet Earth is renamed Graceland. And, as the spirit of Elvis leaves the body of Drac Frenzie to return to heaven, his mission accomplished, Elvis masks are handed out to the audience during the finale, to spread Hound Dog out into the real world.

CONTACT: Lory Lazarus 973-418-9093  epluribuselvis@aol.com

The seven photos of "Elvis" next to the song titles are of Daylin James, the award-winning Canadian Elvis Tribute Artist, who is ready to step in and play the lead role of "Attack of the Elvis Impersonators."  Please visit his website at www.thecomebackking.com

These four non-REM stages described above take you approximately one hour into your first sleep cycle. You will then re-emerge towards consciousness and experience a brief awakening that you won't remember; this is often when you turn over or grab back some of the sheets. After this you start REM sleep, where high-frequency waves begin to appear on the EEG screen. Your brain has now started to create some alpha and beta waves, which are similar to the ones produced when we are awake. You are probably dreaming and your eyeballs are moving under their lids, which is what gives REM sleep its name (you can also dream in non-REM sleep, but these dreams tend to be simple and short). Although dreams seem very real and physically active, your body won't act out your dreams as your muscles are paralyzed in this stage and you remain motionless (some scientists believe that this is the body's way of preventing you from harming yourself). Sleepwalking is likely to happen in the non-REM part of your sleep, which isn't accompanied by paralysis.

https://letsfireurbossnow.com/nutrisleep-rx-review/

Rafe Noble is following