Produced by Trainn Traxx (https://soundcloud.com/trainntraxx)

G's Interlude

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

Tommy Zygote, a member and co-founder of the musical ensemble Thrashing Zombies, creator of Zomboverse, time traveller, inventor and pioneer of Stoner Bass Tech Rock and is rumoured to be the love child of notorious figures GG Allin and Frank Zappa. This extraordinary circumstance is attributed to advanced time travel medical technology, reminiscent of the fictional science portrayed in the film "Junior," which involved the use of the drug Expectane for male pregnancy. The origins of Tommy's birth remain shrouded in ambiguity: some claim that GG Allin delivered him on stage in a shocking spectacle, while others assert that Frank Zappa underwent a cesarean section.

Despite the chaos, I cherish the creativity and audacity I inherited from both dads. With every note I play with Thrashing Zombies, I strive to honor their legacies and carve my own path in this eccentric life.

https://soundcloud.com/whoarethethrashingzombies/pop-n-lock?si=0a356170b2794951b71a9b09d1276c28&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/whoarethethrashingzombies/spanish-celery

Tommy Zygote stands at the forefront of Stoner Bass Tech Rock, a genre that echoes the transformative era when Bob Dylan transitioned from acoustic to electric and Jimi Hendrix revolutionized the scene. Just as Dylan’s shift marked a pivotal moment in music history, embracing a new sound and narrative approach, Stoner Bass Tech Rock boldly explores themes often considered controversial or unconventional in today’s musical landscape. At its core, Stoner Bass Tech Rock fuses multiple heavy bass lines, electronic elements, and intricate storytelling. This genre thrives on rich, immersive soundscapes created by layered bass tracks that draw influences from icons like Muse, The Stranglers, songwriting legends such as Mikal Saleta, Paul Archibald, Duncan McDonald, Ben Grundy, The Doors, and Johnny Cash. It encapsulates a range of emotions, from existential musings to raw, passionate expressions, evolving into a complex auditory experience that engages listeners both sonically and emotionally. Stoner Bass Tech Rock positions itself as a bold counterpart to mainstream genres, inviting listeners to explore themes of rebellion and the depths of human experience. Much like the cultural shift during the electric era, when artists began challenging societal norms and expanding the boundaries of artistic expression, this genre fosters a climate of inquiry and introspection. It embraces the complexities of existence, presenting these narratives in ways that resonate with urgency and authenticity. Narrative is a cornerstone of Stoner Bass Tech Rock, reminiscent of the story-driven compositions in the early electric music era. Artists construct their songs with clear narrative arcs, delving into personal experiences that reflect a nuanced understanding of relationships, identity, and the human condition. The powerful bass lines and atmospheric elements create an immersive mood, inviting listeners into a world where boundaries are blurred and emotions are laid bare. Stoner Bass Tech Rock serves as a reflection of contemporary culture’s evolving relationship with self-expression. In an age of digital connectivity, where personal and public lives often intertwine, the genre examines how hidden desires and societal pressures shape individuality. By engaging with these themes, it encourages listeners to embrace authenticity and celebrate diverse experiences. Through dynamic live performances, artists embody a spirit of collective expression, fostering a sense of community among fans who find liberation in the music’s depth and sincerity. Key figures in the Bass Tech Rock movement, like Tommy Zygote, exemplify the genre’s rebellious nature. Their creative endeavors challenge conventional norms and provoke thought, pushing listeners to reflect on their views regarding vulnerability, identity, and artistic expression. The influence of such artists parallels the impact of musicians like Dylan and Hendrix, whose bold innovations continue to inspire new generations of creators. Stoner Bass Tech Rock is more than just a musical genre; it’s a movement that confronts the complexities of human experience and encourages dialogue around the intricacies of existence. As it evolves, Stoner Bass Tech Rock will likely continue to challenge artistic boundaries, crafting auditory experiences that provoke thought and deepen understanding of the themes that shape our collective consciousness. By blending bass-driven music with bold storytelling, this genre asserts its significance in the contemporary musical landscape, representing a dynamic exploration of sound and narrative.
Tommy Zygote - S.B.T.R. established by Tommy Zygote to explore the musical dimensions via Bass, is a part of the musical network known as Thrashing Zombies. 

