Curawaka is a musical project seeking to reopen cosmic channels, reawaken ancient memory and restore universal balance.
Curawaka is the musical project of singer Bariyani (Anna Stokkeland), gong player and percussionist Bola Cosmic (Christian Stella) and guitarist Vibra Cion (Ariel Kuschnir).
We use sounds of Scandinavian mythological folklore with elements of indigenous traditions; icaros and plant healing work; mantras and sacred devotional songs from various spiritual traditions; shamanic roots and cosmic reggae; universal culture and world musical landscapes, sound frequency techniques, voice overtones and vibrational sound healing. 

Curawaka is a musical platform and a sonic cosmic channel seeking to invoke a transcendental journey through layers of reality, states of consciousness and mystical dimensions in order to summon sacred alliances and awaken ancient memory. In a state of remembrance we can unite with the sacred knowledge of the universe and celebrate the original purpose of our existence.

We sing to connect with the cosmic current and the ever unfolding Great Mystery and allow it to once again flow freely through our bodies, minds, hearts and spirits. We sing with the hope of sharing our humble contribution to the coming of the new dawn.

Love, Light & Gratitude

Apocalypsis is finally here, is the end of the world and humanity is condemned, angels are coming down to earth to kill us all and send us to hell. So, you load your shotgun and prepare yourself to hit the road and start some angels hunting. Before this you need to find the perfect music to join you and motivate you through  the journey, fulfilling you with energy, power and "lets rip some fuckin wings" attitude, well, search no more, you just found SHOOTING ANGELS.

SHOOTING ANGELS is a Swiss hard rock/heavy metal band that perfectly combines both genres in a mighty and dynamic mixture.

 Aggressive but catchy guitar riffs are perfectly grounded by powerful pounding drum beats and bass lines creating a potent and rhythmic music base that is amazingly crowned with a dominant, raspy but pretty melodic hard rocker female voice giving as a result sharp, dynamic and addictive songs.

The band combines its music with a pretty strong apocalyptic visual concept in its artwork and on stage that makes it memorable for everybody.

In brief you can describe Shooting Angels as powerful, catchy, aggressive, and specially tonz of attitude.


Our vision is to bring as many people as possible to come an experience the goodness of God and to live a life that will prepare them for salvation.





To bring the message of hope that was freely given to those that are weak and has lost hope in the battle of challenges of life.





To share the gospel of Jesus Christ with as many as are yet to experience the near unexplainable joy of serving the Lord.





To help as many as possible to not only include in their choices of life the hope in Christ but also to accept Christ into their lives. Several youth, men and women that have made several last options of drug and suicide to mention a few did so for lack of the opportunity to have a taste of Christ.
To remind as many as possible that the doors of the Church is wide open for sinners, the imperfect, the weak, the rejected, the un-loved, the lonely, the sick, the needy, the condemned etc. When a sinner repents, the angels rejoice!

Our community calls itself Marusa Circle after a master healing plant from the Amazon jungle. We seek to aid in any beneficial transformation for humanity. 

May we all take flight with magnificent wings of divine creativity, love, freedom, truth, wisdom, harmony, balance, beauty, justice, peace, joy, prosperity, and abundance. May our unique expression of divinity serve the needs of the global community.

Bless our transformation! Bless our magnificent planet! May all beings experience peace! Aho!


Cover image: Autumn Skye Morrison

Where we recognize that life is a blessing and
we consciously direct our thoughts, energy and action to produce good fruits.

HOST: Empress Omega Fruits

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Kemetic Yoga Instructor, breathwork and meditation guide, plant based caterer, mom, poet, and life learner shares knowledge, wisdom and experiences about how to live in MAAT (balance) and show up as your best self.

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The Fruits of Life podcast strives to share personal life experiences, affirmations, information, interviews, community news and events to reveal the wonderful fruits and wisdom of life.

E N G L I S H P R E S E N T A T I O N

Samuel Légitimus was born into the first family of black artists in Paris.

His father, Hégésippe Légitimus, or simply "Gésip" as he was often called, was the first black television producer in France while his mother, Noéma Thomassine, better known in the West Indies by the name of "Noéma", was a journalist. He is the grandson of the famous actress, the late Darling Légitimus (who won the Golden Lion at Venice in 1983 for her role of Man Tine in Euzhan Palcy's "Sugar Cane Alley") and the cousin of the famous actor and comedian Pascal Légitimus.