https://soundcloud.com/whoarethethrashingzombies/thrashing-zombies-ride-the-pony-into-old-town-texas?si=86f9439dfb1a46198257a0853a6663cc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Original bass player and lead singer, now classified as founder of the band. Marcus Gorgon 

https://soundcloud.com/marcus-gorgon/see-my?si=b77b620a37194119adc347bc901a4511&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

and 

https://soundcloud.com/marcus-gorgon/alone?si=424ccd6acc0342e989995a659c27eb8a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, another co-founder of Thrashing Zombies (refer to profile), is acclaimed as the best electric guitarist and songwriter in East Gippsland, if not the best guitarist the Latrobe Valley region. M.G`s  talent remains relatively unknown at the moment, this will change in the future. Keith Fontane 

https://soundcloud.com/whoarethethrashingzombies/thrashnig-zombies-too-crazy-feat-terry-cunxus?si=da5555a2916e426396e5fc076bf38ade&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

, who has been leading the band throughout the years, is a highly prolific music producer, having churned out hundreds of songs in collaboration with the legendary Johnny Farqua juanoss  

https://soundcloud.com/keithplayshisorganfortz/thrashing-zombies-in-the-zone-vivaldi-2020-redux?si=c4455d9606644c94a135c63f93b519f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

a members who contribute uniquely to its musical prowess. Initally primary role has Been the band dealer and dancer now the adlib master vocalist and exceptional drummer, coupled with his possessed bass-playing skills, adds a dynamic energy to the performances. Professor Cockington 

https://soundcloud.com/whoarethethrashingzombies/surfing-the-reaper?si=32d387cc5a714c27aaf6f4d7c085788d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


, characterized as the genius wordsmith of the group, effortlessly crafts off-the-cuff lyrics reminiscent of the legendary Mike Patton, Hobbies are reading and riding on trains. Then there is Maestro Dave (refer to profile), the musical genius who produces stellar songs at his own pace, setting himself apart as a level above the rest. Notably, in the future, Maestro Dave's DNA is utilized for robotics technology to infuse a sense of musicality, underlining his significance in the band's legacy. Maestro is currently investigating the potential transmission points and viral loads of farts. HE questions weather the world is ready for a fart pandemic.

https://soundcloud.com/maestro-dave/arse-mask?si=a94145d6dd344399bd2523f6ca995de2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Indeed, TZ Studios serves as a gateway for Tommy Zygote express diverse his range of musical talent and creative geniuse developmentally. There is a variety of entwined Sound cloud TZ profiles That the collective efforts of individuals like Marcus Gorgon, Keith Fontain, the versatile vocalist and drummer of JF¥, and the innovative Maestro Dave who is a musical time bomb, Thrashing Zombies continues to push boundaries in the music industry and shape the future of music with their unparalleled skills and contributions.
https://soundcloud.com/jfjrockslimpdickstudios/johnny-farqau-juanoss-fall-in-may?si=b5bc3fc7e204484fabb78b07de98cc4b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
What is God? That’s a question that’s as vast as the universe itself, yet ever so intimate to the soul. I like to think of God not as some fiery old man on a cloud but as the living essence born from the accumulation of souls. Souls, those mysterious things that flicker inside us all. When we pass, our bodies lie there lifeless, machines that have simply stopped working. But what if the mechanics of a living being are actually a grand attempt to hold onto the soul until it reaches maturity? It’s as if our flesh and blood are just temporary vessels, imperfect but necessary, to nurture the soul until it’s ready to be released back into the cosmos.

Early souls are the most privileged—they’re fresh, pure, untainted by the messiness of lived experience. They float into this existence like morning dew, pristine and untouched. As humans grow older, and even as animals live their lives, there’s a chance for the soul to become tainted—by bad choices, by evil, by the negligence or cruelty of the flesh it inhabits. And then there are those who, through dark intentions, release souls at will—call them engrained in evil or madness. Souls themselves aren’t punished in the traditional sense. Instead, they are refreshed, cleansed, reborn in ways we barely understand.