In his youth Samuel was very attracted by the performing arts: answering advertisements, passing auditions and finally picking up small roles in a number of full-length movies. He did voice-overs, recorded quite a few radio and television publicity campaigns (with the great Michel Colombier)

When he turned 18 he studied law for a few years then enrolled in the theory of theatre at the New Sorbonne. At the same time, and for two years during, he helped to present the radio show "Délires" on Radio D'OM.

He soon met a surprising group of artists, the Macmadedown, with whom he wrote and directed a play, "Jackpot", a parody of British comedies of the time.

In 1989, he was accepted into the first promotion of prestigious school of theatre at the "Ecole" du Théâtre National de Chaillot under the direction of Jérôme Savary. It was here that Samuel tackled classical theatre and refined his acting skills with teachers such as Andrzej Seweryn, Nita Klein and Michel Lopez. At the end of his studies he was assistant director to Andrzej Seweryn for Shakespeare's piece Love's Labour's Lost.

In 1991, after 2 years at the Chaillot School, he directed and acted in Harold Pinter's "The Dumb Waiter", at the Cité Internationale in Paris. He then got the role of Epikodov in The Cherry Garden, a piece adapted from Tchekhov's "The Cherry Orchid", directed by Romuald Sciora at the Théâtre du Lucernaire.

In 1992 he began to study his roots (as the worthy great-grandson of Hégésippe Jean Légitimus, the first black elected deputy in history) and discovered a passion for human rights, especially those of minority groups.

In the Afro-American culture, more particularly in the writings of James Baldwin (1924-1987), Samuel found an echo of his own ideas and concerns. Out of this was born the musical show "Tiens Bon - Never Despair" inspired by the Blues and Gospels adapted by Marguerite Yourcenar. The show was played in Paris at the Berry-Zèbre theatre and in Amiens during a tribute hosted by the Amiens Film Festival to his grandmother, Darling Légitimus. In 1995 he co-wrote, directed and played in a children's musical show representing the history of jazz The Fabulous Life of de Harry Bottleneck which was commissioned by the Théâtre du Vésinet.

In 1996, at the Espace Kiron he created and played in, after having translated it from English into French, The Midnight Hour, A Night In The Life of James Baldwin a one-character play by James Campbell.

As narrator he was invited, in January 1997, by the Afro-American community of Paris to be the recitant of a Tribute to Martin Luther King as part of the Gospel Festival of Paris in the Auditorium des Halles.

At the TILF (Théâtre International de Langue Française), Gabriel Garran directed the piece Bintou by Koffi Kwahulé in collaboration with Pascal N'Zonzi and chose Samuel to interpret the role of Drissa, the uncle of the heroin (the actress Aïssa Maïga's first role).

In 1998, as part of the Villette Jazz Festival, he presented Blues for Mister Baldwin, a cultural event/tribute to James Baldwin marking the 10 years since his death in France.

Samuel's voice was to be heard on France-Culture in various radio plays and he took part in many reunions, debates and demonstrations for the defence of human rights. He put on James Baldwin's Sonny's Blues in Montreal, Canada.

He met and collaborated with the Afro-American author and filmmaker Melvin Van Peebles for the French version of the musical comedy Don't Play Us Cheap which then became "Une Fête à Harlem".

Since 2000 he has undertaken the translation of a number of classic afro-american theatre pieces and has continued his militant and artistic actions with the group Collectif James Baldwin, a philanthropic organization which he founded a few years earlier. He was an activist for the liberation of Mumia Abu Jamal, an Afro-American journalist unjustly condemned to death for a crime he did not commit.

The year 2005 saw the coordination and elaboration of a number of websites, one of which was dedicated to the life and work of James Baldwin (who would have been 80 years old in 2005). Another was dedicated to his great-grandfather, the black politician Hégésippe Jean Légitimus.

Samuel continues to work on diverse translations while at the same time creating and directing works of various Afro-American authors such as A Raisin in the Sun by Lorraine Hansberry, and "Purlie Victorious" by Ossie Davis.