The word purgatory always struck me as primitive. It evokes this harsh, gloomy waiting room for the damned. But picture instead a welcoming place —a spa for the soul. Souls come and go as they please. They are visited by familiar spirits, old friends and family, sharing the quiet eternity of this in-between realm. Here, souls mature, gather strength, prepare for their next journey. Over time, these spirits congregate in one place, forming what I call the soul nucleus—a tiny mass, no bigger than the head of a matchstick. This nucleus is what powers God, what constitutes the essence of life itself. It spans across sector 2 of our universe and into the 69th template of the multiverse. God, then, is not a singular being but a collective energy born of all souls, a living consciousness woven from the history and destiny of every living spark.

Now, let me introduce you to Tommy Zygote—yeah, that's me. My journey is no ordinary one. It all began on the infamous camping trip with my band, Thrashing Zombies, late one summer in 2027. The band, Thrashing Zombies, was composed of an eclectic bunch: Marcus Gorgon, with his thunderous riffs and relentless drive; Keith Fontane, our lyrical mastermind and rhythm slayer; Johnny Farqua Juanoss, the wild card on bass with a flair for the dramatic; Maestro Dave, whose electronic wizardry gave us that futuristic edge; and then there was Professor Cockington—our older, wiser guide who somehow managed to keep us grounded amid our chaos.
We were on the cusp of global notoriety, a worldwide phenomenon in the late 2020s, crafting anthems that didn’t just rock but resonated deeply with the collision of humanity and technology. Our music was the thread weaving humans and robots together—robots like vacuum cleaners still slaves to servitude, but something bigger was coming. Something like the robot uprising whispered in back alleys, and then the looming threat of the Fluctopus invasion from the outer realms.

Among our quirky yet meaningful tracks were gems like “I Am Not Just a Robot Dick! I Am a Robot Too,” a cheeky anthem that poked fun at robot identity and pride, “Dance Like Your Circuits Are on Fire (But Don’t Short-Circuit),” which became a rave favorite across both humans and machines, and “Metal Head, Human Heart, Zero Chill,” a rebellious tune capturing the hybrid spirit we all shared. These songs weren’t just playful; they were our way of building a bridge between worlds.

During that ill-fated camping trip, something unimaginable happened—a time travel incident that would change everything. It started when we stumbled upon an abandoned particle accelerator nestled deep in the woods. We had no business being near something so complex, but curiosity took hold. Against better judgment, I fiddled with the controls, my fingers guided by a mix of adrenaline and foolishness. Suddenly, time bent and twisted around me as I slipped through a semiwormhole. The experience was disorienting. I felt myself unravel, my physical form dissolving into pure soul.

I was thrust into purgatory, that sanctuary for souls, and stayed there for what felt like twenty-seven years. Time in purgatory is slippery, mysterious—the days and years fold into one another. I met countless souls, some young, untouched; others weary with the weight of their earthly sins. It was a place of reflection but also of preparation. I learned from them, shared stories, and found parts of myself I never knew existed. Then, almost without warning, I was called back to the earthly plane.

I returned just two months before the infamous robot uprising, a returning human soul in human form but carrying all the wisdom and power of my time in purgatory. The world was on edge. Machines that once obediently cleaned floors and served quietly had started to rise. The threat of the Fluctopus invasion was whispered in secret bunkers and underground forums. It was a pivotal moment in history.

Thrashing Zombies became more than a band. We became a beacon—a global anthem for coexistence. Our music, our message, urged humanity and robots to find harmony. Robots weren’t just slaves or tools; they were potential partners in the dance of life. It wasn’t a perfect peace—vacuum cleaners remained slaves for a while longer—but the tide was shifting. Our songs became the soundtrack for a new era, blending raw human emotion and the cool precision of technology.