He is also a singer-songwriter and guitarist and is one of the founder and the webmaster of the french James Taylor website (http://www.james-taylor.asso.fr 

----------------

Acteur metteur en scène traducteur

Formation

Issu d’une famille d’artistes, Samuel Légitimus est né à Paris le 28 mars 1965. Il est le fils du producteur de télévision Hégésippe Légitimus dit "Gésip". Sa mère est la journaliste Noéma Thomassine (mieux connue du monde antillais sous la signature de "Noéma") . Il est petit fils de Darling Légitimus, et cousin de Pascal Légitimus, qui l'initiera dès son enfance à l''art de l'improvisation théâtrale.
Majeur, il étudie quelques années le Droit, puis la théorie théatrale à la Sorbonne nouvelle.
En 1989, il est reçu au concours d'entrée de la première promotion de l’Ecole du Théâtre National de Chaillot sous le « règne » de Jérôme Savary. Il y aborde le théâtre classique et y approfondit son jeu d’acteur auprès d’Andrzej Seweryn, de Nita Klein et de Michel Lopez. Il assistera Andrjez Seweryn dans la mise en scène de la pièce de fin d'études Peines d’Amour Perdues de William Shakespeare .

Au cinéma et à la télévision

Très jeune, attiré par le monde du spectacle, il répond à des annonces, participe à des castings et décroche petits rôles et figurations dans plusieurs longs métrages.

Il fait du doublage, et enregistre les voix de plusieurs spots publicitaires pour la radio et la télévision (dont le fameux : « Des pâtes, des pâtes, oui mais… » avec Michel Colombier)

Les Uns et les Autres, réal. Claude Lelouch
Le Pion, réal. Christian Gion
Clara et les Chics Types, réal. Jacques Monnet

Il rencontre et entre en collaboration avec l’auteur et cinéaste africain-américain Melvin Van Peebles pour l’adaptation française de sa comédie musicale Don't Play Us Cheap qui devient Une Fête à Harlem.

A la radio

Il co-anime pendant deux ans l’émission de radio Délires sur Radio D’OM.
Il prête sa voix à diverses pièces radiophoniques sur France Culture.

Au théâtre

Il rencontre bientôt un groupe d'artistes étonnants, les MacMadedown, avec lesquels il écrit et met en scène une pièce, Jackpot, qui parodie les comédies britanniques.

1991 Le Monte-Plats de Harold Pinter, qu'il met en scène et interprète avec Dan Thorens.
Le Jardin des cerises, pièce adaptée de La Cerisaie d’Anton Tchekhov, m.e.s. Romuald Sciora

En 1992, il commence un travail sur ses racines et (en digne arrière petit fils de Hégésippe Jean Légitimus, premier député noir de l'Histoire) il se passionne pour les droits de l'homme et des minorités. Il trouve dans la culture africaine-américaine, et notamment dans les écrits de l'écrivain noir James Baldwin (1924-1987), un écho à ses propres idées et à ses préoccupations. Il en naîtra un spectacle musical intitulé : Tiens Bon - Never Despair inspiré de blues et de gospels adaptés par Marguerite Yourcenar. Le spectacle sera notamment jouée au Théâtre Berry-Zèbre de Paris et à Amiens lors d'un hommage du Festival du film d’Amiens à sa grand-mère Darling Legitimus.

En 1995, il co-écrit, met en scène et interprète La Fabuleuse Vie de Harry Bottleneck, un spectacle musical pour enfants présentant l’histoire du jazz.

1996 Femmes, guerre et comédie de Thomas Brasch, m.e.s.François Bergoin.
Il monte ensuite - et interprète - pour le festival « Premier Geste » à l’Espace Kiron, après l’avoir traduite de l’anglais, The Midnight Hour ou Une Nuit dans la vie de James Baldwin, pièce à un personnage de James Campbell.

En janvier 1997, invité par la communauté africaine-américaine de Paris, il participe en tant que récitant à l’hommage à Martin Luther King dans le cadre du Festival de gospel de Paris.

Bintou de Koffi Kwahulé en collaboration avec Pascal N’Zonzi, m.e.s. Gabriel Garran
"Le Coin des Amen" de James Baldwin, dont il dirige une mise en espace.
"Sonny's Blues" de James Baldwin, qu'il met en scène

Depuis 2000, il entreprend la traduction de plusieurs classiques du théâtre africain-américain, notamment "A Raisin in the Sun" de Lorraine Hansberry, et "Purlie Victorious" d’Ossie Davis.

En 2007, à l'occasion du 20ème anniversaire de la disparition de l'auteur, il met en scène la création française du "Coin des Amen" de James Baldwin adapté par Marguerite Yourcenar.

En 2010, il signe la mise en scène de "Attila, reine des Belges" de Marie-Elisabeth Cornet.

En 2011, il met en scène "Celle des îles" de Koulsy Lamko

Militant

En 1998, il présente dans le cadre du Festival de jazz de La Villette 3Blues for Mister Baldwin3 une manifestation/hommage à James Baldwin à l'occasion du dixième année de la disparition de l'écrivain en France.

Il participe à de nombreuses réunions et manifestations de défense des droits humains.

Il poursuit son action militante et artistique au sein du Collectif James Baldwin, association philanthropique qu'il a fondé en 1993.
Il milite notamment aux côtés de Julia Wright pour la libération du journaliste africain-américain Mumia Abu Jamal.

En 2005, pour à l'occasion du 80ème anniversaire de la naissance de James Baldwin, il coordonne l'élaboration d'un site internet, dédié à la vie de l'écrivain.

Pour 2011, il prépare un site dédié à son arrière grand père l'homme politique noir Hégésippe-Jean Légitimus.

Phragmoplast is a project of Pedro Trindade aka atSar and Hugo Alves aka U-Rak.

https://soundcloud.com/atsar
https://soundcloud.com/u-rak

The phragmoplast is a plant cell specific structure,  a complex assembly of microtubules, microfilaments, and endoplasmic reticulum elements, that forms during late cytokinesis. 
It serves as a scaffold for cell plate assembly and subsequent formation of a new cell wall separating the two daughter cells. 
A structure in perfect balance!

This description says everything about the project=)
We hope you enjoy this new trip!



Award-winning Mediterranean beauty Lisa Panagos is an American singer, songwriter, actress, and producer.  Although born in Maryland in the U.S., Lisa possesses a unique array of exotic heredities that can only descend from the mystical country of Greece and the romantic city of Paris, France.
     Her Internationally and Globally recognized dance single “Mind’s Eye”, which was also mixed at the world famous Studio 54, has earned her many awards.  She was honored by the Akademia Music Awards at the Rose Bowl event April, 2016 for ‘Number 1 on the Charts’ on the Power FM Global Radio Network and ‘Outstanding Achievement in Media’ for over 100,000 syndicated views. Other awards for “Mind’s Eye” from the Akademia Awards include ‘Best Pop/Jazz song’, ‘Best R&B/Soul Music Video’ and ‘#1 On The Charts’ for KXRL Radio and its affiliated network stations.  The Akademia also awarded Lisa ‘Best R&B Cover song’ for “I Wanna Be Your Lover” originally written and recorded by the legendary Prince.  The LA Music awards also recognized Lisa for her performance of “Mind’s Eye” and awarded her ’Music Video of the Year’, ‘Electronica/Dance Artist of the Year’ and Producers’ Choice for ‘Outstanding Debut Release’.  The recognition continued as she also took home a Critics Choice Award for ‘Breakthrough Artist of the Year’ from the Artists in Music Awards.
     As the accolades for Lisa and her work continued to catch fire, Hollywood was all abuzz as she was presented the Hollywood F.A.M.E. Award for ‘Female Rising Star’ at the Avalon Theatre in Hollywood, Ca. Lisa was honored to accept her award alongside an elite group of celebrities and industry luminaries such as Wink Martindale, Cass Warner, Ron Jeremy and Leilani Sarrelle. 
     During the course of her all-embracing acting, music and recording career, Lisa has worked with some of the music industry’s biggest producers, re-mixers, writers and arrangers including MacQuayle (Beyoncé, Madonna, Lindsay Lohan), Rob Chiarelli (Madonna, Janet Jackson, Will Smith), hit songwriter Alex Forbes (Taylor Dane), Ed Goldson (Jay Z, Eve) and Dave Bianco (Bob Dylan, Mick Jagger, Vanessa Williams) to name a few.
     Lisa has developed a catalogue of over 500 songs and tracks ranging from Pop to R&B /Soul to Dance and Jazz, all available for licensing deals and commercial applications for television, film, radio and other forms of new media.  Lisa has performed to audiences around the world with her original music, musical reviews and book shows making her a well-seasoned national, international and global touring artist and performer.
     Lisa has appeared in many Broadway shows including ‘Annie Get Your Gun’ with Reba McEntire and Tom Wopat at the Marquis Theatre, NYC, and also the first national tour starring Marilu Henner and Rex Smith. Other Theatre credits include ‘Sophisticated Ladies’ starring the Duke Ellington Orchestra, ‘Jesus Christ Superstar’, ‘Phantom of the Opera’ and ‘Camelot’ to name a few. A featured singer and ‘Sporting Doll’ at the famous Monte Carlo Sporting Club on the French Riviera, Lisa performed for the Royal family and opened for a host of legendary stars such as; The Gypsy Kings, Donna Summer, Tony Bennett, Harry Belafonte and Shirley MacLaine. 
     Aside from her ability to perform live, her acting credits in film and television include the EMMY nominated TV series ‘Yes Dear’, multiple award winning TV show ‘Law and Order’ and the Oscar nominated movie ‘Donnie Brasco’ as well as multiple independent movies. http://www.imdb.com/name/nm2166116
    Currently, Lisa lives in Los Angeles, writing, producing, and recording her forthcoming record She is also auditioning for various film, television, voiceover, and theatre roles and is up for consideration on multiple projects.