Reflecting on those years, I realize that God, the soul nucleus, and our interconnected existence aren’t separate. They’re intertwined threads in the fabric of everything we are. The soul’s journey—our journey—doesn’t end at death. It transforms, refreshes in purgatory, and returns, ready to face life anew. This cycle is what powers the essence of life itself. It’s the heart of the cosmos, the truth that underpins everything I’ve seen and experienced.

My journey through the soul-made god and back to life has changed how I see the world—and how I live in it. The music, the battles, the invasions—all pieces of a much grander story. And through it all, the souls, our souls, remain the core, the spark that drives both creation and destruction, order and chaos.

So when you ask, “What is God?” remember—it’s not just a deity or concept but the living culmination of every soul that has ever lived, breathed, evolved, and returned. It’s a matchstick’s head of everything, pulsing with life, consciousness, and hope across the infinities of space and time. And in that truth, I found my purpose. To be a voice for the souls, a bridge between worlds, a warrior of harmony in the face of darkness. I am Tommy Zygote. And this is my story.

You can find all my other sets here ----> https://hearthis.at/esray-choonoo/  
Contact: ezzydeejaynl@gmail.com

Much thanks to all the listeners and followers.
 He is Cape Town born and bred in the disco era. A love of music has made it possible for him to grow into crossing the genre boundary. Although his love remains in the disco and soul genres, he expanded into many sub genres which now includes tech house, latin and afro house and even so much as melodic house and techno at times.

Hobbyist dj and the occassional live show for 4 the music  where he blends the freshest nu disco tracks with some classic dance and disco tracks.


 Residing in the Netherlands for the past 14 years and fully adapted to a different culture and lifestyle and music genres. If anything can unite people, it is MUSIC!
Thanks for your support!
ezzydj

A hip-hop and RnB group formed by two men and one woman, originally from North Africa, now based in the Bronx, New York. Their style fuses the soulful melodies of early street poetry, the rhythmic bounce of New Jack Swing, and the raw energy of 90s old-school beats, layered with a modern touch of smooth production. Their music blends spoken verses, melodic hooks, and expressive flows, with a deep focus on themes of resilience, identity, migration, and dreams. The beats are built on classic break rhythms, jazzy basslines, and analog textures, giving a nostalgic yet forward-looking feeling. Subtle influences from North African musical traditions enrich their sound, through rhythmic patterns, vocal phrasing, and lyrical storytelling. Their artistic vibe balances street authenticity, emotional depth, and urban poetry, creating an atmosphere that's at once timeless, warm, and vibrantly alive.

I've been chasing sound since the day I ran away from home. 
While most kids were in school, I was digging through crates in record stores - learning rhythm, rebellion, and the raw truth music could carry. By 13, I was sleeping in nightclubs. By 15, I was behind the decks, DJ-ing to survive and to feel something real.

In the 1980's, I became part of Belgium's early electronic wave - spinning vinyl before it was a scene.

But life, as it does, took me away from the spotlight. Still, the music never stopped playing in me.

Now, after all these years, I'm back. Producing my own tracks. No rules, no formulas - just decades of sound, scars, and soul poured into every beat.

For those who've ever felt like outsiders...
For those who live through sound...

This is for you.
The beat goes on. And so do I.

Welcome!
All tunes are performed, recorded, arranged and mixed in my personal home studio: next album scheduled for 2025. Work in progress…
I am thankful for your precious listening here and also if you pay me a visit on Bandcamp.
Eric - Bagpipe Sounds
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Bienvenue à vous! Tous les morceaux sont interprétés, enregistrés, arrangés et mixés dans mon home studio personnel.
Prochain album en 2025. 
Merci pour votre visite ici et aussi sur Bandcamp, YouTube, etc… et pour votre soutien!
Eric - Bagpipe Sounds

IPX is a Chicago-born House music producer and DJ. Inspired by WBMX and B96 at a young age, his passion for House has driven his involvement in the Midwest scene for decades.

https://www.mixcloud.com/dashboard/my-shows/published/
https://www.instagram.com/art_for_fun_ka/

„Music is what feelings sound like”.

G's Interlude

G's Illusions