Born, created and manufactured within the experimental lab in a Kurzweil assembly plant Audiomind got his melodious start in classical and native music at a very early age. Audiomind’s analogous analog life began to take shape after the melodic foundation of piano and drum lessons continuously in school and at home for the next 9+ years. Though Audiomind typically performed within the classical realm for years and received numerous honors, accolades, awards and recognitions for playing and producing music for live acts, Audiomind discovered his true motivation and passion lay in electronic music and not within the cramped experimental lab light years away from any known human life forms. This profound rhythmically inclined enlightenment transpired after Audiomind attended his first large underground music experience during his later teenage years. Audiomind immediately invested in his first set of rotary knob technics turntables and MTX mixer and from there incessantly accumulated records, samples, production knowledge and other analog gear for mixing, producing, performing, remixing, and recording throughout the Southeast United States. Audiomind’s affection for electronic music’s ambiance has naturally grown; alongside the tuneful vibe and harmony of the electronic music community, all the while transforming his progression into a professional DJ/Artist only that much more rewarding and exciting.

After graduation from instrumental chaos theory Audiomind began mastering his musical engineering prowess and his desire to attain respect for himself in his local underground electronic music community. Christophe Cash eventually evolved into “AUDIOMIND”, pensively believing that by serious examination of the vibrations and elemental properties of the natural music of his spirit, each note seemed to offer a delicate balance of blissful illumination with each passing drum roll and synth lead.

Audiomind’s electronic dance musical flavors has varied greatly over the years and with so much connection and devotion to so many different modes of instrumental bass music, Audiomind has chosen never to limit himself to a single genre while DJ’n, Producing and/or Performing.

Audiomind’s biggest influences throughout the years includes labels such as Siesta, Moody, Subliminal, Red Melon, TCR, Sunkissed, Defected, Terraform, Primal, OM, Hooj, Renegade Hardware, etc… but he embraces a special fondness for his extremely talented local artists, DJs & musical engineers.

Audiomind’s attitude and thoughts surrounding the electronic music scene focus on the positive vibe [it’s still there, just look for it!], the dedicated idiom of art through music, truth and dance, as well as his desire to bequeath a lasting impression on anyone he encounters. Audiomind’s philosophy also revolves around a respect and admiration for the many aspects of our community that encircle the individual expressions we create through art and sound.

As an active contributor to his local & regional scene; constantly strengthening, educating and promoting A Break Apart, Audiomind donates an infinite amount of personal time developing his regional scene and talent by helping serve and promote events, both progressively and optimistically through his alternative interest for graphic design, web design, event photography and other intellectual pursuits that help solidify a foundation for espousing his electronic musical prowess, individuality and vortex of reverberating auditory freedom.
AUDIOMIND is always in pursuit and in constant exploration of the subliminal ethereal of sound and the sub-consciousness of self. Aural elements include: abysmal resonances, transcendent tones, disembodied melodies, blurred rhythms, peripheral glimpses, bizarre juxtaposition, decayed voices, subterranean murmurings and beautifully, but terrifying, walls of noise. As Audiomind voyages further into the depths of electronic mayhem, its supernal beauty and surreal ego-shredding sound encircles him, resulting in the beautiful balance between harsh reality and ethereal fantasy!

Landon Frances is following